One of the most compelling aspects of Electric Universe cosmology is that it is visually apparent. A person can see a Peratt column in a petroglyph and reasonably conclude that our ancestors viewed a different sky than we do.
Or look at a telescope image of planetary nebula and recognize the hourglass shape of plasma current contracting to form a star.
Or view the red-shifted quasars inside Halton Arp’s “unusual galaxies” and determine for yourself if they are really the distant objects we’re told by conventional astronomy.
In fact, through Electric Universe eyes, you can see that patterns in nature, from galactic to nuclear, are coherent, fractal, and electric.
The planets and moons of our own solar system provide some of the most accessible and compelling visual evidence of all. Hexagonal craters, rilles and the odd distribution of these features, often concentrated near the poles, or in one hemisphere, attest to an electrical formation. One can imagine the vortex of discharging plasma that carved them.
Earth should also show electrical scarring – in an Electric Universe it has to be the case. But it’s not intuitively apparent.
Unlike the Moon, or Mercury, Earth doesn’t display a carpet of hexagonal craters. There are some craters we know that are ancient and eroded, but their formation remains controversial.
There does exist proof of electrical scarring on Earth, however, and it’s in abundance. You can say it’s staring us in the face. This article will discuss how to recognize it.
First however, recognize that what distinguishes Earth from a planet like Mercury, or the Moon, is its atmosphere and geomagnetic field. This changes the electrical character of the Earth entirely. It doesn’t respond like a bald, rocky planet in an electric current, drawing lightning bolts from a region of space that carries a different electrical potential.
Earth acts like a gas giant, integral to the circuitry, with current flowing through, as well as around it. But Earth’s current flows in a liquid plasma – the molten magma below the crust. In the event the system is energized, current discharges from within.
The evidence is in the extensive volcanism on Earth. Volcanoes straddle subduction zones at the edges of continental plates, rift zones and mid-ocean ridges. They betray the flow of current beneath the crust.
Surface evidence is in the mountains. Basin and range, mountain arcs, and mountain cordilleras are all proof of electrical discharge. To understand the visual evidence, however, requires looking beyond the simple concept of a lightning bolt from space. The reason is the Earth’s atmosphere.
When electrical discharge occurs in an atmosphere, it creates sonic-hydrodynamic effects. We experience the effect when we hear thunder – the sonic boom of a lighting bolt. It’s the sonic and hydrodynamic effects, in a dense, viscous atmosphere, that leave their mark on the landscape at the grandest scale.
In a previous article, “Surface Conductive Faults”, we discussed the concept of a surface conductive double layer providing a path for arc flash. The surface conductive path is the cloud layer, where we can see that ions collect to produce thunderstorms.
Imagine a lightning bolt of immense proportions, sheets of lightning, in fact, arcing horizontally in this region that is roughly five, to fifty thousand feet above the land. The focus of this article is the hydrodynamic effects of the resulting arc blast. Arc blast is the consequence of arc flash in a surface conductive current discharge.
Four Steps to Build a Mountain…
The following image (annotated by the author) from Los Alamos Laboratories shows a shock wave being created by a supersonic projectile passing over water. The colors display density; highest in the red, lowest in the blue. Purple is the baseline of the atmosphere. It provides a very good analogy for the way a mountain is built.
The result of the arcs passing is embossed on the land by shock waves that act almost precisely as those made by the projectile.
The difference being the shock wave is plowing land, not water, and it has the hyper-sonic velocity, heat and power of an arcing current – much more energy than a simple projectile.
The bow shock is an anvil of many thousands of psi, at a temperature many times that of the sun, carrying charged electric fields. In a dense, viscous environment, fluid mechanics, shock effects and electromagnetism align in phase and frequency with the arc that creates them.
In Region 1, the bow shock vaporizes, and melts the ground, plowing an oblong crater.
Region 2 is a reflected shock wave blasting into the atmosphere, pushing an exploding cloud of vaporized debris into a Richtmeyer-Meshkov instability, more commonly known as a mushroom cloud.
The cloud is not shown in the projectile over water because that simulation did not involve the explosive effects of expanding gases heated instantaneously by an arc flash.
The mushroom cloud rises behind the shock wave with a supersonic vacuum at its core. The updraft of expanding gases generates in-flowing ground winds that scream like banshees across the ablated surface of the blast zone, attaining supersonic speeds as they funnel to the core of the updraft, dragging clouds of molten rock and dust. A simulation of such an event created by an air-burst meteor is portrayed in this video by Dr. Mark Boslough of Sandia Labs.
The ground winds are directed perpendicular to the primary shock wave. Keep this in mind, because it is very important evidence in the sacred geometry of mountains.
In Region 3, a low pressure updraft forms, like the rooster tail behind a speedboat. The rooster tail pulls ablated melt from the crater. It forms the core of the mountain.
In Region 4, multiple shock reflections form triangular wave-forms. Note, the reflected wave bounces from the surface. The base of the triangle forms on the surface that reflects it.
The multiple shock reflections in Region 4 are standing waves. Standing waves don’t travel. The wave-form stays in place with the energy coursing though it. Reflected waves multiply, like in a hall of mirrors, repeating harmonic wave-forms to the nth degree, until the energy of the shock dissipates.
The reflected shock waves are rigid and stable when the energy is high, creating a shock ‘envelop’ over the ablated land. The energy does not dissipate quickly, because the vacuum of the mushroom cloud above is punching a hole through the atmosphere to space, drawing supersonic winds through the shock envelope like a cosmic vacuum. This is a source of free energy to the shock wave that keeps it alive.
Shock waves are highly energetic. They are razor thin sheets of pure energy, entire tsunamis in a sheet of glass. Like steel plates animated with resonate energy that derives from the original bow shock.
The incoming ground winds funnel through triangular plenums formed by reflected shock waves. The entire envelop of reflected waves acts as a coherent entity, with structural stiffness, resonating with the vibrations of the parent shock and the supersonic winds screaming through it.
It rides on the surface of the land, spread across the entire impact zone of the bow shock, like a multi-manifold vacuum cleaner, hosed to a hole in the sky above.
The winds plaster the mountain core with layered triangular buttresses.
Supersonic Wind Effects…
Shock reflections form at 90 degrees to the path of the shock wave that made them, so they emanate radially from the impact as seen in the Schlieren image of a bullet impact.
Hence, the orientation of triangular wave-forms holds information on the path of the initial shock.
It also vectors the supersonic wind flow, which layers the buttress in place. Therefore, wind direction is perpendicular to the stratified layers of the buttress and can be determined.
Examination of the coherent orientation of triangular buttresses dispels any notion they were made by random influences of wind and rain over the eons. The non-random, radial orientation of wave-forms is, in fact, impossible to explain except as the result of a single shock event that produced winds unlike anything we experience today.
When a shock wave dissipates, the inflow of winds doesn’t necessarily stop, but they slow down and are no longer constrained to the path formed by the shock fronts. The final layers of material deposited often lose coherence and exhibit sub-sonic flow patterns.
The layered material on buttresses is deposited in a hot, molten state. Patterns of deposition display evidence of molten fluidity at the time they were made.
Reflected Shock Waves…
Supersonic shock waves display particular behaviors that have been studied by aerospace engineers since the beginning of the jet age. These characteristics must be understood to design airplanes, missiles and rockets. We know a great deal about their behavior.
The angle that the initial shock wave makes is directly related to the Mach speed of the wave, so it is called the Mach angle. Hence, the Mach angle holds information on the speed of the shock wave that made it.
The triangular reflected wave form is an inevitability of supersonic flow. It forms when the initial shock wave hits a surface and reflects.
The reflected wave will have an equal, but opposite angle incident to the surface from the shock wave that made it, assuming the plane of the surface and trajectory of the wave front are parallel.
When the incident angle between the shock trajectory and the reflecting surface change, more reflected waves are created in predictable ways. Hence, the reflected angle holds information on the trajectory of the shock wave that made it.
The amplitude and wavelength of the reflected waves diminish over time as the energy dissipates. Hence, reflected waves hold information on the energy of the event that made them.
The shock wave travels on a transverse carrier wave called the “propagating wave”. This vibrates the land, seismically, from the hammer blow of the shock wave. The land will reflect some of the shock and absorb some of the shock, as a function of its modulus of elasticity. Hard rock will reflect better than sandstone, because the sandstone will absorb much more of the shock. Uneven surfaces will also modify the wave-form. This contributes to the variety of wave-forms we see.
Supersonic shock waves are longitudinal waves. Instead of vibrating up and down in a sinusoidal vibration, longitudinal waves compress and expand back and forth, like an accordian. Transverse waves, like the propagating wave, travel up and down.
The result is longitudinal and transverse waves super-positioning. Except inverted to the super-positioned wave shown below, with the fixed boundary above, fixed to the point in space the shock originated from, and wave motion amplified near the ground.
The static image in pink shows the standing waveform that results. Compression results in a higher frequency of small amplitude, short wavelengths, and expansion results in low frequency, high amplitude, long wavelengths. Triangular buttresses are the molded product of these shock waves, frozen in time as supersonic winds fused them in place on the mountain core.
Take a look:
These wave-forms had to be created from above. A wave needs a surface – an interface – with a medium of higher density to reflect. Pure seismic waves shaking and rolling the ground from below are unbounded above. The atmosphere can’t reflect a seismic shock and create a reflected wave-form on a mountain side. The shock waves came from above.
Our ancestors had a name for them… Dragons. We now examine more, compelling evidence.
The images below are color enhanced Schlieren photographs of reflected shock waves in a wind tunnel.
Wind tunnels typically show supersonic flow between two surfaces. The initial shock reflects from both walls, creating two triangular wave-forms adjacent to each other. The diamond patterns that form between the triangles are often called ‘shock diamonds’.
In the case where a supersonic shock wave is created in the air, it is unbounded above, so the only surface reflecting it is the ground, and it creates a row of triangles instead of two opposing rows.
The initial wind speed in the first frame (top left) is Mach 2. It shows the shock wave producing one and a half diamonds.
The wind tunnel is charged with gas in a pressure vessel, so as the gas flow progresses, the pressure and mass flow decrease from the pressure vessel, lowering the Mach speed of the wind.
The subsequent frames shows instability in the shock waves as the winds slow. The wave-forms compress and the angles of the primary and reflected waves grow less acute.
Vertical shock waves form, called normal shocks, which travel through the triangles, distorting their shape where the normal wave crosses the reflected wave, causing more reflections. New smaller triangles form and replace the original standing wave. This is harmonic reflection of the primary shock wave.
In the final frame (bottom, right) the wind speed has slowed, the triangular wave-forms are smaller and higher frequency. There are seven shock diamonds where there were initially one and one half.
This sequence of harmonic reflection as the energy of the shock wave dissipates is evident on the triangular buttresses stacked on the sides of mountains. As seen in the images below, triangles are stacked upon triangles in harmonic multiples as the successive layers of material were deposited by supersonic winds, tunneled by the reflected shock waves.
The first image in this group is most instructive. In it, the lower-most layers of harmonic waveform can be seen to have begun to form at the outer edge of the preceding layer.
Instability, Interference and Cancellation…
Transients in wind speed, Mach angle and multiple reflections create instabilities in the wave-forms. Unstable waves segregate and fan away from each other under expansion, fragmenting the wave-forms.
Or they bunch together in compression, pressing waves against each other. Shock waves don’t cross, but fold against each other, like magnetic fields interfering.
As wave-fronts compress, the wave-form can be squeezed and cancelled-out. In this image of a mountain in Iran, three wave-forms compress, distorting into curves where the waves, pressed against each other, bend the center wave-form almost circular. In the following layers, the pinched wave has cancelled altogether and the surrounding wave-forms have joined, stretching wavelengths to close the gap.
A similar wave cancellation has occurred in the next image. Here the center wave-form is cancelled by neighboring wave-forms, and they have expanded to fill the wavelength. A diagonal shock line appears cutting the mountain where the cancellation occurs. It crosses in a step-wise fashion, a few layers at a time, causing it to zig-zag. Note the ruler straight shock lines that divide the adjacent triangular buttresses.
Complexity is found within the shock fronts, inside the triangles themselves, as pressure and density variations.
Note the density variations form a circular feature near the top of this Schlieren image. The same feature is on the distorted triangular buttress found in Northern Arizona, shown below.
Also, note how the edges of the triangle draw in towards the circle, just as the waves near the top in the Schlieren image do. The three small buttresses below the hole show a striking similarity to the size and location as those on the wave-forms in the same position in the Schlieren image.
Here is another hole created in a triangular buttress. This one is in Iran.
The Lambda Foot…
This road cut is in Iran and is sometimes described as the slip fault that created the ‘horst-graben’ or basin and range region where this is found.
That isn’t the case. This slice in the ground was left by the primary, or incident shock (left side of the ‘V’) and its reflected shock (right side of the ‘V’).
This is the boundary region where the initial shock meets and reflects from the ground. The incident shock curves sharply downward, and the reflected shock is nearly straight. Where the reflected shock and incident shock meet, there is a feature called the lambda foot.
Note, the incident shock curvature and the particular dip of the sedimentary layers within the ‘V’. They are similar to the angled transmitted shocks shown in the ‘V’ of the diagram. Here is another image with a broader view. In this view, the lambda foot is easier to discern.
Also, a feature not originally shown on the diagram, the cut in the center top of the ‘V’ which results from a shock that curves downward, normal to the expanding corner of the reflected shock, annotated in red on the diagram.
This shock feature is along the side of a hill that can be seen stacking in layers to the left. It should define the outer boundary of the initial shock wave. If so, it should form a ring around the mountain. A similar ‘V’ shaped cut should be found on the opposite side of the hill. If true, the incidence angles, and distance between this ‘V’ and the predicted ‘V’ on the opposite side, hold information about the height of the apex of the passing wave.
Harmonic repetition is undeniably evident on triangular buttresses – proof they resulted from a sonic shock event. It’s proof they were created in a single, coherent event, and could not possibly be the result of time and erosion. Wave-form instabilities and boundary layer effects, like the lambda foot, imprinted on the landscape with such exact form, are beyond statistical happenstance.
Let’s be very clear on this, the wave-forms have no physical explanation in mainstream geology. The wave-form shapes, reflections, harmonics, expansions and contractions dictate a shock event that came from above.
A large comet, or asteroid that atomizes in an air burst could produce a plasma that sears the land, creating a crater, or astrobleme. But such an event would produce a linear, oval, or circular blast zone. Several fragmented bolides from a comet would produce a grouping of astroblemes, but they would necessarily be aligned to the comet’s trajectory.
Only an electrical arc has the ability to make turns in it’s path. The following images demonstrate what I am showing is not the result of any type of rock from space. Future articles will discuss more on the nature of an arc flash.
The stratified layers of triangular buttresses are often segregated by mineral composition. This is evidence of dielectric forces.
The arc flash that creates the mountain is essentially a lightning bolt, traveling in an ionized double layer in the atmosphere. An electric field will ionize particles. A magnetic field will sort them. An arc flash necessarily has an electromagnetic field surrounding it.
In fact, the arc is just the intense current flow of electrons at the core of the electromagnetic field. The field itself expands away from the core with the shock wave.
The sock waves are energized with current. The shock wave is a highly stressed region – a dramatic shear zone of pressure, density and temperature the ionized winds can’t penetrate. Ionized material flows with the winds in the low stress triangular region between the shock waves. The shock wave itself is a conduit for current. Current coursing through thin shock waves molds the electromagnetic fields in the coherent form of the reflected shock and sorts material according to its dielectric properties.
Another dramatic signature of an electrical nature is a feature we’ll call a blowout. Blowout occurs when the arcing current makes direct contact with the ground.
The arc flash follows the most conductive path available. It travels in the ionized atmosphere, especially in arid regions where soils are dry and non-conductive compared to the ionized atmosphere above ground. When a conductive surface feature is available the arc will fork to ground.
The conductive feature may be a mineral deposit, or water in a stream, aquifer or wetland. The result is a crater that blasts away a portion of the mountain being formed. The images below show a blowouts in the center of a mountain. It is apparent the crater significantly modified the form of the mountain.
The images to follow are from a complex formation of astroblemes in Iran. They are on the outside, or convex bend in a large mountain arc.
One unusual crater shows shock effects as the apparent arc trajectory changes. The feature annotated is an example of an expansion fan, which is a set of reflected waves that occur on the outside of a bend (convex) when the source of the shock makes a change in direction. The fanning shock waves have produced linear hills that radiate from the bend.
Ejecta and Ablation Zones…
Material ablated from the blast forms layered hills and pressure ridges on the surrounding area. Layering indicates material was blown away from the blast, instead of being drawn toward it by the suction of the mushroom cloud. Evidence of high speed winds is seen where they form fingers of conical flow, dunes and pressure ridges.
What we have seen:
- Triangular buttresses form on the sides of mountains in the shape of reflected supersonic shock waves,
- They are layered onto the mountain, so they are not caused by seismic waves,
- They are not layered sediments from an ancient beach, or waterway since the sharply angled triangles are a consistent feature around the world and do not conform to any motion of random water waves,
- They are formed in all types of rock, including granite, so they are not formed by eons of normal winds,
- The triangular wave-forms exhibit compression and expansion from superimposed longitudinal and transverse waves,
- The triangular wave forms exhibit harmonic repetition consistent with reflected shock waves,
- The triangular wave-forms exhibit super-positioning and cancellation under compression consistent with reflected shock waves,
- The triangular wave-forms are parallel to the primary shock pattern, consistent with reflected shock waves and perpendicular to the wind direction, consistent with supersonic winds created by a shock wave,
- The triangular wave-forms exhibit less energy and more transient effects on softer substrates, and higher energy and sharper, more defined angles on hard substrates,
- Triangular wave-forms exhibit transient reflections, normal shocks and features of density variation consistent with supersonic reflected shock waves,
- The blast zones show concentric rings of pressure ridges, layered in the direction of the winds,
- The winds within the blast zone are directed normal to the central mountain, or crater (outward blown winds), as indicated by surface layering on pressure ridges and buttresses,
- Boundary layer features of reflected waves can be found in the substrate of the blast zone, as seen in the road cut in Iran,
- Land surrounding the blast zone is blanketed with ejecta that exhibits flow patterns from high speed winds.
Future articles will examine more evidence for the effects of arc flash on the landscape:
- The ‘rooster tail’ and how big mountains are built,
- Following winds and how Kelvin-Hemholtz instability can modify a mountain ridge,
- Complex mountain forms and mountain arcs,
- The interrelation between volcanoes and mountains,
- The connection between shock waves, fractals and Lichtenburg landscapes,
- How rocks form,
- The cause and nature of an arc flash,
- Sub-sea canyons, trenches and rifts,
- Examples from the archeological and mythological records of mankind.
Geophysics, applied to evaluate geology as the consequence of electromagnetic and hydro-dynamic forces, will some day bear this out. You may even have the ability to bring that day closer. Your comments are invited.
The proposed theory of arc flash and arc blast and the effects on the landscape are the sole ideas of the author, as a result of observation, knowledge of shock and hydrodynamic effects, and simple deductive reasoning. The Electric Universe cosmological model provides the proper scientific context. Credit to Dr. Mark Boslough’s simulation of an air burst meteor, which provided significant insight into the mechanism of a shock wave. His simulation can be viewed on YouTube: Mark Boslough.
6 thoughts on “Arc Blast”
Fluid material in chaotic conditions (possibly earthquakes) mixed with violent strikes from above could have created a number of effects that are not immediately identifiable. Happy to say I believe I’ve found two examples of this more straight forward effect you are proposing in Montana using Google Earth. Should this theory take hold and begin to changes minds, it could quickly be the ‘hammer strike’ (read: Thor) that upends a whole lot of geological thinking. I keep feeling like we are on the very edge of seeing the re-writing of nearly all of the sciences. Keep it coming…
You still do not have an answer to how these “Arc Blast” were created. A lighting bolt is not the reason for these electrical effects, you need a thunderbolt with enough energy to create the shock waves. This thunderbolt is a secondary effect from a close Mars flyby. The mountain ranges in arcs were created by gravitational interaction between to planets passing by each other, that is why the central peaks in all ranges are highest in the middle and taper off in height at each end. For every action there is a reaction, on the Earth mountain ranges were thrust up within 30 minutes of flyby time, on Mars the intense gravitation of the Earth caused the Volcanoes on Mars to erupt an average of 1500 cubic miles of lava each close flyby. That is why the volcanoes on Mars are so huge, it took apx. 300 close flybys to create a volcano 84,000 ft. high and a base of over 100,000 sq.miles.
To have one of your writers say that Olympus Mons was createdby electrical discharge is nonsense and a failure of objective analyses. We also have to conceder that during Noahs flood 2484 that a small icy satellite of Mars exploded on the Earths Roche limit and as the chucks of ice entered our atmosphere they exploded with extreme force,possibly causing some of the effects of which your paper is trying to explain.
Thanks THX. I credit Steinbacher for opening my eyes as well. I recall he pondered triangular buttresses and their common form and windblown stratification. I think he would be pleased to know we’ve identified the cause and effect.
I was first introduced to this general concept by the late Michael Steinbacher and his discussions on welded tuff. You have fleshed out a great deal of detail, with the added knowledge of shock waves and their harmonics. Simply amazing forces at work.
Thanks for this incredibly detailed account on mountain formation.
Here’s an example of Michael Steinbacher’s work on YouTube:
Brandberg Massif – YouTube