Category: Electric Earth Video

Electric Earth – Sycamore Reservoir

Sycamore Reservoir – Parts 1 and 2

I backpack into the Catalina’s to look at features I believe were created by Arc Blast.

The Santa Catalina Mountains are unique in several ways. They are one of the ‘sky islands’ of the Madrean Archipelago. The nautical terms, island and archipelago, are used to describe the region because it resembles a dry island chain, dividing two seas of desert. The islands are mountains and the waters are cactus.

296780_255589454477312_100000787791512_666771_1120526016_nThe eastern sea is the Chihuahua Desert. I liken it to the Sargasso Sea – grasses on swells of rolling land with volcanic protrusions scattered here and there. It’s breezy and bucolic, an extension of the plains where antelope and buffalo once thrived. From West Texas to Arizona, and deep into Mexico, Chihuahua steams with thunderstorms in the summer, glazes with frost in the winter, and is a crystal cocoon of green grass and warmth in the Spring and Fall.

saguarosThe western sea is the Sonoran. It’s an overgrown jungle of desert, if there ever was one. Wetter than a desert should be, it teems with botanical danger. Cholla, Prickly Pear, Barrel, Occatillo, and the most grand succulent of all, Saguaro, wear cloaks of surgically sharp needles. Even the trees, Palo Verde and Mesquite, have thorns.

As inviting to pain as it is, it’s also a bounty of color and plenty that supports life in varietal abundance. Birds gather here from all of North America. The Sonora is the continent’s corridor for avian migration. In all respects, it’s the terrestrial equivalent to the Great Barrier Reef – birds swim in profusion like fish, reptiles skulk in lieu of crustaceans, cartoon cactus replaces coral, snakes are snakes, and coyote, bobcat and cougar predate instead of shark. It’s a coral reef without water.

catalinasThe mountains are the thing, though. They are the way birds and mammals hopscotch the way across dry, desert seas from the Sierra Madre in Mexico, to the Colorado Plateau. They are islands, where summits rise to ten thousand feet, covered in Ponderosa Pine, Douglas Fir and Aspen. Between the peaks and desert floor, environments layer by elevation. Chihuahuan grasslands overlay foothills of Saguaro forests. Canyons sprout sycamore and cottonwood groves. Juniper, Oak and Pinion stand in mid-layers with caps of forested woods with Canadian winters.

The Santa Catalina’s are queen of the Sky Islands, with exceptional majesty and drama in her cliffs, pinnacles and deep canyon vaults. She is a rock pile, though. Stark and bold granite shelves stack canted in a giant monocline.

SAM_0195There are deep cuts in its stacked layers of rock that bear the signature of lightning. Sharp angled, lightning-bolt crevasses shoot up rock faces, their floors exposing dykes of quartz veined rock with a grain at cross pattern to the surrounding cliffs. In other areas, features of precisely the same shape form on soil, the quartz rock replaced with sediments of starkly different color where plants won’t grow.

The obvious explanation that passes muster for science has these features the result of erosion from  rock-slide and water. I don’t think that is the case. Their angled, jagged progression up slopes and cliffs belies a gravity induced causation. I came to examine some of these features, because to me they appear to be evidence of Arc Blast. Arc Blast is a theory I propose for Telluric currents that once erupted from Earth in scorching arcs, and shattered across the surface of the land following a voltage gradient of surface conductive channels.

There is also a pinnacle I examine, called Thimble Peak, that is known by local native lore to be a sacred place. As I have found in most instances, sacred mountains are fulgamites formed by true lightning – arcs from storms in the sky. They stand like electrodes with dykes of rock radiating from the core, a formation created by a sustained and energetic arc. Thimble Peak is no exception, looking like a battery terminal jutting from Earth.

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The footprint of the entire mountain changes shape where Thimble Peak rises in stark contrast to surrounding ridges. Deep gorges surround it’s mesa-like sub-structure that finger out into the lightning bolt gouges. This trip takes me to the eastern gorge where I camp in its upper reach. A hot, dry day-hike takes me onto the backbone of ridge behind Thimble Peak to get a hard-to-reach perspective on it, and the giant arc features in the canyons.

SAM_0186The hike is in the Chihuahua ecological zone. It’s spring and the grasses blossom with color. It’s also warm and more buggy than normal. You’ll hear me spitting and swatting gnats quite a bit.

In Part two, I bring out the whiteboard and give a brief discussion of how I think fulgamites like thimble peak are integral to mountain formations like the Catalina’s.

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Looking for Petroglyphs

Ginger and I look for ‘squatter man’ in a variety of locations near Tucson, Arizona … without much luck.

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‘Squatter man’

Archaic petroglyphs are found on every continent except Antarctica. They are figures pecked into rock. Typically they are found on rocks that have a patina of dark glaze called desert varnish, and the artist created the figures by pecking away the varnish to expose the lighter, native rock beneath.

Similar figures are also found in intaglios, like those at Nazca, Peru, and on other forms of carved art, like the ‘Rongu Rongu’ text of Easter Island, and even totems found in Siberia.

They were made by stone age people. Although when they were made can’t be dated by the rock itself, some have been found in association with campfires, or crusted with lake sediments that can be. They indicate some were made as long ago as 10,000 BCE.

What is remarkable is they depict the same variety of patterns – squiggly lines, concentric circles, spirals and other geometric shapes. Also animals, ladders, oddly elongated alien-looking figures, and of course squatter man – a stick-man figure with arms and legs spread in a variety of “hands-up, don’t shoot” postures.

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Peratt Column

Actually, squatter man comes in several forms, sometime with a bird’s head, sometimes a fat belly. Yet these figures are consistently found everywhere, as if ancient people around the world had exactly the same idea.

How do the consensus scientists explain this? Some speculate that ancient man lacked imagination. Their emerging artistic abilities only allowed them to create these stick-like figures to represent people dancing and cavorting around the rocks, the animals they hunted, and simple geometric shapes that pleased them.

Others speculate that shamans made them after eating hallucinogenic plants, and the shapes are similar because their visions were created by the drug. I can tell you, these shapes are not what one sees with any magic mushroom, hallucinogenic cactus, DMT, or even LSD. I can speak with authority on that.

Alternative theories abound with the ‘Ancient Aliens’ community and UFO crowd. Of course they see evidence of aliens and UFO’s in every enigma from the past. Like the consensus scientists, they have a belief system to satisfy.

What they really are was discovered by a PhD., plasma physicist at Los Alamos Laboratories; Anthony Peratt, in association with Dave Talbott, one of the founders and principal researchers behind the Thunderbolts Project. Talbott showed Peratt one of these figures and he immediately recognized it depicted an extremely high energy  ‘plasma instability’ like those created at Los Alamos for nuclear research. In other words, they depict plasma aurora like the Northern Lights, except at extremely high energy unlike we see today.

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Squatter Man

Peratt performed an extensive investigation, engaging volunteers from around the world to document over one million of the figures. They documented the shapes, locations and orientation with respect to what direction the creators must have looked in the sky to see the glowing apparitions. His work is documented in a peer reviewed paper published by IEEE, the largest professional science journal in the world. This link will take you to Plasma Universe, his website, where you can find the paper and many more details about the phenomena.

The implications are enormous. For one, it explains why the same figures appear around the world – because people in the distant past witnessed them in near-earth space. It explains the enigma of such features as the Nazca Lines. Also, it means ancient people were experiencing an extreme event in the solar system, possibly from huge solar flares, or a large passing comet. Something energized earth’s magnetosphere with electricity that caused these auroral patterns to appear.

The event would have been catastrophic, because it means Earth would have been washed in deadly radiation. They point to a time in the past when catastrophic events occurred – a lost chapter in our past we don’t fully understand.

One would think archaeologists, historians and paleontologists would be thrilled about this discovery. One would think … but not so. They have totally ignored it because of scientific jealousy and because it doesn’t fit their paradigm. Who does this electrical engineer, Peratt think he is?

I talked to one “expert”, a PhD who actually studies southwest rock art for a living. He asked if Peratt had his silly paper peer reviewed by a proper archaeologist. I said no, because archaeologists don’t know diddly about plasma. I doubt one could be found who studied algebra, let alone quantum physics. It’s unfortunate, but consensus science shows less real curiosity about the cosmos than they do a need to protect their own theories and belief system. Science for many has become a pseudo-religion, not a method of inquiry.

Rocks in the deserts of North America have thousands of these petroglyphs.  In this Electric Earth video, I’ll take Ginger on adventures to find some. It isn’t easy.

 

Electric Earth – Intro

Follow along as I explore the landscape finding evidence of electrical scarring on planet Earth.

Our geologic history is not what we’ve been taught. The surface of the Earth, like all planets, was, and still is, shaped by electric forces. Plasma current from the Sun, passing comets, and other disruptions in the solar system cause electrical responses internal to our planet, and ionization in the atmosphere that results in volcanoes, earthquakes, weather and climate. In the past, these forces caused lightning, winds and flooding unlike anything we experience today.

Our ancestors recorded these events in mythology. Ancient rock art provides mute testimony. Petroglyphs depict auroral displays that accompanied such events. Around the world, ancient people recorded what they saw in the skies as they hunkered behind rocks, hiding from deadly radiation.