Tag: geology

Sputtering Canyons, Part 3

Previously published at Thunderbolts.info

In Part 1 of Sputtering Canyons, we discussed Arches National Monument, and evidence it was formed by a complex sputtering discharge process. That process involved a thermal spiking, barrier discharge in a layer of wet sandstone.

In Part 2, we looked at how charge and charge depletion disperses through rock by the combined mechanisms of current drift and diffusion. We looked at evidence of diffusion patterns in the landscape and evidence of mechanical shear caused by sputtering discharge.

In Part 3, we’ll look at some secondary effects from electrical deposition and sputtering on the Colorado Plateau. These features involve processes besides sputtering discharge and lightning bolts, however. These features also involved the winds of the storm.

In the primordial, plasma typhoon that layered the dome of the Colorado Plateau, winds were mobilized by the Earth’s electric field. Ionic species of opposite charge were pushed in opposite directions. Positive and negative species segregated into streams of unipolar winds that circled the Earth in bands moving alternate directions.

The electric field gradient was from pole to pole, or at least where the poles are now, so the winds circled north to south and south to north. The effect was the same as the counter-rotating bands of wind on Jupiter. Where they met was the anodic hot spot where super-volcanoes belched ash and flame, and the bowels of the Earth spilled forth molten rock.

Between the super-volcanic maw of Yellowstone and the strato-volcanic cones on the Mogollon Rim sits the Colorado Plateau, where the winds mixed in a plasma cyclone. The meeting of the unipolar winds was the earth-sized equivalent of the Great Red Spot on Jupiter – a sustained and violent storm, charged with electricity and bent by magnetic fields – a storm beyond any Biblical description.

Like Jupiter, the winds screamed at several hundred miles per hour. Mach effects, like standing shock waves and supersonic shear created extreme pressure, density and temperature differentials. Vast updrafts and downdrafts developed, tornadoes spun-up fifty- to one-hundred miles across, and all of it carried electric current.

Where shock waves form, electric current flows. This is known phenomena. The whole idea of an EMP weapon – an electromagnetic pulse that can knock out transformers and electronic systems, destroying the grid and communications, is based on this fact. Explode a nuclear bomb in the atmosphere and it will send out a shock wave. The shock wave carries the electromagnetic pulse that spikes current suddenly and wipes out electronics and power grids.

There is no battery in the nuclear bomb that creates the EMP. The EMP forms naturally in the shock wave. There are several effects that cause this. First, the shock wave is a sharp discontinuity in density. Where the density is higher, of course there is more matter, so a higher concentration of ambient ions are there, naturally raising charge density in the shock wave. The temperature is higher too, so that causes ionization in the shock wave. There is higher pressure, so particle collisions are more frequent, again ionizing the shock wave. And the bomb itself sends radiation with the shock wave.

So all these effects add up to a large electric current in the shock wave, and it is self amplifying. As ionization frees electrons to roam, they knock away more electrons in a runaway chain reaction. The process is related to the diffusion of charge discussed in Part 2, but in this case, the current diffusion is contained by the shock wave. The shock wave and electric pulse are coherent with each other.

Any place a supersonic wind hits an object, or is forced to change vector, or where it shears against winds moving at a different velocity, a shock wave forms. A projection, like a mountain, would create a standing shock wave that creased the wind, and generated current. In a plasma atmosphere, that current would grow very large.

Another feature of shock waves is they reflect. Like any wave, a light wave, an ocean wave; when it hits something, some of it’s energy echoes. When it does, it reflects in harmonic relationship to the wave that made it. Shock waves can reflect off each other, or align with each other and vibrate in harmonic resonance.

Every lightning bolt, every belch from a volcanic vent, sent new shock waves to reverberate through the air and echo from whatever they hit. Every sheet of current in them altered the electric field around it, and the atmosphere vibrated with charged waves, stiffened and resonating with feedback from the energy of the storm.

Some traveled at the speed of sound; while standing waves, reflected from stationary objects exposed to wind, stayed in place. They crossed, interfered and canceled each other. In the chaotic turbulence of the supersonic electric storm, shock waves literally patterned the atmosphere. Because the shock waves carry current, and magnetic fields result, the right hand rule forces waves into a cross-flow pattern with 90 degree angles.

Consider how ocean waves can form a coherent pattern in a cross-current sea, as shown in this photo from Ile de Re lighthouse off the coast of France.

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Ile de Re cross-current – Photo by Michel Griffon

Shock waves formed a similar effect, only carrying electric current. As the layers of the dome built the Colorado Plateau, they scarred the land with these patterns.

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Harmonic reflected shock wave patterns in Utah. Angles at 90 and 45 degrees.

This shock wave fracture pattern is almost universally found in the rim rock and cap rock of sputtered canyon walls, buttes and pinnacles. The fracturing takes the form of parallel joints, or checkerboard blocks. The blocks are sometimes deeply cut and look like broken teeth.

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Electro-sonic shock cuts deeply in monolithic layers.

In other cases, they are straight, evenly spaced, parallel fissures. Razor thin shock waves created the fractures in the cap and rim rock as the dome was deposited, while it was still hot and plastic. Thermal contraction during cooling, and the tearing away of material during sputtering, broke the rocks along the shock induced fracture lines.

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When nature uses a ruler – think electro-sonic shock.
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Shock patterns change between layers deposited by successive winds that cause discontinuity in fissures.
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Shock patterns capped by a layer of un-shocked sandstone.

The same effect is seen in completely different geologic formations – the windblown buttresses on mountain flanks. These images are from Comb Ridge, which is the southern rim of the Monument Valley dome, and San Rafael Reef at the southern rim of the San Rafael Swell. Both are dunes of triangular buttresses formed by the supersonic winds sucked into the storm that formed the domes. The shock waves from the supersonic winds that formed the dunes impressed themselves into the rock.

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Comb Ridge checkerboard shock patterns.
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Triangular flat-iron buttress in Comb Ridge with checkerboard shock pattern.
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Flat-iron buttresses San Rafael Swell, Utah. Note shock patterns on two successive layers, upper left and foreground.

The shock wave currents shatter into harmonic reflections in ever smaller patterns. In formations where extremely high energy was available, such as the hardened plates of flat iron buttresses on the San Rafael Reef, the shock waves continued to shatter, reflect and reverberate down to the smallest scale.

This rock photographed from a flat iron buttress in Utah by Robert Hawthorne, during a field trip following the 2017 conference, shows parallel cuts in rock only a half inch apart.

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This rock photographed by the author from another buttress in Utah during the 2016 field trip. It shows the squiggled fractures of a dissipating, shock induced current along the back edge of the buttress. These rilles only penetrate a fraction of an inch into the rock, and really defy any other explanation, unless rock eating worms cut these paths.

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Another feature related to shock induced currents in linear, parallel formations, are something we’ll call, inverse dykes. A dyke is a vertical wall of rock. It can be free standing, or it can be embedded in a parent rock, like a quartz vein in granite. Quartz veins are caused by very high-current shock waves (which immediately raises the question, how does gold get in them thar veins? But that is a question for a future article.)

These dykes are made of minette, which is very high in potassium ratio, making the rock highly alkaline, or anionic. Which means it’s electrons were sucked out.

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Minette dyke projects from Comb Ridge in background.
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Minette dyke undulates across plains south of Comb Ridge.

They were made by shock wave currents – electro-sonic waves that scored across the land and fused the parent sands into walls of electro-chemically altered rock. They emanate from Comb Ridge on the south side of Monument Valley. And they are coherent with the triangular flat-iron buttresses of the Comb, which were formed by the same shock waves.

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Blue lines trace minette dykes from Comb Ridge
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The black dykes align with the Mach angle of the shock wave that formed the Comb’s flat irons.

Inverse dykes are similar wall-like features that were formed by currents that depleted the rock, shielding it from sputter. These upended pancake walls at Arches N.M., Utah were left standing as the lanes between them sputtered away, in the same fashion that preferential sputtering left mesas and pinnacles in the shadow of lightning strikes. Only for these, the diffusion of charge depletion was shaped by electro-sonic shock waves.

You can see they are layered, like the deposition layers of the mesas. Dykes don’t have deposition layers – they actually cut through deposition layers. Inverse dykes have deposition layers because they were part of the dome before it sputtered.

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Inverse dykes of deposition layers undulate through sputtered canyons in Arches N.M.

Another phenomena related to the whole sputtering process is gaseous explosions. It primarily occurs during dome deposition, when hot sand rains down, accelerated by the electric field under the eye-wall of the storm, to be pressed into a layer on the dome.

After deposition, but while the rock is still hot and plastic, still popping and sizzling with excess charge, volatile mixtures accumulate in pockets. The pockets migrate through weak joints, dykes and veins in the rock, to explode near the surface, leaving holes from bubble bursts. Remember, the veins and joints are current carrying, shock induced features, so they dissipate heat and current as they cool.

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Each hole can be associated with a fissure, or seam in the rock.
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Tiny bubbles erupted along a fracture line, bottom left and center right.
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Hand sized bubble bursts.

It’s very similar to the heat spiking bubbles that created Arches, N.M., but this occurs during dome deposition, not sputter. The gases are aided, or caused, by residual current in the rock escaping after it deposited.

It can leave perfect bubble imprints in dense, hardened rock. Look carefully at the bubble imprint lower left of the arch. It has a “Y” shaped ridge that is the precise symmetric pattern molded into the rock that three bubbles connected would present, because they have to equalize pressure across their membranes. This is not water erosion. This is bubble explosion.

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Look for the Y-shaped star in the lower left-most bubble impression.
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Interesting flash-over patterns in the broken rock face near the hole causes patina of ‘desert varnish’. Looks more like drool from the lip of the bubble burst.

They also explode outward in large jets, off-gassing the hot fresh mountain as it settled and cooled, leaving ‘yawning throats’ like this.

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Blehhh … Pardon me!

The light at another time of day on the same ‘yawning throat’ in the San Rafael Reef, Utah shows the band of white crystalline dyke that the gasses migrated through. The ‘tonsils’ are a blade of the rock dyke.

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A gas jet blew out along a dyke, which forms the cleft in the roof of the cavern.

This slot canyon in the San Rafael Reef was cut by a discharge of current and off-gassing. The discharge was powerful enough to cut the narrow canyon, implying it was an arc mode discharge.

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Looking out the slot canyon.

The throat of the discharge is a hole about 3 feet in diameter. It is choked with an effluvia that followed the discharge and solidified as it dripped from the throat. There is a vertical dyke in the rock aligned with the hole, which can be seen as the white streak in the vee-notch above the hole.

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Looking into the slot canyon to throat of discharge.

The throat is completely choked with the effluvia. The effluvia is black and textured much like minette, found in lightning generated features elsewhere in the region.

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Throat of the discharge that cut the slot canyon plugged with solidified effluvia.

A runnel of the black effluvia drips from the throat, and the walls near the throat are splattered with a white substance.

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The throat is plugged with solidified

Taste testing the white substance indicated an alkaline bitterness. Being in a National Park, samples could not be taken, so no further analysis is available.

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Curious research assistant sniff tested and reported a ruff scent.

Off-gassing bubbles can be quite elaborate in volatile flows of foaming minerals. This carbonate rock fizzed like seltzer before it suddenly phase-changed to solid leaving exquisite bubble molds. Such sudden phase change implies an instantaneous electro-chemical process due to electrical discharge and recombination.

DSCI0350DSCI0349This image shows why off-gassing bubbles are part of deposition, not sputtering. The bubbles are in the untouched surface rock above, while the scalloped break in the rock (from a cupping spall caused by sputtering) has no holes. The holes were already there when the canyon was sputtered, and are only a near surface feature caused by off-gassing.

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Bubble holes in native rock above spalled section occurred at deposition.

While theory and conclusions presented here are the sole opinion of the author, appreciation to the researchers who spent hot, grimy hours exploring Canyonlands to obtain photos and data is due. Researchers Larry White, Bruce Leybourne, David Orr Steve Cash and Ginger endured extreme heat, dangerous roads, treacherous heights and fine sand in their food, examining the wonders of Canyonlands, Utah for this article.

 Thank you.

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Sputtering Canyons, Part 2

Also published at Thunderbolts.info

In Part 1 of Sputtering Canyons, we discussed Arches National Monument, and evidence it was formed by a complex sputtering discharge process. That process involved a thermal spiking, barrier discharge in a layer of wet sandstone.

In Part 2, we’ll take a broader look at some regions on the Colorado Plateau where similar sputtering discharge processes took place.

One of these is Monument Valley. Monument Valley was formed by sputtering discharge that almost completely etched a layer of the original dome away. What is left are the lonely pinnacles and buttes iconic to Western movies.

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Monument Valley, Arizona

The reason these pinnacles and buttes are left standing, while the same layers of sandstone etched away around them, is due to preferential sputtering. Preferential sputtering is normally associated with sputtering an alloyed metal where one element in the alloy sputters more efficiently, eroding away faster than the other alloy metal.

In Monument Valley, the buttes and pinnacles left standing were portions of the dome that resisted sputtering because of a difference in charge density. The part of the dome that lifted away, did so when the wet layer – the icing in the layer cake – became a charged, hot ionized mud. A sheet of high charge density developed at the base of the mud with an attraction to the clouds above – and like an electromagnet picks up a junk car – the storm’s electric field lifted away the overburden to dissolve in electric winds.

The buttes and pinnacles are remnants that didn’t have the same charge in their wet layer, so they didn’t get pulled away by the electric field. The reason is: they were struck by lightning.

In the dark mode, drifting plasma current that causes sputtering, there is always the potential to spark. Manufacturers are careful to avoid this because it will flaw the finished surface. The pinnacles and buttes were parts of the dome where an arc, or many arcs struck and dissipated built-up charge. Instead, it altered the ground charge beneath the strike zone so the electric field couldn’t pull it away. Therefore, the buttes and pinnacles were preferentially – not sputtered.

In the parlance of the semiconductor industry, the charged layer was doped by the presence of water and minerals, which gave it an excess of electrons. When lightning struck, it depleted the charge and left an excess of “holes”, or the absence of electrons, which cancelled the attractive force of the sputtering discharge.

The evidence for this is manifold. To begin, consider the cap rock formations and spires found on buttes. Butte tops aren’t flat. They generally have something like a step pyramid, dome, or pinnacle on top, which is where lightning discharge was most intense.

Notice, in the images below, the pyramidal caps. The rock below the caps is darkened significantly more than adjacent stone. Not only is there black patina, but there is also more redness to the rock itself in streaks below the caps, with deep vertical fracturing. The charge depletion from lightning, and the subsequent recombination of the most severely depleted zones beneath where it struck, heated, shocked and hardened the rock more in these areas than in others.

DSCI0100DSCI0099The step pyramid structure, or terracing on canyon walls and buttes is another evidence of sputtering. Each sedimentary layer has different compositions of minerals and moisture, differentiating the dielectric property of each layer. The zone of charge depletion under lightning strikes spreads out in a conical diffusion pattern, but the cone is stepped, or terraced, because there is a step voltage across each dielectric layer.

Slide3Where there are towering cliffs with sheer vertical walls, it is because it is a monolithic layer with a consistent dielectric, causing a single large voltage step.

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Where there is very hard rock, the edges are torn in chunky blocks. The flat, smooth breaks are not the result of millions of years of erosion of any type – wind, rain, ice, exfoliation, or flowing water. Any of those actions would have the opposite effect. The rocks have such smooth, flat faces, and sharp, angular, undercut edges because they were broken by mechanical shearing as the neighboring rock was ripped away.

DSCI0112Evidence of shearing is especially evident on monolithic walls. Sharp edged breaks are everywhere, leaving smooth, flat faces, hardly roughened, or rounded by any act of erosion.

Arching fissures are evidence of spalling, where the material tore away in flakes, cupped upward in the direction of shear. The arches often show concentric creases where flakes broke away in smaller sections deeper into the rock. One can see the same type of concentric flaking in broken glass.

In some places the canyon walls have the look of broken glass. In others it looks more like the broken end of a brick of hard cheese. Perhaps a well-aged Parmesan – stiff, dry and flaky, with a low shear strength.

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Upward cupping flakes leave spall marks from shear.
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Cupping spalls where rock flaked during shear.
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Cupping Spalls
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Cup shaped spallation
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Cupped spallation with effluvia spilled from a fissure.
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Big cupping spall inside a spall.

Besides cupping spalls, some surfaces show other evidence of stress fracturing due to shearing force.

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Stress fractures create sharp edged, wavy spalls where rock was torqued as it sheared away.

There is almost always a  thin layer of hardened rock at the interface of each terrace. This is where charge accumulated at the boundary layer of the strata, and the current hardened the charged sheet of rock more so than the surroundings.

Each dielectric layer spreads charge to the interface of its layer, driven by the electric field, to balance the voltage drop across the layer. So a charged sheet develops at the interface of each layer, and a step voltage to the next layer, which creates a surface tension at the interface, which makes the rock hard and dense. What is sandwiched between is often loosely consolidated.

DSCI0401Pinnacles in this region are of two types. Fulgarites, like the burnt shard of Agathla peak, are the direct result of lightning boiling up the crust of the earth in an electromagnetic blister. These types of pinnacles were discussed in Lightning Scarred Earth, Parts 1 and 2.

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Agathla Peak in Monument Valley is a lightning blister.

Sandstone pinnacles are where lightning struck and altered the charge in the rock beneath it, creating an electrical ‘shadow’ to sputtering discharge. They are literally, the shadow of lightning strikes.

The footprint of a ‘brief’ strike, comparatively speaking, produces a narrow cone of protection. How the cone slopes and steps depends on properties of the rock layers and the electric field potential.

DSCI0101More sustained, or potent striking begins to diffuse charge depletion outward, forming nodes, or star like breakouts.

DSCI0418Still larger accumulation of strikes, diffuses charge further, and nodules break out into ‘wings’, or dykes of charge depleted rock.

DSCI0343DSCI0344DSCI0345The shadow footprint grows as arcing continues, elongating charge depleted zones into wedges with dykes growing out the tips and edges. It’s actually the beginning of a fractal dendrite, as lightning bombardment soaks charge from the ground, diffusing outward in branches and creating a depleted zone protected from sputtering. If the process continued before the surroundings sputtered away, the dendrite nodules would grow and branch in ever smaller fractal repetitions, like branches of a tree.

Molly's Castle1Little flat topGilson Butte1Wild Horse Butte3Wild Horse ButteAs adjacent rock is struck, the depleted zones connect into networks of wedges, ridges and pinnacles.

DSCI0204DSCF2097DSCF2098DSCF2096Generally, the pinnacles and buttes left on a dome are layered flat, but in some areas buttes display a dip, indicating horizontal winds influenced the deposition. Sputtering follows the voltage gradient, and so carves away from the lightning depleted zone in alignment with the strata because the voltage gradient follows the dielectric layers, cutting at 90º to the dip angle, leaving a straight-edged non-vertical wall. If eroded by conventional notions of wind, rain and mass wasting, the rock would obey gravity and erode a vertical wall. It is in details like this that prove electrical formation.

DSCI0347What we see in the stepped pyramids and terraced canyons is the result of two types of charge transport in a solid state matter. One is drift ionization caused by the external electric field of the storm, and the other is diffusion current caused by differences in charge density within the material of the dome.

Drift current is the flow of charge created by the external electric field of the storm, which primarily drives the ionized region downward, vertically through the layers of sandstone. Drift currents obey Ohm’s Law.

Diffusion current obeys Fick’s Law, which is related to Ohm’s Law, but accounts for variations in charge density that causes ionization to migrate from a region of high charge concentration, to a region of low concentration. No external electric field is needed for diffusion current, because the difference in charge concentrations creates a gradient between regions that results in a local electric field. This is the primary process that migrates charge horizontally – spreading out through each layer of sandstone.

What is carved away by sputtering leaves distinct scalloped edges in very dry, low conductivity material. The scalloping is a fractal phenomena of electrical diffusion that repeats the scallop shape in ever larger scallops.

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Canyon rims are dry, course, and broken, with scalloped walls.

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There is very little fallen, broken rock surrounding buttes and pinnacles.

In wetter environments this isn’t as apparent, or it may be totally absent, because water diffuses charge more evenly, creating smoother surfaces.

Water4archesWater3archesCompelling evidence the scalloped and terraced walls are a result of charge diffusion is shown in this image, where the archetype of all fractal shapes emerges – the Mandlebrodt Set.

Although it’s not a computer perfect rendition of the Mandlebrodt Set, it is nearly so. It’s a naturally generated fractal based on the same mathematical relationships of iterating three dimensional motion that governs electrical charge diffusion in solid state electronics.

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The implication is obvious.  The shape of the canyon walls, the terracing, the fractal repetition of form – everything known about applied physics dictates this is the result of electrical current diffusion on a continent-scale semiconductor under the influence of a gigantic electric field. The physics is not only laboratory proven, it’s been used to make every semiconductor device ever manufactured.

In fact, geophysicists and even Hollywood CGI artists, simulate geologic forms like watersheds and river systems, canyons and mountains, using the fractal geometry of electrical diffusion. So, what is being described here has been acknowledged by consensus science. The scientific conclusion that these land forms are the result of electrical diffusion caused by an intense electric field influencing Earth’s crust, in an event in the manner Electric Universe theorists have described since Immanuel Velikovsky, is scientifically unavoidable.

Yet avoid it they do – consensus science, that is. To quote from a Wikipedia article on diffusion:

“Analytical and numerical models that solve the diffusion equation for different initial and boundary conditions have been popular for studying a wide variety of changes to the Earth’s surface. Diffusion has been used extensively in erosion studies of hill slope retreat, bluff erosion, fault scarp degradation, wave-cut terrace/shoreline retreat, alluvial channel incision, coastal shelf retreat, and delta pro-gradation. Although the Earth’s surface is not literally diffusing in many of these cases, the process of diffusion effectively mimics the holistic changes that occur over decades to millennia.”

Do you see what is going on here? Geophysics uses diffusion models to recreate Nature’s landscapes – they use the mathematics and physics of charge diffusion to do it, but don’t understand why – they think it’s just a coincidence. Rather than conclude from empirical data they have in hand, in proper scientific fashion, that electric current diffusion has a role in shaping the landscape, they conclude it’s just coincidence.

One hates to be critical of hard working geophysicists, but to have an empirically proven answer staring you in the face – and even be using it, with great success, as your model – and still ignore it in favor of a preferred narrative, is what a politician does, not a scientist. The idea that diffusion “mimics the holistic changes that occur over decades to millennia” is nothing less than absurd.

Diffusion is caused by charge transport from higher to lower concentrations. It’s an inside-out physical phenomena. It occurs at the atomic level, where charge diffuses from atom-to-atom, and then works its way out with secondary effects to produce the macro-fractal patterns we can see. Conventional erosive forces of water, wind and ice act on the land from the outside in, not from the inside out. They can’t possibly produce the kind of landscapes we actually see, and that is why they cannot be modeled with hydrodynamics, or any of the unverifiable effects of slow random forces of wind, ice and water acting over millions of years.

Scientists are forced to use electrical diffusion to model the obviously fractal and non-random forms on the landscape because it’s the only model that works, yet are so invested in scientific dogma they can’t see the discovery they made. It verifies everything I’ve said, so I appreciate they’ve already proven my case. But their notions violate physics, which is something they obviously don’t understand, so they call it a coincidence instead.

Fortunately, in EU we like to deal in truths. In Part 3, we’ll examine a few more examples of Sputtering Canyon evidence.

Sputtering Canyons, Part 1

Also published at Thunderbolts.info

In summer of 2016, following the EU Conference in Phoenix, Arizona, EU Geology researchers visited Arches National Monument, and the deep reaches of Canyonlands, Utah, where the Green and Colorado Rivers channel through the Colorado Plateau.

Arches National Monument is an astonishing place for anyone interested in EU Geology. By conventional reckoning, the high desert plateau was carved into fantastical arches and hoodoos after millions of years of subtle water and wind erosion. To the EU researchers, however, it was evident the land was zapped, carved and seared by electrical storms that could have happened last year, so fresh looked the marks of evidence.

The Arches’ formation tells a story which explains one of the key phenomena that shaped the face of the planet. The phenomena is called sputtering discharge. So let’s take a look at what that is.

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Arches National Monument, Utah

Sputtering discharge, as used in manufacturing, is a dark, to glow-mode current in plasma used to deposit thin films of material onto a substrate surface. It’s analogous to electroplating, or galvanic reaction in a fluid.

An electric field accelerates positive ions in plasma to collide with a source material, which breaks molecular bonds, eroding the source material. This is what the term “sputter” refers to –  the breaking away of particles which then drift in an electric field to coat the substrate. The source material is the cathode, and the substrate is the anode in the circuit. The material exchange is performed by electricity. Manufacturers often use magnetrons to shape and control the current, and improve material transport efficiency with external magnetic fields.

The point to be made, however, is that high voltage, low current in a plasma will erode, or etch away a cathodic surface and plate itself in layers on the anode. This is the process that shaped Canyonlands.

To fully understand these canyons, however, we must first understand domes, because the canyons are carved from a dome. The entire Colorado Plateau is a dome – or rather, a series of domes overlaying each other. The domes are composed of sedimentary layers of limestone and sandstone. The layers are stacked for the most part evenly and flat, like a layer cake.

This basic layer cake structure is capped with the Rocky Mountains on the East and carved into canyons on the West, while shot through with the Lichtenberg patterned, vertically cut gorges of the Colorado and Green Rivers.

The dome structure of the plateau, and the canyons carved through it, is primarily the result of a natural sputtering discharge process created during intense electrical storms. Of course, in this case, we are speaking about storms created in a past environment, when Earth’s electric field was amplified to the point the atmosphere ionized.

Imagine the atmosphere stirred into a maelstrom lit with streamers of glowing plasma. Where lightning crackled, not only in the sky, but across the land, and mountain tops glowed with coronal fire under swirling clouds of dusty plasma.

It would have been surreal. A place where streams of wind became electric currents. Where high and low pressure zones acted like battery terminals, and mountain tops became electrodes drawing machine gun lightning from the sky. Anything standing in the wind would have hissed and snapped with coronal fire.

Dust in the air would have acted strange, too, as the energy of free electrons collided and overpowered weaker atomic bonds, ionizing matter, causing it to act like a ferro-fluid under the influence of a magnet. Ionic species segregated, forming unipolar winds that tore past each other in opposite directions, creating shear zones of intense electrical discharge, and vortex winds of supersonic speed.

The inside of Earth would have been in turmoil as well. Hot magmas spewing from volcanic vents. Aquifers boiling. Explosive eruptions of steam from deep underground, pocking the landscape with holes. Even arcs would erupt – lightning from the ground – caused by buried pockets of charge where minerals and water ionized.

The winds, dust laden and electric, deposited the Colorado Plateau, plating a cake across the western half of North America in the same way semiconductor manufacturers layer circuitry onto silica wafers. The stratified layers are interspersed with magma flows, petrified forests, inland seas and dinosaur bone-yards of different ages that indicate it formed in a series of events that likely recurred over millions of years.

To create the Canyondlands, the voltage potential had to reverse, and eat away at landscape newly laid down by the storm. Under the electric field of an electrical storm, the surface of the earth becomes positively charged. It becomes the anode in the circuit where lightning strikes from the negative cloud base, and where rain falls. In primordial ionic storms like those that formed the plateau, rain didn’t fall, but silica did, as dust in the air fell and adhered in layers to the dome.

Inland seas, or layers washed over by tsunami generated by the storm itself, became covered over with more layers of dry overburden as the storm progressed. This left a moist layer, like icing in the center of the layer cake. This icing layer then ionized under intense bombardment from sputtering discharge in the eye of the storm, and created what is known as a barrier discharge in the moist layer beneath the ground.

Which brings us to Arches National Monument, proof that the canyons were carved by sputtering discharge, aided by barrier discharge, in a moist layer of the big cake.

This image tells most of the story. A band of rock that looks tortured and fluid, as if it were boiled mud when it solidified, sandwiched between smooth, more-or-less even layers of stone. The canyon floor is flat, which is surprising, if one accepts the consensus view that the canyons were made by water erosion. Water erosion leaves deep channels and vee-cut valleys, not flat floors.

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‘Boiled Mud’ layer in Arches National Monument. The undulating bottom of the ‘boiled mud’, strata may be indication of tufting typical in plasma discharge.

This closer image (below) shows the fluidity of the layers. The overburden rock barely sinks into the sagging layer that turned plastic beneath it, because it was still solid. The plastic layer sagged, but didn’t compress, maintaining a consistent thickness. But on the bottom, the ‘boiled mud’ layer fluidized and squeezed like toothpaste.

What turned this layer fluid, and caused it to sag beneath a solid overburden, was electrical current. A barrier discharge current, where no gaseous atmosphere was present to ionize into plasma, but instead, the moisture and mineral in the layer ionized, generating a subsurface current.

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Fluidity in the ‘boiled mud’ layer.

The moist layer ionized and charged species pooled into a plasma-like mud the electric field wanted to lift away. The electric currents boiled the moist layer and it began to foam and arc into the drier and electrically resistant overburden. When sputtering removed the surrounding overburden, pressure released and vapors expanded, making gas bubbles that raised the arches. Hardened pinnacles formed where mud boiled up in convective blossoms of hot ionization.

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The arches rise from the ‘boiled mud’ layer.
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Bulbous nodules rise from the ‘boiled mud’ layer like bubbles of foam.
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Beneath the ‘boiled mud’ layer, strata returns to evenly structured layers.
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A yawning arch rising from ‘boiled mud’ due to gas bubbles. The small hole to left is flattened against the hard overburden, as a bubble would, pressing up against a barrier.

One can see how the moist layer boiled and heaved, while currents arched and thrust upward, trying to break through the overburden rock. But in this area, it was unsuccessful. The traces of barrier discharge remain in the rock.  The empty, flat canyon floor, where the overburden and moist layer were carried away is where the discharge broke through to complete the circuit.

Arches is a display of etching, or Electric Discharge Machining (EDM) stopped in process. The wet layer was boiling off due to the current in it, and lifting away with the overburden when the process stopped, leaving these arches and hoodoos. It likely stopped when the sputtering glow current suddenly jumped to arc mode, and lightning struck, dissipating the charge built-up in the wet, ‘boiled mud’ layer.

Sputtering discharge is typically used in manufacturing to remove only micro-meters of material. The ion bombardment on the surface of cathode material only shallowly penetrates to break atomic, or molecular bonds and release particles. So how could such a process remove hundreds of feet of solid sandstone?

One reason is the strength of the electric field at work on the charged species. In the primordial storm we are discussing, the electric field would have been many billions, perhaps trillions of volts. The electromotive force of such a field applied to any large pool of charged species could lift a mountain.

The other reason is diffusion of charge through a thousand feet of dry, sandstone overburden, to ionize the wet layer. The section of the dome overlaying the wet layer acted as a solid state semiconductor, coherent with the intense electric field. Charge diffused through the silica layers in a manner to be discussed in more detail in Part Two of this article.

The wet, ionized layer then underwent a process called heat spike sputtering. Heat spike sputtering occurs when diffusing ionization causes secondary reactions. The secondary reactions occur in the wet layer, which is highly conductive and volatile. Currents heated the material and caused thermal liquifaction, melting and steam micro-explosions.

In Canyonlands, the wet layer ionized, inducing currents which heat spiked, discharging from the wet layer to the layer above. The arches and bubble-like pinnacles in Arches N.M. were created by heat spike sputtering and bubbles from micro-explosions as the ‘boiled mud’ layer ionized, vaporized, and discharged into the overburden.

This short film produced by diveflyfish on YouTube helps visualize the process of diffusion through rock and barrier discharge that caused the ‘boiled mud’ layer to boil. In it, Jim Hamman, the creator of diveflyfish, and an EU contributor, employs a high voltage Tesla circuit to generate current through a granite block. There are two things to note as you watch the film.

First, note how the flow of electricity diffuses through the entire granite block. Instead of channeling directly below the electrode in a narrow stream, it flows out the full footprint of the crystalline granite block. The external electric field of the circuit is diffusing charge through the granite as in a solid-state body.

In the tense electric field surrounding the eye of the hyper-storm that etched the canyons, currents also diffused through the dome matrix in this way, ultimately ripping out mountains of earth in the blink of an eye as currents boiled and liquified the wet matrix below, similar to the plasma tornadoes swirling in the gaps between the electrodes and the granite.

Second, note the plasma tornadoes that bridge the gap between the block and electrode. They are not in bright arc mode, but are filaments in glow mode. The plasma tornado currents are in the air gap, where the air has ionized to plasma. In the Arches, there was no air gap between the ionizing wet layer and the overburden, so the discharge was a barrier discharge coming from the ‘boiled mud’ layer. The currents flowed around the boiling, bubbling, foaming heat spikes to fuse and harden the less conductive overburden in it’s pattern of arches and pinnacles.

Jim’s experiment was intended to look for piezoelectric amplification of the current, but isn’t instrumented to acquire a measurement in this video. It does however demonstrate diffusion of current through granite, which demonstrates how ground currents can diffuse in natural rock. Towards the end of the clip, arcing begins where hot spots begin to eat through the granite, collecting the current into a single path, and starving the diffusion currents.

There are many other evidences of sputtering discharge in the Utah Canyonlands. In part 2 of Sputtering Canyons, we’ll examine some more.

Thank you.

Lightning Scarred Earth

This two part video looks at lightning scars in the Four Corners region. Lightning is becoming recognized as the premier cause of mountain erosion, having far more impact than water, wind, ice, or exfoliation, at least on some mountains around the world. Lightning can blast a house size boulder apart, toss rocks the size of buses around and pepper the ground with pock marks.

In the past, lightning was far more severe, when Earth Earth was in a different Solar environment. Scars on the land attest to a time when the atmosphere heavily ionized, turning it to a plasma maelstrom where lightning strafed the landscape like a machine gun, and grew to proportions that created electromagnetic blisters on the land so large that we mistake them for volcanoes.

 

 

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Lightning Scarred Earth, Part 2

Originally published by Thunderbolts.info

In Part 1 of Lightning Scarred Earth, Shiprock was presented as an example of a pinnacle created by lightning. Fulgarites are created when lightning strikes, and current penetrates the ground, leaving a hollow tube of glassy, fused material behind. Current from the lightning vaporizes and extracts material in it’s path, while it’s heat vitrifies the surrounding soil, leaving behind glassy tubes.

Based on it’s features, it’s proposed that Shiprock is a standing fulgarite, created by lightning so powerful and sustained that the material began to recombine in the current as it was pulled from the ground, leaving behind a pinnacle of fused material instead of a hollow tube. Once material recombines, it’s no longer charged and attracted to the lightning channel, so is left behind, it’s ionic makeup altered by the current and heat.

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Dark minette spills from the center of Shiprock, surrounded by a broken sheath of lighter, distinctly different rock.

The morphology of Shiprock displays this very well, with columns of fused rock, surrounding an inner core of minette – ionically altered material pulled from the ground by the flow of current. Surrounding the pinnacle are minette dykes radiating away in a star pattern.

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Dykes radiate from Shiprock in a star pattern

Minette is high in potassium and low in silica content. It contains high volumes of orthoclase and biotite. Both are minerals with high metal content, such as potassium, iron and sodium.

Silica dioxide will readily exchange oxygen with metals, such as those found in the orthoclase and biotite, when sufficient heat is applied. The prevalence of potassium and other metals crystallized in minette, and its under-saturation of silica, is evidence of the reduction taking place as it was formed.

This suggests that the lightning forming it was positive lightning, which is the type of powerful lightning seen striking from the stratospheric anvil clouds in thunderstorms. Electrons and negative ions in the ground, pulled out by the positively charged lightning, left behind a concentration of positively charged material which was not attracted and drawn away. The dykes and inner core of the pinnacle show the path of the current being drawn to the lightning discharge.

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Delicate lichtenberg discharge surrounds Shiprock

Following the lightning strike that formed the pinnacle, the area was left with a net positive charge, which attracted a secondary ground discharge, or arc blast that emanated from a different discharge process. This secondary discharge will be explored more in the future, but it’s worth mentioning now because it left a magnificent Lichtenberg pattern across the ground, unique to the area immediately surrounding Shiprock.

The next series of images shows the evolution in magnitude of this type of formation. These are all examples from the four corners region in Northern Arizona.

First, when lightning similar in magnitude to what we see today strikes the ground, it sweeps surrounding surface sand to it, drawing it to the lightning channel and creating a shallow crater. Examples of this were shown in Part 1. where lightning created small craters with a pile of sand left behind in a small cone.

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Again, these are not anthills, although they could easily be mistaken for them on cursory examination. There are no ants, no opening in the mound, and it’s dusted over the top with sand fused into pebbles. The pebbles rest in a thin layer over the top, like sprinkles on an ice cream cone. Beneath is powder fine sand.

The top layer was formed from sand pulled into the lightning channel and fused into pebbles by heat, then dropped back on top of the mound when the flame extinguished. They bear the same character as the minette material in Shiprock’s center and dyke formations. All of the mound material and surrounding sand measures high in pH.

The following images show buttes at various stages of growth. The first exhibits an up-welling of minette. The second and third images show the broken remains of the sheath, and the last image shows the dark minette partially surrounded by the lighter rock sheath.

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Another type of lightning formed butte has a different morphology that appears to be created by negative cloud to ground lightning – the type of lightning that emanates from the belly of thunderstorms.

Because the Earth is generally a negatively charged body, at least in terms of ground charge, it forms a double layer at the interface with the atmosphere. When a thunderstorm forms, and the electric field strengthens, positively charged ions in the atmospheric zone of the double layer collect above the ground beneath the storm.

Before negative cloud-to-ground lightning strikes, it pulls this material into positive ionic streamers that reach up to connect with the electron avalanche produced by the cloud. When the streamer and avalanche leader connect, a circuit is completed and current discharges through the channel, electrons flowing to ground and positive ions flowing up to the clouds.

The magnetic field created by the current wraps tightly around the channel, compressing it to a narrow path in what is known as a ‘Z pinch’. ‘Z pinch’ has been demonstrated in the lab by simply passing current through an aluminum can, with the electrodes connected at the top and bottom. The resulting pinch crushes the can into an hourglass shape.

In the huge primordial storms that we theorize occurred in Earth’s past, such lightning and pinch effects resulted in huge amounts of positive ionic material being swept to the lightning channel with such extreme force it sometimes created supersonic winds.

Fulgamites formed by sustained, giant cloud-to-ground arcs display the effects of discharging current, accumulation of ionic dust, z-pinch and the supersonic winds and shock waves they produced. The images presented show the progression of such an event.

First, the strike forms a raised platform, with a shallow crater in the center where the lightning created an electrode spot. The rim of the crater is material swept inward by ionic winds and fused. There is a road cutting through the crater in the first image to give some perspective how large the feature is. These images are from Arizona, near Pastora Mountain.

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A more sustained strike begins to accumulate neutralizing material on the spot, forming a flat-topped dome, like a pancake. As the material accumulates, the pancake grows to a mesa type structure, held together in a round form by the magnetic pinch.

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In the next phase of growth, the mesa grows taller and the inflow winds begin to reach mach speeds, creating shock waves that mold the rim material into triangular standing wave forms. A detailed discussion of this shock wave and the triangular buttress formations they create is presented more fully in previous articles on Arc Blast.

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Mt Hillers, Utah – Hard rock buttresses form a nearly perfect circle around the base from in-flowing supersonic winds.
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Mt. Hillers, ringed by shock-formed buttresses, lies in a complex of lightning formed mountains. Less developed craters and domes can be seen behind it.

As neutralized material builds, the anode spot the lightning connects with is at the top of the mesa, and rises with it. The strength of the pinch narrows the top forming a cone, and new regions of windblown, fused and shock-shaped buttresses form rims outside the older rim.

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Left to right, the conical head of a fulgamite and concentric rows of granite buttresses. The dark vegetation band below rocky buttresses shows consistent angle of dip created by wind blown deposition – Buster Mountain, southern Arizona

The difference between lightning formed pinnacles like Shiprock, and the broad mountain forms shown in these images, seems to be polarity in the lightning. This interpretation is preliminary, but it appears that positive lightning burrows into the ground to connect with negative ionic matter beneath the surface, whereas negative lightning attracts surface winds and dust to it.

Positive lightning raises a narrow pinnacle of negatively charged material that boils up from the ground, with dykes which display the current path through the subsurface. Not much material is drawn to it from the surroundings, except for the sheath of rock it forms around it.

Negative lightning connects with pools and streamers of positively charged matter at the surface, and pulls huge amounts of airborne dust to create a dome with hardened, buttressed rims.

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In both cases, mountains can form around them due to ambient winds and blowing dust. Positive arc fulgamites can form monoclines along the dykes, if ambient, supersonic winds strike them to create a standing wave, where dust piles into long, linear ranges of triangular wave forms.

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Monoclines form against fulgarite dykes – San Rafael Reef, Utah
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Blue dots and lines denote fulgurites and dykes in Comb Ridge monocline, Arizona
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Fulgurite (right pinnacle) and dykes walls behind Comb Ridge monocline.

The last images above, taken at Comb Ridge monocline in northern Arizona, shows where fulgamites and dykes are exposed in the monocline. These protrusions created a shock wave in mach speed ambient winds that formed a linear standing wave, against which the monocline was formed like a dune, as blowing dust accumulated. There are several monoclines on the Colorado Plateau that exhibit the same, or similar features.

Negative arc fulgamites create their own winds, bringing dust to pile against them from all directions, and if powerful enough, form standing shock waves that generate buttresses in a ring around the base.

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Fulgamite peak in Utah, near Capitol Reef.
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Fulgamite forms central peak in Utah Mountains, near Capitol Reef.
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Circular fulgamite features in Utah mountain range. Note the raised rims around the features built by inward flowing winds.
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Circular fulgamite features in and around Pastora Mt., Arizona.

The circular craters and mesas in the images were formed by lightning, while the mountain was expanded by wind borne dust accumulating around them. There are several examples of mountains with these features in the Four Corners region.

Mountains are a misunderstood feature of the planet. Geological concepts are based on rocks forming deep in Earth’s crust and being exposed by erosion and tectonic motions, entailing, of course, hundreds of millions of years. It’s a very complex process that has not, and cannot be witnessed, or confirmed by experiment.

Mountain formation by wind and electric discharge, however, can be witnessed in nature. Sand dunes are a prime example. Mountains can also be produced in laboratories. So can rock. It happens when slag is produced from welding, ore and metal processing, or from chemical reactions like cement. Atomic and molecular bonding is an electrical process – the exchange and sharing of electrons.

Electricity and wind is a far more plausible mechanism for mountain building than what is proposed by the consensus theories. Especially since the actions of wind and lightning that formed mountains on Earth can be seen in any thunderstorm. One only needs to extrapolate the forces and energies involved to what they would have been when Earth was in a much stronger electrical environment.

Amplify the electric field of a thunderstorm by orders of magnitude, and it will produce an ionized atmosphere, screaming with supersonic winds, ionized dust, and incredible discharges of lightning that dwarf what we experience today. For examples, we need only to look at our neighboring planets. These conditions exist on Jupiter, Saturn and Venus. Why would Earth be any different.

Thank you.

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Lightning Scarred Earth – Part 1

Originally Published in Thunderbolts. info

The blue-white arc of a lightning bolt stuns the senses. Blinding radiance, elemental beauty, awesome power and primordial danger flash into existence from thin air, and vanish before the mind catches-up. We stare, immobile, unthinking and awestruck.

In that moment, a channel of air the diameter of a quarter heats fifty thousand degrees, as trillions of electrons cascade to Earth. The volume of air blows-up, radiating energy across the spectrum, sending sonic booms across the sky.

Lightning also pummels the land, creating pressure waves exceeding seventy-thousand atmospheres  – that’s one-million psi. It can create a layer of shocked quartz and vitrify surrounding rock into glass.

Lightning is an interaction between Earth and sky. It’s cause is an electric field between the electric storm above and the ground beneath our feet. ‘Ground’ is also a technical term, meaning the ambient voltage potential of the soil.

Earth is a negatively charged body in space, and current flows up from ground to atmosphere, normally in a drift of ions and electrons that is invisible. Storms reverse the current flow, causing electrons to avalanche back to Earth.

The Earth and sky are part of a circuit. Storms result from capacitance in the circuit. The atmosphere stores energy in the form of ionic charge, and releases it through lightning, among other effects.

animation_16a The ground is one plate of the capacitor where positive charge collects. As negative charge builds in the cloud, it is repulsed from the ground below, and positive ions are drawn in.

The ground reaches up with plasma tendrils. They collect especially around tall structures, pooling densely at sharp projections, surrounding them with a halo of charge the cascading electrons target for connection.

When connection is made, the arc touches Earth, spreading current in horizontal arcs across the surface as much as twenty meters away. This is a death zone. If you are in it, you are part of a 200,000 amp circuit.

The horizontal arcing is a side flash – a scatter of arc tendrils that follow surface conduction across the ground, radially away from the point of impact. The ground potential, type and shape of surface influences the character of the side flash.

Dry sand acquires charge very easily. Lightning attracts charged particles, and will sweep sand to it leaving a display of the entire strike zone. Sand in the strike zone, where current surges across the surface, pulls inward leaving a shallow crater with a cone of sand in the center. It’s like grabbing a bedspread in the center, pulling it up and dropping it in a pile.

The following photos were taken near Kayenta, Arizona on desert plains to the south of Comb Ridge.

SAM_0403SAM_0405SAM_0404SAM_0407SAM_0402The form is like an anthill, but these are not anthills. Ants dig rock from below ground and pile it outside the hole. These are built the opposite. The sand is swept-up from the surroundings, leaving a pile at the center of a crater. Besides, these don’t have ants, or ant-holes.

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Darkened, fused sand pebbles dust the surface of the mound of powder. No ants, no hole.

The mounds of sand are composed of fine, almost powder sand. But the tops of the mounds are dusted with pebbles. The pebbles are sand drawn into the lightning channel that fused and fell back to Earth when the flame extinguished, falling to cover the mound, like candy sprinkles on an ice cream cone.

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This is an anthill

Nothing grows inside the craters, or on the mounds. It’s as if the soil is sterilized. PH tests show the soil to be highly alkaline.

What meager growth there is are low, ground covering grasses and weeds around the perimeter of the craters.

arizonaThe desert in this region of Northern Arizona is carpeted with lightning strikes that left crater and mound features like these. The land is on the Colorado Plateau, just south of Monument Valley. They form what some call fairy rings when seen from the air.

The next images show clusters of them. The craters vary in size from fifteen to thirty feet in diameter, or larger. The size of the central cone is proportionate to the size of the crater, ranging from about eight, to eighteen inches tall.

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Fairy rings are lightning strikes that made shallow craters with central peaks. Nothing grows inside the strike zone. The darkest areas are covered in broken rock, except where lightning has excavated the craters.

The strikes especially cluster where black rock crusts over the sand. The lightning seems to have punched through, scattering rock and leaving the craters bare, where nothing grows.

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Whether the lightning is attracted to the rock, or the rock was made with the lightning isn’t known, but the rock provides a clue. It appears the lightning came in a coherent event that peppered the land, punching through and shattering the rock. That, at least, is how it appears. It’s as if there were two events. One that torched and melted the surface of the land, creating the cap rock, and a subsequent one that shattered the rock with lightning.

What amazes is the number of them clustered in particular areas. They rarely overlap, spaced fairly even, but randomly apart. There are hundreds of thousands, if not millions of them scarring the land just south of Comb Ridge.

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There are regions around the world where features like these carpet the land for hundreds of square miles. They are seen in desert lands especially, since there is little undergrowth to obscure them. The next image is from Namibia. Here the features connect with filaments of stream beds. But note how they connect in linear arrays, and branch radially like little stars. They are electrical discharge patterns.

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Each feature seems to be a shallow basin, or spring where water collects. Map resolution doesn’t allow better detail. These features are larger than the Arizona features. Many cover several acres.

Much of the country of Uzbekistan is carpeted with similar features, as the following images from a small portion of eastern Uzbekistan show.

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The Uzbekistan features are larger and more numerous still. They also appear to be shallow basins where the geology is distinctly changed, and there appears to be a source of water. In the last image, there appears to be a home, or ranch with a livestock tank, well, or catchment at the center.

It makes sense that water is found where lightning has struck. Subsurface water is a source of ionization that intensifies charge density, and therefore the electric field, attracting lightning to it’s location. Standing surface water won’t do that because ions have no point to collect – they spread evenly over the surface of the water. But subterranean water is trapped in the earth, where ions collect and build concentration, locally intensifying the electric field. Pits, craters and rilles formed by lightning leave depressions over aquifers that are natural for springs and wells.

But what about larger features – bigger than pits and piles of sand. Can lightning make a mountain?

Volcanoes form mountains by extruding molten rock to the surface from hot pools of magma beneath the crust. This is conventional understanding, and it isn’t in dispute in the Electric Universe. After all, volcanoes can be witnessed doing this in real time. The resulting strato-volcanoes, cinder cones, lava flows, ash deposits and lahars are seen across the globe.

What creates magma chambers and causes them to erupt is not understood. Consensus science has a number of speculative theories based on conventional beliefs about the make-up and dynamics of the interior of the earth. It’s these theories EU has a problem with. EU theory proposes the mechanism for heating and erupting volcanoes is electrical discharge beneath Earth’s crust. But our theories are also speculative because there is no way to look inside the Earth to be sure.

One type of geologic feature attributed to volcanism can be challenged by EU Theory however. These are buttes believed by the consensus to be the ancient throats of volcanoes, where a magma plug froze in the throat, and later erosion exposed them leaving a hardened pinnacle.

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Shiprock – made by Star People

Archetypal is Shiprock, a tall butte that lies near Four Corners, where the U.S. States of Arizona, Utah, Colorado and New Mexico meet. It lies in the heart of Navajo lands.

Some Navajo traditionalists argue Shiprock is the work of the ‘star people’. Could it be they know more about it than our consensus scientists do.

We can use this butte and the surrounding landscape to discuss how such features were actually formed by lightning in the distant past, when lightning was a thunderbolt of the Gods.  But first, let’s look at some of the absurdities in consensus theory concerning its formation.

Shiprock does sit near a region of true volcanic activity. Northern Arizona has volcanoes along the Mogollon Rim that lie to the South and West of the four corners region. This is part of a super-volcanic complex much like Yellowstone.

Yet Shiprock itself, and a number of similar formations are well removed from those volcanic fields, standing alone on the high desert plains. They are attributed to an ancient volcanic complex called the Navajo volcanic field, but are not surrounded by lava flows, ash deposits, or any other features provably volcanic in origin.

In fact, for these to be considered the throats of ancient volcanoes, the consensus assumes it formed 2,500–3,000 feet below Earth’s surface, and became exposed after millions of years of erosion. In other words, 3,000 vertical feet of surrounding lands had to be completely eroded away, leaving just the butte poking out of the flat, sandstone desert floor.

Shiprock is 1,500 feet of broken rock, meaning 1,500 feet of surrounding plateau washed away, in addition to the 3000 feet of overburden, along with the lava fields, ash deposits and other traces of the volcanic field, without washing away the butte.

Let’s just say that it’s hard to conceive how wind and water could have washed across the land carrying away trillions of tons of other rock, but left this shard standing. It’s not made of kryptonite. It’s no harder that the surrounding sandstone. Exposed to millions of years of such abuse, it would have dissolved like a pop-sickle in an Arizona summer.

Nor is there evidence of how, or where all this material disappeared to. There is no deposit of silts, or remains of past river channels anywhere in the western hemisphere to provide evidence of this. How any river, or inland sea could have washed the land away without a trace, leaving these ‘volcanic plugs’ is a mystery that the consensus can only explain by invoking billions of years. It’s the only excuse they know, and they feel it’s safe as long as they ignore the Electric Universe.

Shiprock and its neighboring buttes are made of sandstone and a similar material called minette. Minette is chemically the same as the surrounding stone except it is highly potassic and apparently fused together by heat. The composition of the rock is not hard, highly compressed, or consolidated such that it could withstand the kind of flood waters required to wash away the surrounding land. Nor is it like any rock we can witness being produced by volcanoes today. A more plausible and responsible theory is that they were made the way the Navajo say it was made.

In Part 2 of Lightning Scarred Earth, we’ll look closer at Shiprock and other features caused by lightning, and their role in mountain building.

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Electric Earth – Sycamore Reservoir

Sycamore Reservoir – Parts 1 and 2

I backpack into the Catalina’s to look at features I believe were created by Arc Blast.

The Santa Catalina Mountains are unique in several ways. They are one of the ‘sky islands’ of the Madrean Archipelago. The nautical terms, island and archipelago, are used to describe the region because it resembles a dry island chain, dividing two seas of desert. The islands are mountains and the waters are cactus.

296780_255589454477312_100000787791512_666771_1120526016_nThe eastern sea is the Chihuahua Desert. I liken it to the Sargasso Sea – grasses on swells of rolling land with volcanic protrusions scattered here and there. It’s breezy and bucolic, an extension of the plains where antelope and buffalo once thrived. From West Texas to Arizona, and deep into Mexico, Chihuahua steams with thunderstorms in the summer, glazes with frost in the winter, and is a crystal cocoon of green grass and warmth in the Spring and Fall.

saguarosThe western sea is the Sonoran. It’s an overgrown jungle of desert, if there ever was one. Wetter than a desert should be, it teems with botanical danger. Cholla, Prickly Pear, Barrel, Occatillo, and the most grand succulent of all, Saguaro, wear cloaks of surgically sharp needles. Even the trees, Palo Verde and Mesquite, have thorns.

As inviting to pain as it is, it’s also a bounty of color and plenty that supports life in varietal abundance. Birds gather here from all of North America. The Sonora is the continent’s corridor for avian migration. In all respects, it’s the terrestrial equivalent to the Great Barrier Reef – birds swim in profusion like fish, reptiles skulk in lieu of crustaceans, cartoon cactus replaces coral, snakes are snakes, and coyote, bobcat and cougar predate instead of shark. It’s a coral reef without water.

catalinasThe mountains are the thing, though. They are the way birds and mammals hopscotch the way across dry, desert seas from the Sierra Madre in Mexico, to the Colorado Plateau. They are islands, where summits rise to ten thousand feet, covered in Ponderosa Pine, Douglas Fir and Aspen. Between the peaks and desert floor, environments layer by elevation. Chihuahuan grasslands overlay foothills of Saguaro forests. Canyons sprout sycamore and cottonwood groves. Juniper, Oak and Pinion stand in mid-layers with caps of forested woods with Canadian winters.

The Santa Catalina’s are queen of the Sky Islands, with exceptional majesty and drama in her cliffs, pinnacles and deep canyon vaults. She is a rock pile, though. Stark and bold granite shelves stack canted in a giant monocline.

SAM_0195There are deep cuts in its stacked layers of rock that bear the signature of lightning. Sharp angled, lightning-bolt crevasses shoot up rock faces, their floors exposing dykes of quartz veined rock with a grain at cross pattern to the surrounding cliffs. In other areas, features of precisely the same shape form on soil, the quartz rock replaced with sediments of starkly different color where plants won’t grow.

The obvious explanation that passes muster for science has these features the result of erosion from  rock-slide and water. I don’t think that is the case. Their angled, jagged progression up slopes and cliffs belies a gravity induced causation. I came to examine some of these features, because to me they appear to be evidence of Arc Blast. Arc Blast is a theory I propose for Telluric currents that once erupted from Earth in scorching arcs, and shattered across the surface of the land following a voltage gradient of surface conductive channels.

There is also a pinnacle I examine, called Thimble Peak, that is known by local native lore to be a sacred place. As I have found in most instances, sacred mountains are fulgamites formed by true lightning – arcs from storms in the sky. They stand like electrodes with dykes of rock radiating from the core, a formation created by a sustained and energetic arc. Thimble Peak is no exception, looking like a battery terminal jutting from Earth.

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The footprint of the entire mountain changes shape where Thimble Peak rises in stark contrast to surrounding ridges. Deep gorges surround it’s mesa-like sub-structure that finger out into the lightning bolt gouges. This trip takes me to the eastern gorge where I camp in its upper reach. A hot, dry day-hike takes me onto the backbone of ridge behind Thimble Peak to get a hard-to-reach perspective on it, and the giant arc features in the canyons.

SAM_0186The hike is in the Chihuahua ecological zone. It’s spring and the grasses blossom with color. It’s also warm and more buggy than normal. You’ll hear me spitting and swatting gnats quite a bit.

In Part two, I bring out the whiteboard and give a brief discussion of how I think fulgamites like thimble peak are integral to mountain formations like the Catalina’s.

For the price of covfefe…

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Triangles In Nature – Why?

First posted to Steemit as “Geometry Challenge – Week 1, Entry 1” on November 3, 2017

Triangular shapes are everywhere in Nature. They show up in geology, biology, chemistry and physics; from the sub-atomic scale to the cosmic. But is it significant? Connect any three points and it makes a triangle – it’s hard to avoid. Triangles are bound to appear in Nature, because it’s … well, natural.

Or is it that simple? Triangles emerge in fractal geometries, where they repeat at different scales. It’s as if there is a common denominator influencing the process. The finest examples are ones most difficult to reconcile with accepted theories.

Mountains, we are told, rise and fall subject to tectonic movement, seismic vibration, upheaval,  faulting, freezing, thawing, lightning, wind and water erosion. A mountain form results from a potpourri of random effects spanning millions of years. You’d think they’d just be piles of rubble, yet we find features like this:

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Good lord, there’s triangles everywhere. Not kinda triangular, but sharp-edged and consistently angled, that repeat, over an over. It’s amazing, really. And to think this could happen from millions of independent, random forces acting over millions of years. It’s a wonder.

Geologists say the cause is mainly erosion. Water follows faults, and cracks, carrying away soil, and rock. Rain collects into runnels, that collect into streams, and funnel into ever narrower channels of flow, leaving triangular pyramids between canyons. It’s that simple.

But is this true? Doesn’t water flow straight down, obeying the imperative of gravity? Take a look at these volcanoes. Their flanks are no different than mountains, and they certainly show water erosion.

No triangles, though. Except for the conical shape of the volcano itself, triangles don’t appear. Just chaotic, flow patterns that basically squiggle straight down.

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Perhaps it’s some property of mountains that volcanoes don’t share. Linear alignment of faults that direct the water to produce a regularity in form … maybe?

But that can’t explain the triangles in the next pictures. Just look at the rock behind the triangles. It’s pocked and uneven, twisted and tortured. So, how could water flow in any regular way to carve the neat, little repeating triangles below?

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San Rafael Reef, Utah – photos by Andrew Hall

Close-up you can see the triangles are mostly soft dirt sediments laying on hard sandstone rock. They should have eroded away millions of years ago. Yet here they sit in a neat, tidy row along the base of jagged, rocky slopes. The triangles are evenly layered and cut straight, yet the rock underneath is uneven and convoluted. There doesn’t appear to be evidence of water flow at all.

The triangles aren’t piles of dirt fallen from the slopes above, either. They are clearly layered at the same angle throughout, with hard layers sandwiched between layers of soil. The soil is not even the same color. A rock slide couldn’t do that.

Look at something even stranger. On this mountain in Iran, triangles repeat in harmonics. The triangles are layered on one another, with the outer ones repeating the form in harmony – where two, three or more triangles repeat inside the form of the previous triangle. I circled where seven tiny ones formed across the base of a larger one.

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Harmonics displays itself often on the flanks of mountains of every type of rock, from sandstone to granite, everywhere in the world. They appear in rows, spaced precisely like wavelengths, their amplitudes rising and falling in geometric progression in nested, harmonic triangular forms.

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It’s as if they are wave-forms. In fact, every aspect of their appearance relates to sonic waves. They appear in harmonic frequencies, with wavelengths and amplitudes that vary in proportion, and they are always layered in place, the stratification angled with the face of the triangle.

It’s odd that the faces are flat, too. They should be humped and rounded if made by erosion. It’s as if they were layered into place during some coherent event, with new wave-layers breaking into smaller harmonic repetitions of the wave-form as time progressed. This is something sonic waves do, too.

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San Rafael Reef, Utah – photo by Andrew Hall
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Finely layered sandstone on Comb Ridge, Arizona – photo by Andrew Hall.

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Sometimes mountains can be absolutely crazy, going beast – mode with the triangles. Look at the following pictures, and there is only one rational conclusion to draw.

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These were made by coherent forces, not random erosion over time. Just look at the images and it’s clear something fundamentally different from mere erosion occurred. There is some common denominator in the equation for mountains we are missing.

In fact, there are too many wave-like features to be coincidence. There is the repeating fractal form of the triangle itself, with consistent angles. Consistent amplitudes relating to specific layers, suggesting a time sequence to their formation. Wavelength, frequency and amplitude maintain consistent ratios. And they appear regardless of the type of rock, in ordered, stratified layers. Not only that, the wave-forms express compression and expansion, interference patterns, and repeat in nested harmonics. And there is obvious coherence across grand landscapes. The evidence defies all commonly accepted theory.

There is a logical answer, however. There is a rational, physical explanation why mountains have triangular flatiron flanks. Unfortunately, it has nothing to do with water erosion, earthquakes, or millions of years. It has nothing to do with plate tectonics. In fact, the answer disputes almost everything taught in school.

It has to do with the wind. I’m not talking about the wind as you know it. I’m talking about a primordial wind of super-sonic velocity, that generated shock waves and carried electricity. That is why these features appear with patterned perfection. Shock waves create triangular patterns. The mountains didn’t erode into these shapes, they were built into these shapes, like sand dunes in the wind. In fact, except for volcanoes, sand dunes are the only mountain we see made – by the wind.

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Bullet impact creates triangular shock wave reflections. Supersonic wind produces triangles in standing, reflected waves.

The face of Earth was once scoured by weather like Jupiter’s, with winds that exceeded the speed of sound. Triangles are prime evidence. Supersonic wind creates standing waves of pressure and rarefaction that take triangular form as they reflect from obstructions in the wind flow. Obstructions like mountains – so the windward flanks have the triangular shape of shock patterns embossed on them.

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Shock diamonds produced by supersonic flow in a wind tunnel.

The atmosphere was also heavily ionized, and the dust it carried obeyed electric fields, welding and electroplating the landscape like a plasma torch.

Mountains were created in such a primordial environment. That’s why they line up in linear arrays, like dunes. That’s why one face is steeper, like a dune, and the other slope – the windward side, is shallow, flat and displays triangular features. That’s why volcanoes, which were formed by eruption and not winds, don’t display triangular features, and water erodes channels straight down their slopes like it’s supposed to.

None of this is implausible. We see tornadoes produce winds of 300 mph. That’s roughly half the speed of sound. So, it’s entirely possible winds on Earth reached two, three, or more times that speed in the past.

And ionization and electrical current is already in the atmosphere. The highest winds are produced by tornadoes in electrical storms, where the electric field grows to hundreds of millions of volts above normal. Enough to create the giant sparks we call lightning.

We actually see all the conditions in our weather to produce a mountain, except the extreme severity of wind speed and ionization. But we do see those conditions on other planets. Jupiter and Saturn swirl in dynamic cyclones of ionic wind that reach supersonic speeds. Venus’ atmosphere is a constant electric storm, with lightning thousands of times bigger than we see on Earth. If we can see it happening on our neighborhood planets, that’s good evidence it could happened here.

What we don’t have evidence of on other planets, is plate tectonics. Oh well, there isn’t much evidence on Earth either. It’s the narrative that won’t go away, built on unverified assumptions that we’ve been taught to believe.

The truth is, we don’t even know what’s inside the Earth past the few miles of crust we’ve drilled through. We don’t know what causes earthquakes, volcanoes, or mountains to rise and fall. We don’t know if mountains rise and fall, at all. All we have are a bunch of assumptions about what happened long ago.

What the landscape shows doesn’t look like the theory we are taught. It looks like something completely different shaped the land. Alternative ideas abound, but mine is the only one that explains the triangles.

Since we live on this planet, our minds should be open to what it tells us. There is more than triangular shapes on mountains to comprehend. If your interested in learning more, follow me at the ‘electricearth’ tag at Steemit, and visit my website, The Daily Plasma.

Before we end, here is a bonus. Sometimes you can find triangles on volcanoes if you look inside the crater… Tell me why @chargedbody.

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Maar crater, Pinacate Volcanic Field, Sonora, Mexico

Lightning and Megaliths – The Connection

Lightning…

The blue-white arc of a lightning bolt stuns the senses. Blinding radiance, elemental beauty, awesome power and primordial danger flash into existence from thin air, and vanish before the mind catches-up. We stare, immobile, unthinking and awestruck.

In that moment, a channel of air the diameter of a quarter heats fifty thousand degrees, as trillions of electrons cascade to Earth. The volume of air blows-up, radiating shock-waves to peel and boom across the sky.

Lightning also pummels the land, creating pressure waves exceeding seventy-thousand atmospheres  – that’s one-million psi. It can create a layer of shocked quartz and vitrify surrounding rock into glass.

Lightning is an interaction between Earth and sky. It’s cause is an electric field between the electric storm above and the ground beneath our feet. ‘Ground’ is also a technical term, meaning the ambient voltage potential of the soil.

Earth is a negatively charged body in space, and current flows up from ground to atmosphere, normally in a drift of ions and electrons that is invisible. Storms reverse the current flow, causing electrons to avalanche back to Earth.

The Earth and sky are part of a circuit. Storms are capacitors in the circuit. They store energy in the form of ionic charge, and release it through dielectric breakdown of the atmosphere, causing lightning, among other effects.

animation_16a The ground is one plate of the capacitor where positive charge collects. As negative charge builds in the cloud, it is repulsed from the ground below, and positive ions are drawn in.

The ground reaches up with plasma tendrils. They collect especially around tall structures, pooling densely at sharp projections, surrounding them with a halo of charge the cascading electrons target for connection.

When connection is made, the arc touches Earth, spreading current in horizontal arcs across the surface as much as twenty meters away. This is a death zone. If you are in it, you are part of a 200,000 amp circuit.

The horizontal arcing is a side flash – a scatter of arc tendrils that follow surface conduction across the ground, radially away from the point of impact. The ground potential, type and shape of surface influences the character of the side flash.

Dry sand acquires charge very easily. Lightning attracts charged particles, and will sweep sand to it leaving a display of the entire strike zone. Sand in the strike zone, where current surges across the surface, pulls inward leaving a shallow crater with a cone of sand in the center. It’s like grabbing a bedspread in the center, pulling it up and dropping it in a pile.

The following photos were taken near Kayenta, Arizona on desert plains to the south of Comb Ridge.

The form is like an anthill, but these are not anthills. Ants dig rock from below ground and pile it outside the hole. These are built the opposite. The sand is swept-up from the surroundings, leaving a pile at the center of a crater. Besides, these don’t have ants, or ant-holes.

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Darkened, fused sand pebbles dust the surface of the mound of powder. No ants, no hole.

The mounds of sand are composed of fine, almost powder sand. But the tops of the mounds are dusted with pebbles. The pebbles are sand drawn into the lightning channel that fused and fell back to Earth when the flame extinguished, falling to cover the mound, like candy sprinkles on an ice cream cone.

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This is an anthill

Nothing grows inside the craters, or on the mounds. It’s as if the soil is sterilized. PH tests show the soil to be highly alkaline.

What meager growth there is are low, ground covering grasses and weeds around the perimeter of the craters.

arizonaThe desert in this region of Northern Arizona is carpeted with lightning strikes that left crater and mound features like these. The land is on the Colorado Plateau, just south of Monument Valley. They form what some call fairy rings when seen from the air.

The next images show clusters of them. The craters vary in size from fifteen to thirty feet in diameter, or larger. The size of the central cone is proportionate to the size of the crater, ranging from about eight, to eighteen inches tall.

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Fairy rings are lightning strikes that made shallow craters with central peaks. Nothing grows inside the strike zone. The darkest areas are covered in broken rock, except where lightning has excavated the craters.

The strikes especially cluster where black rock crusts over the sand. The lightning seems to have punched through, scattering rock and leaving the craters bare, where nothing grows.

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Whether the lightning is attracted to the rock, or the rock was made with the lightning isn’t known, but the rock provides a clue. It appears the lightning came in a coherent event that peppered the land, punching through and shattering the rock. That, at least, is how it appears.

What amazes is the number of them clustered in particular areas. They rarely overlap, spaced fairly even, but randomly apart. There are hundreds of thousands, if not millions of them scarring the land just south of Comb Ridge.

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There are regions around the world where features like these carpet the land for hundreds of square miles. They are seen in desert lands especially, since there is little undergrowth to obscure them. The next image is from Namibia. Here the features connect with filaments of stream beds. But note how they connect in linear arrays, and branch radially like little stars. They are electrical discharge patterns.

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Each feature seems to be a shallow basin, or spring where water collects. Map resolution doesn’t allow better detail. These features are larger than the Arizona features. Many cover several acres.

Much of the country of Uzbekistan is carpeted with similar features, as the following images from a small portion of eastern Uzbekistan show.

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The Uzbekistan features are larger and more numerous still. They also appear to be shallow basins where the geology is distinctly changed, and there appears to be a source of water. In the last image, there appears to be a home, or ranch with a livestock tank, well, or catchment at the center.

It makes sense that water is found where lightning has struck. Subsurface water is a source of ionization that intensifies charge density, and therefore the electric field, attracting lightning to it’s location. Standing surface water won’t do that because ions have no point to collect – they spread evenly over the surface of the water. But subterranean water is trapped in the earth, where ions collect and build concentration, locally intensifying the electric field. Pits, craters and rilles formed by lightning leave depressions over aquifers that are natural for springs and wells.

Megaliths…

There have been times in the past when electric storms were far more severe than we experience today. That is one cornerstone of Electric Universe cosmology – that cataclysms in the past have an electrical cause due to events in the Solar System. Mythology records Thor’s Hammer, Neptune’s Trident and Zeus’ Thunderbolt, along with stories of the heavens in chaos.

To understand enigmas of the past requires first understanding what the environment was like. Are these carpets of lightning evidence of what the ancients experienced? And if so, is there other evidence besides stories from past epochs?

The only way to protect against a storm so intense is to get below Earth, or shelter beneath something that will serve as a lightning rod to route current to ground safely.

A lightning rod is a conductive path for current to reach Earth. It channels current to ground so it doesn’t spread out and reach you, and the things you want to protect. It provides a Faraday cage, or zone of protection, because it is more conductive the current flows through it instead of you.

So consider the function of standing stones. The megalithic stones erected thousands of years ago in circles and causeways. Or erected in dolmen formations with roof stones, as if refuge from demons. Never mind the mystery of how they were built with such gargantuan blocks of stone – that will be the subject of another post some day – but why were they built. That is the enigma we need to solve.

 I believe they did it for protection, and we need to take heed of that.

They are usually made of granite. Granite is an excellent conductor, more robust than a metal rod. Granite is a blend of quarts and other silica crystals. Crystal is more than a passive conductor, it’s piezoelectric, so actively creates charged pathways for current to flow.

Standing stones and megaliths would glow with St. Elmo’s fire under intense electrical stress. They would send active plasma streamers to draw current from a sky turned electric, attracting lightning and connecting it to ground.

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So, perhaps Dolmens, megaliths and standing stones actually were protection from demons in the sky. Perhaps this explains why megalithic structures are so closely fitted of giant stone to make positive contact everywhere. Maybe it’s why copper and bronze connectors were set between stones, not for structure, but for electrical continuity.

Tiwanaku-Interlocking-Piece-between-stones-Pumapunku-200x200If there is no low resistance path offered by a lightning protection system the high voltage current from a strike will divide to follow every conductive path to ground it can find. Currents will pass through materials normally considered insulators, instantly generating heat. Porous material can shatter violently as air inside expands with super sonic speed. Material containing moisture can explode more violently as water is flashed to steam. Other materials melt, or burst into flames.

Stone, and in particular granite, is well suited for the task of lightning rod. Seamless continuity would be the most critical factor in using them for that purpose.

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Nicolas Rénac – Walls of Sacsayhuaman

That seems to be the case. Ancient megalithic structures are typically unadorned. Unlike temples, or tombs, they are not covered in symbolism, or art. They appear functional, purposeful, like something with industrial intent.

And they required the utmost care to construct, with tolerances that go far beyond cosmetic appearance. Walls and ramparts are often built of stones with beveled edges, perfectly fitted to prevent water from seeping into cracks. They were made that way to provide a current path, prevent side flashes from the walls, and to prevent water getting into cracks to cause arcing and blasts.

The close fitting of stone in jigsaw puzzle shapes isn’t really required for any other reason. It is believed they are constructed that way to withstand earthquakes. But why? To avoid death from an earthquake, one should stay away from standing stones in the first place. It makes far more sense the stones were constructed that way to protect from lightning.

Another clue may be a strange feature shared by megalithic structures around the world – knobs. Knobs are odd protrusions of rock on some megalithic stones.

It’s easy to understand how they got there. As stones were excavated from a quarry, they were left attached at the side, or bottom for support until rough shaping was complete. Then the attachment point would be broken to remove the stone, leaving a knob jutting out.

Companion knobs – the other side of the attachment point, can be found in the quarries. Unfinished works still have attachments in place, proving their original purpose.

Some also speculate the knobs were left in place to aid in lifting and maneuvering the stones. No doubt they provided an easy grip, or attachment point for a loop of rope, and were no doubt used that way. But for such master stone cutters, who fit stones so closely a knife blade can’t find a crease, it seems odd they would leave knobs jutting out of the finished work.

At the end of this article is a video from vlad9vt which shows photos of many megalithic sites and quarries which displays evidence of the knobs function as attachment points. Watch his film and you will see many examples, but finish the article first so you can judge my new theory.

It is curious to me why they were left on some stones, but not all stones. In some they have been ground away, and on others left protruding. Sometimes they protrude in seemingly random places, and sometimes in a pattern that might be considered decorative. They seem to be more prevalent around passageways and gates. They also seem to be on the lowest, or next to lowest course on stone walls; or the upper course, overhead, particularly in passageways.

I’m thinking they were left purposely to create side flashes, directing excess current away from the doors to flash harmlessly to ground without snaking through the passage itself. Or to divert side flash away from the foundation, or passage, to prevent current finding it’s way to occupied areas.

The Connection…

Megalithic structures were built in a time we only know through mythology. They were built to withstand the great wars of gods that legend tells of. They were built to withstand screaming winds, tidal waves and quaking earth. But electrical storms were the primary reason for megaliths. They carried current to ground from layers of electrified plasma pressing down against Earth.

Archaic storms would have been immense compared to a hurricane today. Caused by a Solar System awash in energy, the Earth responded with induced currents. The atmosphere stacked into layers of differing plasma properties, as dust, soil and water ionized on the ground. Giant currents connected Earth and sky to generate thunderstorms that evoked gods and demons.

Wooded areas would have erupted in firestorms. Volcanoes and earthquakes would have rattled the land. Winds would have screamed at Mach speeds, billowing smoke and ash to intensify arcing, like grain enclosed in an elevator. And lightning would have intensified, building in proportion to the electric field, creating currents that machine-gunned Earth in megaton blasts.

Atmospheric ionization was held at bay by standing stones migrating the flow of electricity through them. They acted like tent poles, holding back the lowering sky, the way mountains hold storms above a valley.

That’s why storms on the plains and low lying islands are so low to the ground, where the clouds seem just above tree-tops. There are no mountains to raise the ground voltage gradient high into the atmosphere to attract current, so the clouds close the gap by lowering closer to the ground.

Crops, stored grain, or animals sheltered beneath stones would have found protection from electrocution, and the winds and heat of the electrified plasma coursing above. Megaliths around the world show evidence of magnetic and electrical flux, charring and even vitrification. Many appear to have exploded.

7868243390_c2aca589ea_nWhere possible people would have taken refuge underground, hiding beneath cliffs, in caverns, or in shelters they dug.

Stones and megaliths were set to protect precious lands, crops, water sources, food stores and huddles of animals they couldn’t take to the caves with them. They had to place them so there would be something to come back to – to carry on life after the storm.

They set them in fields and on hilltops, where they could work with the landscape to protect the area from obliteration. They provided a degree of refuge from storms bearing down with blistering peels of lightning and electric winds.

Or at least that’s what I think. Enjoy the video and resources below to learn more about lightning and megaliths. See if you discern a pattern to prove the purpose of the stones. See if you see what I see.

From vlad9vt

Lightning – it’s more powerful than you think…

Don’t forget the like button below! And please share with your friends.

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Thanks!

Chelyabinsk, Tunguska and Arc Blast

Electric Universe theory has long argued that large meteors striking Earth is a rare thing. It’s not that rocks don’t fall to Earth, it’s just that something has to happen first. That something is electrical discharge.

Because the electrical charge of a body in space is not the same as Earth’s, something has to give when they come together. Electrical potential has to equalize. That occurs when the meteor makes electrical contact with Earth, not when it actually impacts.

Craters everywhere; the Moon, Mar’s, Mercury and beyond, as well as other-otherworldly terrain features, display the earmarks of electrical discharge more predominately than impacts. In fact, EU theory suggests the asteroids and comets themselves are a result of electrical discharge between planets. They are debris from discharges that made the craters – not the cause of the craters.

The larger the meteor’s mass, the larger the potential difference will be. Electrical discharge is likely to blow a big meteor to pieces further from Earth than a small one. Damage is caused by the shock wave from the meteor, not the left-over pieces of meteor impacting Earth.

That is the case with the two largest meteor events in modern history: Tunguska and Chelyabinsk. Chelyabinsk exploded in an air-burst, as witnessed by thousands of people. It’s long been suspected Tunguska did too, since no pieces of meteor were found. By all evidence, Tunguska appears to have been a shock wave from an exploding air-burst meteor entering the atmosphere at supersonic speeds.

Since the Chelyabinsk event was witnessed and filmed by so many, there is evidence of how the air-burst occurred, and how it is predicted by Arc Blast theory.

Arc Blast proposes certain geologic features are the result of shock waves created by supersonic winds. It is predicated on the fact shock waves are conduits of electric current. A shock wave suddenly spikes the density, pressure and temperature of the medium it travels in. It also spikes ionization, creating a charged wave-front of voltage higher than the surroundings.

The charged shock-wave is what causes the meteor to explode in mid-air, as this slow-motion film has captured. First, look at these still frames to see what’s happening.

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Chelyabinsk meteor streaking through Siberian skies…
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A vertical sheet of condensation appears ahead of the meteor – it’s not a camera effect.
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As the meteor enters the column of condensation, both meteor and column brighten,
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Then brighten again all the way to the ground – it’s discharging electricity.
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Again it brightens with its tail still in the glowing condensation column. See the columns bottom is almost as bright as the meteor.
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Then it explodes, sending a bright triangular flash down the column to Earth. Note the flash is behind foreground buildings where the condensation column was in previous images.
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The shock of the discharge raises dust, but the foreground buildings can still be seen.
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The meteor flashes a final time with a bright column beneath it, as the first column vanishes in the dust cloud.
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And then it’s gone
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A few small pieces of rock were found.

So what happened here?

That column of condensation was the shock wave – the bow shock ahead of the meteor, making contact with the ground and reflecting to form a standing, reflected wave.

Because the wave carried temperature, density and charge, it ionized the air creating the condensation column through the standing wave to ground. When the meteor struck the column, it made direct connection to ground through the conductive standing wave-form and began to discharge. The discharge flashed several times through the column, and perhaps established a second path to ground, before the charge neutralized with the meteor fully vaporized.

This film of the Chelyabinsk meteor is visual evidence of Electric Universe theories. The dynamics of comets and meteors bear this out in every other respect, as well. Look deep into the Tunguska mystery, and the evidence and eye-witness accounts support a shock wave/electrical discharge event.

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Shoemaker-Levy 9 strikes Jupiter

The same can be said of the Shoemaker-Levy 9 comet that struck Jupiter. The explosions occurred in Jupiter’s ionosphere due to electrical discharge. So concludes Wal Thornhill who discusses the many points of evidence in the linked video. He describes how the comet fragments glowed bright as they approached the planet, how the planet’s polar aurora brightened when the comet made contact, how radio emissions were received from Jupiter during the event, and he provides visual evidence and an explanation how and why the explosions occurred in the ionosphere due to electrical discharge.

As quackademia’s grip on the theory of uniform evolution is eroded by overwhelming evidence of catastrophic upheaval in Earth’s past, it’s become fashionable for roguish scientists to look at meteors as a cause. Data from geologic strata, ice cores, sea level and fossil remains tell of periods when extreme environmental conditions prevailed. There is evidence of floods, winds, earthquakes and volcanoes – huge compared to anything in modern times.

That the demise of Cretaceous dinosaurs is attributed to the Chicxulub meteor is accepted wisdom, simply because there is a hole in the ocean floor. As ‘Climate Science’ is recognized a failure, and geologists find more holes in the ground, I fear scientists will stop attempting to correlate every climate hiccup in the record with carbon emissions, and begin to correlate with the holes in the ground.

But it’s a bit too convenient to jump to the conclusion meteors cause every catastrophic event. There is physics to consider, and physics says two sufficiently large and differently charged bodies are going to discharge when they make electrical contact, not when they impact. How discharge occurs is an arc blast through the standing waves made by the bow shock reflecting from Earth. You just saw visual proof, unless there is a better interpretation.

The physical consequences are different. Kinetic impact will have different secondary consequences than an electric shock-wave impact. Knowing this doesn’t mean a big meteor won’t destroy a city, or a hemisphere one day. Death by electric shock-wave is still death. But it may clue us how to protect ourselves. It may be easier to survive than what is believed an impact will do.

It also may clue us how to protect Earth from a large meteor in the first place. Give it something to discharge to – before it reaches Earth. Place a minefield of asteroids in it’s path – pre-loaded with ionic charge and long wire antennas to ensure contact.

The Chelyabinsk film follows, with special thanks to Don Kress for providing it.