Tag: mountains

Eye of the Storm – Part 5

Large Scale Wind Structures

The appearance of the landscape makes obvious it is the result of Earth’s electric circuitry, stimulated by some outside force that caused massive discharges. Discharges occurred between Earth’s interior and whatever charged body in space the Earth was responding to.

The discharges, however, did not occur as giant sparks and plasma filaments simply jumping from one charged body to another. The discharges were modulated by the active, intervening layers of capacitance in the Earth’s crust and atmosphere. Layers of exosphere, thermosphere, mesosphere, stratosphere, troposphere, lithosphere and asthenosphere (what lies below that is subject to debate).

Magnetic fields respond to current and shape filaments and plasma cells beginning in the thermosphere, from fifty to six-hundred miles above us, where we see the polar aurora. Atmosphere is segregated by layers of pressure, humidity and temperature. The crust is layered with igneous rock, shale, limestone and sandstone; aquifers, oil sands, mountains and oceans.  Every layer presents a different dielectric medium to the flow of current. Motion of mobile species results, as charge diffuses unevenly through the layers.

When change takes place in the Solar System, the Earth enters a transient phase of adjustment to balance it’s internal circuits. When this happens, both land and atmosphere go into upheaval, creating an atmosphere best represented by Jupiter’s. Fractal patterns of motion, heat and diffusion on Earth’s landscape match the cloud patterns of Jupiter to a tee. It’s because the same actions of current flow and capacitance is taking place on Jupiter now, in the manner Earth experienced in it’s creation.

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We can view these patterns at every scale and find they add up to a coherent picture of the physics behind them. Let’s now examine some of the best examples, starting large and then focusing down.

Mountain Arcs

Look at the following patterns of mountain ranges in Siberia, Europe and North America. Then look at the cloud formations on Jupiter and you will see similar patterns. In both cases, the pattern is formed by an up-welling flow of winds in a shear zone of turbulence. These are the interface zones between circulating winds – dust laden, ionized winds flowing at near, or above Mach speed. The mountains were swept into these sinuous strands, hardened and fused by ionized matter recombining, and the radiation and pressure from an intense fire in the sky, as lightning carpet bombed the rising piles of charged earth.

Jupiter’s clouds display the sinuous shape of the shear zones, where a towering cloud top forms like the anvil of a thunderstorm along the up-welling electric winds, flanked by circulations and downdrafts (if you don’t believe me, ask NASA). The primary motion of Jupiter’s most turbulent winds are up and down, so the cloud tops of the most prominent updrafts display the motion throughout the column, all the way to the planet surface. The correlation of shapes isn’t proof, but is it coincidence?

It’s not coincidence if it keeps happening.

Repeating forms at different scales is proof of a fractal process. The only fractal process we know in this Universe, which effects every aspect of matter, whether organic or not, is the process of charge diffusion in an electromagnetic field. We can call it different things, chemistry, thermodynamics or quantum mechanics, but the closer we look, it always gets back to one thing – it’s electric.

Let’s compare in detail. One spade-shaped feature is almost ubiquitous in Jupiter’s turbulence, and on Earth’s landscape: the ‘boot print’.

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Boot prints on Earth:

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So, it should be obvious there are direct correlations between the clouds and winds on Jupiter and land forms on Earth. If you remain a skeptic at this point, at least agree it is not just me saying so – you can see for yourself. The correlation is not only visual similarity, but also the same causation – vertical high speed winds, electrically charged and shaped by electromagnetic fields. Proof of the winds of Jupiter are in NASA’s data, and proof of the ground effects on Earth are under our feet, and in decades of applied science in supersonic shock wave behavior. Proper interpretation of the data is all that’s lacking.

Let’s return to the Colorado Plateau and surroundings for a big picture look now that large scale wind features are understood.

Pacific Northwest’s Snaking Inflows

A correlation between the Colorado Plateau and the Great Red Spot has similarities of such complexity and detail, it seems absolutely surreal. Inflow to the GRS appears in two sinuous lanes of rolling winds that correlate with the mountain ranges in the Pacific Northeast.

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Kinky Mexico

From the south, hot dry winds scorched across Mexico and the American southwest with counter-flowing winds. Along the turbulent shear zone between, kinks appear in the Sierra Madre Oriental, where north flowing jet streams mixed with a south flowing stream that formed the Sierra Occidental and the alto-Plano in between.

 

The Great Basin Vortex

Inside the multiple cyclone vortex, the Great Basin is formed by rippling waves roaring across the land in a broad thunderstorm, which brought torrents of rain. Jupiter’s analogy is the great white shelf of cloud, which is the anvil of the storm that occupies nearly one half of the ‘eye’.

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This one is quite simple to trace, since it is a single large thunderhead that formed the basin and range dunes transverse to the wind. In the annotated image, they are denoted by the dark blue lines. There is an “S” shaped range at the inflection point where the in-flow winds bent to the rotating updraft.

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The blue and violet lines denote the wind direction, exiting right (east) at high altitude over Provo, Utah where it made no mark on the land – until it water-fell on the other side of the shear zone that formed the Wasatch Range, spilling a violent downdraft into the Uinta Basin.

Another, larger downdraft, which I believe would be the “forward flank downdraft” in a ‘conventional’ thunderstorm, flows south over the Wasatch shear zone, and down to form the Mogollon Rim, the southern extension of the Colorado Plateau arcing south-east from, roughly, the Kiabab rim of the Grand Canyon to the Gila River in New Mexico. The wind formed rim is intermixed with volcanoes.

Curiously, Nevada’s mountains display wind-formed tetrahedrons in the opposite direction than expected, given the counter-clockwise rotation of the GRS. I drove through Nevada (twice) to confirm what Google Earth showed, because this was the first case where land forms disputed my predictions. The best explanation for this, given everything in context, is that ground level eddy winds rolled beneath the meso-cyclone rotation like roller-bearings under a spindle.

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This was a wet, rotating meso-cyclone, carrying considerable moisture which precipitated out and evaporated forming salt basins behind ranges, and culminating in the Great Salt Lake and Bonneville Salt Flats.

The long, linear mountain ranges of the Great Basin are in many cases windswept dirt. The triangular faces of shock wave reflections earmark the wind direction.

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As the rotating jet-stream winds turned east, the shear zone expanded into a turbulent zone, where shear winds slipped past the rotation and sped south in an expanding fan that gouged Amorgosa, Owens and Death Valleys before mixing with other winds over the Mojave desert. Between these deep desert valleys rise narrow mountain chains with a majestic vertical relief of eleven thousand feet – the Panamint, Darwin and Amorgosa ranges. These are sastrugi. The valleys were gouged and mountains raised by folds in the wind that laid like curtains across the land.

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The Sierra arc was formed by westerly winds that pressed down against this shear zone while being sucked into the giant vortex. The Sierras formed as the westerlies piled airborne dust, and sand dredged from the ocean, along the edge of the Great Basin storm rotation. Volcanoes helped anchor the formation. Intense electrical discharge from the shearing winds fused monolithic granite structures.

Lightning in this environment was imposing. A plasma intensifies in a shear zone, meaning it both attracts and generates ion content due to the shearing and extreme pressure differentials. Shearing supersonic winds bounced shock waves between them. Shear regions carried the highest current, in jet-streams that extended for thousands of miles. Lightning discharge from these plasma streams focused on the piling mountains below with the capacity of a thousand mile long thunderstorm being continually fed new energy. The current dumped in the strike zone didn’t simply flash a split second, here and there, but arced continuously, diffusing through the land welding granite from the dust and sand.

Here is a different image that displays the windblown pattern of the topography.

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To the west is another shear zone that formed like a wall between this storm and the one that formed the Wind River and Uinta ranges to the northeast, and the one that formed the Colorado Plateau to the southeast. This is the Wasatch Range – massive windswept dunes pinched between the giant rotating storm systems.

The great thunderstorm that rotated above Salt Lake spread an anvil cloud which fed the cyclonic storms over the Colorado Plateau and a region we’ll call the Wyoming Vortex. It dropped in a vast downdraft that formed the Uinta Valley. It also spilled into the cyclone over the Colorado Plateau, joining the general rotation of winds sweeping up the Mogollon Rim.

The Wyoming Vortex

A simple example of wind mapping uses the Wind River and Uinta mountain ranges. In the following sequence of Google Earth images, the first shows the Wind River and Uinta ranges without annotation. The second is a close-up on Wind River. Next is the same image, annotated to display the triangular buttresses. Last is the image annotated with wind direction showing the jet-stream path of ground level winds that created these pressure ridges.

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The mountain ranges formed as lightning (red circles) arced to ground and charge diffused across the land in channeled currents, which formed dikes. Dikes are walls of rock formed from the country rock fused together, and often display troughs alongside where material sucked to the current.

An example is the Teton’s, where grand Teton itself is a lightning generated fulgurite surrounded by smaller fulgurites blanketed with wind driven dunes. The Teton fulgurite extended a dike to the south which collected dust against it, creating a mountain lobe.

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Dikes formed by channeled charge diffusing away from fulgurites provides anchor for wind blown dunes to form.

Wind piled material against them to build a mountain lobe, and leave the northern flanks patterned with the sonic shock of the wind. Winds that deflected from horizontal to vertical left ruler straight ridge lines of triangular buttresses where shock reflections patterned diamond shaped regions of expansion and compression.

You’ll notice the wind path points to unusual ovoid features on the land. This is a dome deposited by electric winds pulled into the updraft of a thunderstorm. Where the arrow points was an updraft where the jet-stream arrived at a coronal loop.

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The jet-stream loops up into a thunderstorm, and back down through a cyclone next to it, which forms the odd looking, almost square feature next to the dome. It is a crater formed by the down-flow eye of a cyclonic storm. The thunderstorm and cyclone are opposite legs of a loop the jet stream flows through, before it exits to the east. The jet-stream wraps over and under itself in three dimensions like rope in a knot, alternately forming a dome on the land, and then a crater. It is a dome and crater pair created by a tight coronal loop.

The looping coronal currents spun the jet-stream across the land, creating the Wind River and Uinta ranges as pressure ridges, like giant sand dunes, and then up through a meso-cyclone and down through a downdraft cyclone, at near supersonic velocity. The rims of the dome have inward pointing, shock-wave generated triangular buttresses, and the down-burst crater has outward pointing buttresses that can only be the result of supersonic winds.

If you are curious why this dome and crater set in Wyoming forms almost polygonal shapes – and you should be. The reason is they are pressed against a shear zone between this storm rotation and the larger multi-vortex rotation over the Colorado Plateau. The Wyoming Vortex is the smallest of the three primary vortexes in the larger multi-vortex storm.

Colorado Plateau and the Eye of the Storm

We looked in the last chapter at the overall morphology of winds in the eye of the GRS and the Colorado Plateau. Let’s take an even closer look.

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The ‘eye’ is a multiple vortex cyclone, which displays a complex system of coronal loops that twist the wind into a crocheted doily pattern. This cyclone is separated from the Wyoming Vortex by a shear zone. At this shear zone, like others, mountains formed beneath welling updrafts. In this case, nestled against the powerful updrafts of the San Rafael Swell and surrounding cyclones, it formed in the shape of an oxbow.

 

There are several updraft domes and downdraft craters centered on the Colorado Plateau and Rocky Mountains. The most distinctive is the San Rafael Swell in central Utah.

The Swell is ringed by the explosively charged, dense region of recombination and magnetic pinch known as the San Rafael Reef, where rows of dragon’s teeth – triangular patterns of rarefaction in hard, fused sandstone – provide evidence of a shock wave at the boundary of the updraft.

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The Reef is the rim of an updraft dome formed beneath an intense coronal-loop that raged electrical havoc on the land at the sharp end of the storm. The dome behind is shaped like one lens of an eyeglass, the other lens an inverse copy made by the downdraft of the same loop.

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San Rafael Dome is electrically etched, or sputtered by an intense electric field in the eye of the storm above it. Purple indicates wind-front of the San Rafael Reef. Green outlines shock front of updraft exhibited by triangular buttresses. Red indicates major lightning.
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Google Earth – San Rafael Swell is northern lobe. Downdraft crater is mirror image outlined by a tributary of the Green River – all a consequence of electrical circuits.
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The San Rafael Reef discontinues at the “bridge” between the ‘spectacle’s’ lenses. Capitol Reef forms a continuation of the sinuous wind-front on the backside of the downdraft crater.
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Capitol Reef is the shock front of down-burst winds surrounding a crater.
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Monstrous, multi-layered tetrahedral buttresses splay outward from the crater to form Capitol Reef.

Another example of an updraft dome is Monument Valley, Arizona. It’s shark’s teeth rim is formed by inflow winds, expressed in the triangular sandstone layers of Comb Ridge.

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Comb Ridge
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Complex super-sonic wave-forms – Comb Ridge, Arizona
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Complex super-sonic wave-forms – laboratory.

The interior of the dome is the sputtered remnants of lightning diffused mesas and pinnacles, preferentially left behind as the landscape around lifted away in the most intense region of electric field in the eye of the storm.

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Monument Valley

The downdraft leg of the Monument Valley updraft lies in the bend of the San Juan River, as it passes through the Four Corners region.

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Annotated to distinguish the features, the same eye-glass shape is evident where this coronal loop connects with Earth, but the shape is skewed to the ambient counter-clockwise rotation of the entire storm system. The downdraft lies at 90 degrees to the updraft because this is “ground zero” for the eye of the storm.

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The frame is broken, but the lenses are intact. Downdraft at 90 degrees to updraft. In the broader perspective, one can see the circular rotation imprint continues along Black Mesa and defines the eye of the storm.

Note, the San Juan River arcs around the downdraft after it passes through the center of the updraft, just as the tributary of the Green wrapped around the Capitol Reef downdraft crater and then shot through the heart of the San Rafael Dome. These are the fractal forms of surface conductive charge diffusion, or “arc blast”, and the rivers are part of it (which will be discussed in future articles).

Nested Fractal Elements

There are fractal repetitions in the up and down-drafts. The most striking example lies smack between the updraft dome and downdraft crater of the San Rafael coronal storm loop.

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This butterfly pattern is from an intense loop of current that created an updraft dome (right lobe) and a downdraft crater (left lobe) complete with stratified triangular buttresses to point wind direction; inward and up, or downward and out; respectively. Each lobe is about seven miles across, whereas the San Rafael Dome is about seventy miles across.

Watch this fractal expression expand in scale. Images are taken from a “z” axis in space from a single point on the ground, at varying altitudes.

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The fractal repeats, but the center point of each fractal expression stays in place. It morphs in form with emergent effects, but the fundamental circuit relationships remain solidly displayed. They are the same weather patterns we have today, but of super-Olympian scale, as told in countless ancient accounts. We need to start listening to the ancients, because they knew things we don’t.

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So let’s recap.

Weather is produced by plasma actions in an electric field that is coupled to ground currents by capacitance. Cyclones and meso-cyclones carry the most violent winds in vertical drafts. In a primordial past, Earth’s weather was like Jupiter’s, due to an amplified electric field. The primary atmospheric actions that shaped the land were: lightning, tornadoes, cyclones, meso-cyclones, sputtering discharge, charge diffusion in solid state matter, and winds stirred by the storms to super-sonic jet-streams. All of these phenomena are electric and fractal.

Lightning and tornadic plasma filaments raise fulgamites and fulgurites. They come in many forms and sizes.

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Sputtering discharge eats land away due to charge diffusion through layered sediments.

Supersonic winds form standing shock waves that capture dust in a rarefaction zone called the separation bubble. It forms tetrahedron shaped buttresses behind the interface of the shock wave.

And sinuous updrafts form mountain chains in repeating fractal patterns:

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Mirror image mountain chains.

The next chapter will look at ground currents, and the actions and land forms they produce.

Thank you.

 

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Eye of the Storm – Part 3

Some storms suck and others blow…

On Earth, hurricanes and typhoons are called cyclones and occur over the oceans.  The cyclonic storm develops an eye in the center of rotation, where high altitude, dry air is drawn down the center. The thing to know is that the eye of a cyclone is a downdraft wind.

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The center of a cyclone is a downdraft

Over land, we see a different effect. Super-cell thunderstorms develop a rotating meso-cyclone that rises in a tower that spreads an anvil cloud. The thing to know is that the center of a thunderstorm is an updraft wind.

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Thunderstorms’ central meso-cyclone is a rotating updraft.

If you look at these different storms from above, the cyclone blows at the ground, and the thunderstorm sucks at the ground. The pattern of wind in each type of storm is due to capacitance in the electrical circuitry of the Earth.

The thunderstorm as a circuit…

The electric winds of a thunderstorm can be likened to a rope. Generally,  the rope winds up the towering meso-cyclone to a cap, the anvil cloud, and unwinds from there to non-rotating channels of rain flanked by downdraft winds.

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The mature storm forms a circuit – a current loop from ground through the meso-cyclone and back to ground – as rain.

The very pattern of a super-cell betrays it’s identity: It is a stack of dielectric layers through which a current flows. Condensing, and then freezing moisture in the updraft sheds ionized matter into cold plasma currents that produce rain, lightning and tornadoes.

A massive, cold plasma halo in the sky acts like a live electrode hanging over the ground, with an air gap between. The updraft current is from ions swept from ground level. It loops through a negative plasma low in the cloud where condensation occurs, and continues to a positive plasma in the anvil, where ice forms. At each level, the recombined matter – the rain and ice – are shed and return to ground. Flanking down-draft winds are excess currents of uni-polar wind that complete the storm’s looping circuit to ground.

Three Dimensional Jet Streams

Charge densities are responsible for the geometry of storms. As negative charge builds in the bottom wet layers of cloud it strengthens the local electric field and draws winds to it. Above, in the cold icy layers at high altitude, a positive layer of charge accumulates to balance the charge below, and it spreads out in a huge disc.

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Thunderstorms central core sucks wind up and diffuses laterally in an anvil cloud.

Likewise, on the ground below the cloud, positive charge accumulates to balance the cloud charge and feed the central updraft. Lightning arcs contribute to balancing the charged layers, dissipating charge at points of highest potential.

But the build-up of charge density around the core of the storm also means there is a secondary vector in the electric field running horizontally through the cloud layers. As ionic matter is drawn to the storm by updraft and concentrated, it depletes charge from the far field region of atmospheric layers, creating local electric fields which draw current horizontally, transverse to the electric field at the core of the storm.

Charge diffuses horizontally, as well as vertically, and the visual evidence is in the symmetry and coherence of the tightly wound meso-cyclone. The base of the storm which draws charge to it – and the spreading anvil cloud which disperses charge away.

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Consensus science says the green glow of a meso-cyclone is light reflecting from water in the clouds. Yet the rain curtain, which is water, doesn’t glow green at all. In fact rain clouds that aren’t in a meso-cyclone don’t glow green either, though they are saturated with water too. The green glow is coronal discharge.

Everything about thunderstorm morphology speaks to layers of capacitance in a point-to-plane circuit that loops through an air gap to ground.

Consensus science has attributed the electrical charge build-up in thunderstorms to “static” charge from colliding rain and ice. One flaw in this idea is: there is nothing static anywhere, at anytime, in any place in a thunderstorm. Everything moves – and that means charge, too. And that means one undeniable thing: electric current. To not model a thunderstorm as such flies in the face of reason.

Fractal Progression

In a hurricane the airflow is very different from a thunderstorm. Consider the wind-flow again as a piece of rope: the rope enters whole down the central vortex, and unwinds into several threads of vertical up-and-down drafts flowing radially away from the storm’s eye in rotating currents.

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It’s almost the inverse of a thunderstorm, which has a rotating updraft that unwinds into threads of non-rotating downdrafts and rain.

The cyclone’s rotating updraft bands are made of thunderstorms, which electrically, suggests the entire cyclone is a next-level fractal expression of the thunderstorm, in which the independent loops of thunderstorms’ maintain their form, but have organized together creating loops within loops, and vortexes within vortexes – fractal repetition of form.

In fact, thunderstorm cells interact as looped currents all the time, even when not part of a larger cyclonic system. One storm cell can arch it’s anvil cloud over another, and suck the life out of it by absorbing its energy. One can witness this as squall lines of thunderstorms develop.

Comparing the characteristics of thunderstorms and hurricanes (northern hemisphere) shows the similarities and polar opposite characteristics that naturally develop in this fractal progression:

Attribute Thunderstorm Hurricane
Surface Condition Over land Over ocean
Central Core Wind Wet, hot, rotating updraft of condensation Dry, cold, non-condensing, non-rotating downdraft
Outer Winds Non-rotating, dry downdraft winds flanking a rain curtain Circumferential rotating wet updraft winds and rain bands
Rotation Counter-clockwise central updraft meso-cyclone, wall clouds and tornadoes rotate in the core of the storm Counter-clockwise, outer winds and rain bands rotate around the central downdraft core of the storm
Discharge modes Vertical winds, lightning and tornadoes Rotating wind. Cyclones produce very little lightning and comparatively weak tornadoes.

In a hurricane, thunderstorms organize like synchronized swimmers swimming in a circle, creating a whirlpool down-draft in the center. The organized entity has more power than a meso-cyclone, but it’s diffused over a greater area and creates less tension in the electric field.

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Vertical winds of thunderstorms in the rotating bands dominate the structure of a cyclone.

Super-cell thunderstorms are small in comparison to cyclones, but create a higher electrical tension that produces far more lightning and powerful tornadoes.

One reason a cyclone is different from a meso-cyclone is that cyclones form over water. The electrode spot on a featureless, homogeneous surface of ocean diffuses charge broadly and evenly. On land, there are mountains, mineral and water deposits that ‘focus’ the electric field, by providing greater conductivity, or increasing charge density at elevations.

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A similar relationship exists between thunderstorms in mountain regions and the super-cells on the plains that produce horrendous tornadoes. Mountainous regions rarely produce tornadoes because high points and mineral deposits collect charge, increasing the electric field tension to draw arcs of lightning. The diffusion of ground charge on flat plains allows discharge between ground and cloud to spread out, which favors spinning Marklund plasma currents instead of intense bolts of lightning. The tornado is a more diffused, slower, less intense discharge than a lightning bolt, but still a fractal element of discharge within the thunderstorm.

The cyclone is a fractal step-up in scale from the meso-cyclone. It isn’t just a bigger thunderstorm, it’s a whole new entity composed of the old entities, re-organized into a higher level of complexity. It’s like striking one octave above a note and finding harmony – two notes in resonance that create a new sound, more complex than the sum of each note.

The cyclone is the next level of storm complexity, where the thunderstorm cells act in harmony and begin to share lanes of updraft and downdraft winds, manifolding together and developing a coherent rotation. Ultimately this forms an eye with a downdraft in the center, and a cyclone is born.

But a cyclone is not the most powerful level of fractal progression for storms on Earth. The next fractal level of plasma form is when a cyclone and meso-cyclone organize. This creates the most destructive storms of all, at least that we see today.

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A “Perfect Storm”

In our historic period we don’t see storms that exceed the level of the so called, “Perfect Storm”. Like the famous book of that name, which described the last voyage of a fishing boat caught between such storms, where a hurricane and nor’easter met.

When meso-cyclone and cyclone come together, they produce a loop current. It’s fractal progression of the thunderstorm current — updraft to downdraft and rain. Only one big meso-cyclone connected to a cyclone makes one big current. Outflow at ground level from the cyclone feeds the meso-cyclone, and discharge from the high level anvil feeds the cyclone’s eye. Coherency emerges from plasma actions expressed at every level of the storm in greater and greater complexity.

In our present climate on Earth, “The Perfect Storm” is as bad as it gets. But we are only seeing an echo of the drama of primordial storms. Even though we see lightning and devastating three hundred mile-per-hour winds – violent enough to destroy our matchstick homes – it does not scour us with supersonic winds, hot plasma tornadoes and electric arcs that shape mountain ranges.

But it did, at some point long ago. Updraft winds of meso-cyclones and downdraft eyes of cyclones became supersonic jet-streams. An energized geomagnetic field amplified the magnetic flux in coronal loops generating co-rotating storms that sucked and blew at the land, leaving vast craters and domes. The ring currents multiplied, too, generating smaller harmonic repetitions – more intense fractal repetitions that produced hot, probably glowing plasma tornadoes and incredibly huge arcs, large enough to boil a mountain from the earth.

As fractal evolution progresses with the application of a larger electric field, thunderstorm cells multiply and their downdrafts grow to cyclones, until multi-vortex systems spin within multi-vortex systems, which are within a multi-vortex system. Nested fractal repetition of form.

We sense winds as horizontal. We describe them that way: nor’easter, westerly, windward and leeward. We rarely think of vertical winds unless we are right under them, and then it is considered an unusual and often catastrophic event. Down-bursts, tornadoes and related vertical effects; lightning and storm surge, are the most destructive elements of storms. Vertical winds impact smaller regions, but are far more violent than horizontal winds.

In primordial storms, vertical winds literally blow-torched the land, and sucked at it like a vacuum hose. We can see this in the geology.

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Australia

The Solar Example

Strip away the hydro-dynamics of a dense atmosphere, fully ionize the environment to see the raw electric currents in a hot plasma, and it’s like an x-ray view of a storm.

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Sunspots are Solar Hurricanes

Sunspots are Solar hurricanes. The central core is a downdraft wind diving beneath the chromosphere. The filaments radiating from the core are coronal loops, attached at one end to the core, and the other to plasma “thunderstorms” – the updraft leg of the loop, which are positioned in a circumferential ring around the core, feeding it filaments of current.

Coronal loops are current discharges along magnetic field lines feeding the core downdraft of a sunspot. The loops are currents trying to break through the Solar atmosphere. When they do break through, it becomes a Solar flare.

Capacitors are used in electronics and power supply systems to control current flow. They are composed of two conductive plates facing each other with a gap between. The gap is filled with a dielectric material that resists current flow. In its intended operation, current does not pass through the dielectric. Current results from charge build-up and discharge from the plates on either side of the gap.

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The hows and whys of a working capacitor are fascinating, but what we are interested in for this discussion is how a capacitor fails. A capacitor fails when current actually flows through the dielectric. It’s termed dielectric breakdown, and occurs when the voltage applied to the capacitor exceeds it’s capacity to store charge on the plates. The dielectric fails to resist the electric field across it and it sparks. That is what we see when lightning strikes – the dielectric breakdown of the layer of air between a cloud and ground. An ionized channel develops in the dielectric and the built-up charge on the plates suddenly dumps through the channel.

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Coronal loops form as current tries to break through the Solar atmosphere.

We see the discharge as almost instantaneous, but in reality there is a prior period when the dielectric absorbs charge and builds the ionized channel. Charge has to diffuse through the dielectric before the channel forms and connects the plates. The diffusion of charge through a spherical capacitor, like the Sun’s atmosphere, creates current loops within the dielectric. As charge is absorbed by the dielectric, it forms currents that loop from one plate into the dielectric, and back to the same plate, because they have no path yet to reach the other plate.

As voltage increases, the loops grow (absorption) extending the ionized path further and further, until it breaks through the atmosphere and discharge occurs.

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Solar flares occur when the current breaks through.

In storms on Earth, the same looping current flows are in the form of weak plasma winds because the atmosphere is only partially ionized. Cold plasma is mixed with neutral species, so thermo-electric and hydro-dynamic effects come into play, raising complexity, but the underlying electric circuit is the same.

 

 

On Jupiter, the same electrical process can be seen occurring, and current loops, or coronal loops can be identified in the Great Red Spot. They appear as Roman colonnades of arches in the cloud, which rise in towering pillars, arch across the sky, and downdraft into the eye of doughnut-shaped cyclones.

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Unadulterated view of the The Great Red Spot.

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The arching clouds portray the current loops in a multi-vortex coronal storm. They march around the inner rotation the way thunderstorms circulate the eye of a hurricane. Each doughnut-shaped cloud at the base of an arch is a cyclone of giant proportion with a downdraft through its core. The other end of the arch is the towering updraft of a thunderstorm, and the filament that arches between is the anvil cloud following current flow along a loop connected to a dielectric surface below. They are the tops of vertical ring currents – coronal loops – that are so intense they sculpt the anvil clouds in the shape of the current flow.

NASA can detect these jet stream winds. They are aware of the complex patterns and the violent up and down drafts in the Great Red Spot. Unfortunately, they don’t understand electricity, and so are scratching their heads over the obvious.

The colorized NASA images shows two rows of updraft/downdraft loops riding along the outer circulation of the red region. The entire red region is the giant hurricane with concentric rings of thunderstorms. At the bottom of the red region, the pattern of a double row of arching clouds continues, but the arches are stretched by the rotation of the entire system.

Above the red region is a white shelf cloud that itself has a single, large, counter-clockwise rotation. This is the anvil cloud of a singular giant thunderstorm, and together with the giant cyclone, form one ultra-large “perfect’ storm”.

On Earth, at ground level, these kind of looping currents of cyclone/mesocyclone produced supersonic  updraft and downdraft winds that created domes and craters on the land. The jet-stream winds rode up and down these current loops like a yarn crocheted, up and down, through and around, but always folding into an ambient rotation counter-clockwise.

So, with this in mind, in the next installment of Eye of the Storm, we’ll look at a wind map of North America, and see the evidence of Earth’s electric winds.

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Eye of the Storm – Part 1

Happy Holidays! Sorry I have not published for so long. It has taken me some time to figure a few things out. Now that I have done that, for your Christmas present, I will explain how the Earth was formed. You can thank me later.

Earth’s geology and weather is a result of capacitance in Earth’s electric circuit. Forget anything you’ve been taught about geology. It’s wrong – provably wrong – from evidence you will soon see.

Geology we are taught to associate with billions of years of “tectonic forces” is actually the result of capacitor discharge across Earth’s atmospheric layers. The Earth’s own electric circuit electroplated, etched and arced to form the land, patterned by the Earth’s electric field.

The first evidence of Earth’s electrical formation is provided by the landscape – all one need do is look at it. In this article you will be shown features created by electric winds. The challenge is to believe your eyes and take a serious look at the theory behind it, or to hide yourself in the consensus.

The following images are just a teaser. An explanation and even more dramatic evidence will take some explaining, but first, look at these basin and range mountains and contemplate what caused them..

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They look as if a blow torch blasted the land, don’t they? Admit that they do. They are coherent flow patterns formed in concentric waves, and this is undeniably so. Just look.

This is a visual coincidence according to consensus geology. According to accepted scientific explanation for these fluid curves in mountains and basins, that rise and fall in coherent fashion, requires a long sequence of unrelated events.

First, the rocks have to be made at some depth, miles below the surface under millions of years of heat and pressure. Then the ground has to roll in an unproven act called “subduction” which stretches and heaves the land such that the rocks come to surface as mountains, and deep basins form between.Imprimir

The rocks have to push up by faulting from earthquake. And with this violent up-heaval, huge slabs of rock do not get broken, or crumbled to dust as would be expected, but remain largely intact, somehow always ending up in horizontal shelves of rock at consistent dip angles.

Then much of it has to erode away, sand grain, by sand grain, over millions of years of rain and wind, which strangely sharpens the angles of what remains and produces slab-sided triangular buttresses on just one flank of each mountain.

Remarkably, after all these chaotic processes of stretching, lifting, falling and eroding, for millions of years, instead of a pile of rubble, coherent forms of parallel rows of ridge lines, and oval, round and swirling structures of repeating fractal forms emerge. It makes one wonder at the marvelous coincidence of it all. How does a mix of ad-hoc “theories” – guess-work really – and very poor guesswork at that – add up to anything as coherent as these structures. The answer is they don’t.

At least, not in the Electric Universe. Coincidence isn’t a scientific explanation in EU Theory. These features are easily identified as coherent wind-blown features created by winds of primordial times, when Earth was in a different Solar environment. The entire process of their formation will be explained.

The environment was not unique, and that is why it can be explained. It exists today on another planet in this solar system. So, we can look at these bizarre features on Earth and see that the same winds that shaped this land, are very similar to the winds that we see on Jupiter today.

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Take a close look at all the features, because they aren’t just similar, they are almost identical. You have just looked at – in a half dozen pictures – more conclusive evidence than any other theory about Earth’s Geology ever presented. Now let’s expound.

The cyclones on Jupiter produce violent downdraft winds like tightly rotating hurricanes. The “craters” on Earth are the result of super-sonic downdraft winds, as would be produced by such powerful cyclones.

Not only that, but on close inspection, the mountains that form the rim of these “craters” display clear and indisputable sonic shock wave patterns, as described in previous “Arc Blast” articles. These features were indeed “blow-torched”.

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The reason these land-forms on earth and the clouds on Jupiter are similar is no coincidence. As will be shown, they trace to the same electrical formation endemic to planetary circuitry. That is capacitance.

The sustained storm called the “Great Red Spot” (GRS) is electrically analogous to primordial weather here on Earth. In fact, so similar is the Great Red Spot on Jupiter to the storms that once raged on Earth, we can visually correlate features. Why that is so, will be explained in the course of these “Eye of the Storm” articles.

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The Colorado Plateau

Let’s focus now on the Colorado Plateau, because this high desert plateau and mountain region in North America has a special structure that makes it very easy to understand. It’s easy because, it was the eye of a storm where specific types of winds occurred that can be identified on the land. This will be shown as the result of three simple processes in Earth’s electric circuitry,

  1. Capacitance
  2. Inductance
  3. Ring Currents

Electric storms produced the Plateau, the Rocky Mountains, the Great Basin, and the Sierra Mountains. Storms like hurricanes and thunderstorms we experience today, but of primordial origin, when Earth’s place in the Solar System was a different environment.

It was the electrical environment that was different. The electric field in the Solar System affecting Earth was very different, and it caused the voltage potential between ground and sky to go off-the-charts, rising to trillions of volts. It produced storms that covered the Earth with erupting volcanoes, lightning arcs, winds and tsunami’s that changed the face of the planet.

Winds screamed at Mach speeds, volcanoes erupted country-sized sheets of magma and shrouded Earth with ionic dust. The land became charged with electricity. Arcs erupted from Earth’s interior and scoured it’s face with bolts of surface conductive lightning. Pools of mineral and moisture ionized below deposits, and lifted mountains of earth away in drift currents, in a powerful electric field, the likes of which we have never experienced in our time.

What caused Earth’s electric field to jump to a state of hypertension, and generate the kind of storms that drifted mountains into form – as if made of whipped cream – is out of scope right now. I will explain this in the future … oh yes I will, but for now let’s stay on Earth.

There is evidence of layers upon layers of successive events. It’s apparent that storms of varying magnitude recurred over time, just as they do today. What formed continents and blew mountains into shape was the culmination of many cycles of creation that left the thin veneer of surface geology we now observe.

The geologic onion must be peeled one layer at a time, and looked at with fresh eyes and electricity in the geophysics tool kit. We now look at the outermost layer. Evidence that Earth’s geomagnetic field amped-up to ‘electroplate’ this layer is obvious everywhere, so we start with that evidence and follow where it leads.

Where it leads today, is an overlay of the Great Red Spot of Jupiter, onto Earth, that shows the approximate shape, location and proportion of the multi-vortex storm that created the mountains and high desert plateaus of North America.

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The storm left its imprint on the land: it’s vortex outline, it’s internal turbulence, it’s vertical and horizontal jet-stream winds and lightning arcs. The Great Red Spot is, as will be shown, the single most important key we have to understanding weather, geology and our ancient past on Earth. I will, in these articles, put NASA and the rest of academia to shame. This will take some explaining, though. So please be patient and pay close attention.

Before we compare, and explain, the features of the Great Red Spot, and the Colorado Plateau, bear in mind the evidence of electricity in geology and weather that we have already looked at. Each past article features an expression of the primordial storms we are discussing now, and should be understood in that context.

In “Arc Blast Parts 1 – 3”, and “The Monocline”, we looked at triangular, harmonic wave forms on mountain flanks created by supersonic winds and reflected shock waves.

In “The Maars of Pinacate”, we looked at volcanoes, and discussed evidence of their cause being electrical discharges within, or beneath Earth’s crust, and how blossoms of violent eruption drew cinder cones to them by in-flowing, rising winds similar to an air-burst nuclear explosion.

In “Lightning Scarred Earth, Parts 1 – 3″, we looked at craters, pinnacles, dikes and buttes formed by lightning, and how the combination of lightning arcs and ambient winds form mountains.

In “Sputtering Canyons, Parts 1 – 3”, we looked at how dust laden electric winds deposit plateau’s, and how an electric field can diffuse charge through the landscape and cause sputtering to eat away layers of those deposits.

And in “Summer Thermo-pile”, “Tornadoes – The Electric Model”, and “Nature’s Electrode”, we looked at electrical models to explain the form and behavior of lightning, thunderstorms and tornadoes.

The Electric Earth Approach

Each essay presents hypotheses for how electricity is the common denominator in every phenomena. The formula is quite simple. First assume electricity is the one true force in Nature. In other words, accept that acoustics, thermodynamics, fluid dynamics, chemistry – all are emergent properties of electricity acting in different phases of mediums. Ignore the emergent effects and identify the underlying electrical process – the wave-forms and circuitry involved.

In every case, an electrical circuit can be found. The emergent effects simply fall into place. In the atmosphere, thermal layers and convection; wind-flow and condensation; high pressure and low; all of these macro-properties follow the thermo-electric properties of air and water vapor in a circuit. They form patterns of plasma currents diffusing as a result of capacitance in the earth and atmosphere.

Virtually every field of physical science; nuclear physics, geophysics, fluid- and thermo-dynamics, chemistry, climate models, you name it – critically rely on mathematical models based on known electrical processes, such as charge diffusion, harmonics and feedback. These are common denominators found in every large scale, time dependent, coherent feature of Nature – which consensus science arbitrarily and incomprehensibly attributes to chaos. The “chaos” is not random, or arbitrary, and actually belies it’s underlying, non-chaotic electrical make-up.

Also, to see the underlying, non-chaotic electrical make-up of Nature, one must recognize electricity is a fractal phenomenon. How current diffuses in a medium, whether plasma, liquid, or solid, takes form in fractal elements that repeat in harmonic scales. So … their form can be identified.

Charge diffusion, whether a z-pinch discharge like a lightning bolt, partial plasma discharge like flames and vertices, or solid state diffusion as in semiconductors, takes form in scalable, harmonic, fractal patterns according to the laws of classical physics, until it’s charge is neutralized in atomic and molecular bonds. The patterns can be seen at every scale, from tiny crystals of silica to continental mountain arcs, and properly identifying them and their cause is the first-level proof of electrical formation.

Geologically, neutralized matter takes form as rock.  Ionized dust deposited by electric wind carries excess charge that must either find a bond, forming crystalline rock, or migrate along the electric field in currents until it finds a place to bond, and neutralize its charge.

If you need laboratory proof, look at any welding process, crystal fabrication, or electro-chemical process where slag is produced. Rocks are manufactured without millions of years of pressure and temperature if electric current is applied. Electricity, even in small currents, can produce temperatures and pressures that exceed that of the Sun. Rocky outcrops, boulder fields, quartz veins, gravel beds, sweeping slopes, triangular flat-irons, volcanic fields, canyons and river beds, all display the effects of electrical diffusion and the secondary effects it produced.

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Stone spheres are evidence of electric storms.  They were not formed in the ground subject to gravity, nor were they carved by giants. The spheres were formed by dust drawn into lightning channels and fused in the atmosphere like hailstones, which accounts for the spherical shape. Why they appear at or near beaches will be discussed in future articles.

In the atmosphere, it takes form as clouds. Clouds should be regarded as aerial crystals, because electrically, they form identical to crystals, with a nucleation, aggregation and diffusion process that expands condensation in the atmosphere the same way crystals grow.

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The liquid crystal growth of clouds will organize into rotating storm systems as a result of capacitance in Earth’s circuitry. In effect, Earth stores energy as a build-up of charge in it’s layers of crust and atmosphere. Then it dissipates the built-up charge in violent winds, lighting and downpours. Storms are predictable phenomena of capacitor charge build-up and discharge across a partial plasma layer. Vortex winds, updraft winds and down burst winds; anvil clouds, mumatus, meso-cyclone, and tornadoes; all are displays of energized cold plasma in a capacitor’s electric field.

 

Because these forms are fractal, they repeat their predictable forms wherever the electrical process that forms them is present. What changes from case to case are the elements in the circuitry – impedance, dielectric, voltage, degree of ionization and polarity of plasma. Just as no two snowflakes ever match, they still follow identifiable patterns of crystallization which is fundamentally a process of charge diffusion. Likewise, the variables in the environment create chaos that never produces identical results; but the electrical processes, circuits and fractal patterns they form remain the same and are identifiable.

So, fractal patterns should appear everywhere, including other planets. And that is exactly the case with the Great Red Spot on Jupiter, because it is also a capacitor induced storm. In Part Two of “The Eye of the Storm” we’ll explore the electric winds of Jupiter and discuss how they work.

Cannibal Bigfoot

That’s the rumor, you know. It’s been around for centuries. Though Native American’s often relate Bigfoot as a nocturnal, petty trickster who steals salmon, there are also legends of hairy devils with evil intent.

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Photo By Edward S. Curtis – Library of Congress

The Shampe of Choctaw fable,  Ts’el’eni, the woodman of Athabaskan’s in Alaska, the Boqs of the Bella Coola, and Tsiatko, Stick Indians of Salish legend in the Pacific Northwest are a few examples. These big hairy creatures were known for stealing women and children, and eating people.

The Windigo, known to many tribes, is associated with evil. In times of famine, it ate human flesh and forever has a taste for it. There are also the Teihiihan, the little cannibals of Cheyenne and other tribal lore, described as something like a dwarf Bigfoot that entices children to play – and eats them.

Hopi believe Bigfoot is a harbinger of strife and doom. He shows himself to fellow man as a message that human behavior has strayed from the creator’s plan, and an accounting is coming due.

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Photo by Edward S. Curtis – Library of Congress

It’s not a cannibal unless it’s human. Otherwise it’s just another predator. Cannibal means a particular type of predator far more chilling to contemplate. The fact Native Americans call it cannibal betrays their belief in what it is. It’s the hairy man of the forest, a brother tribe of people.

Everyone has opinions, including a majority who outright deny its existence. But if you believe in the creature, you’re probably on a spectrum of opinion that runs from a big, relic ape, to a close cousin of mankind. Perhaps an archaic race similar to Neanderthal, or even a hybrid race that interbred with us.

Personally, I suspect they are relic hominids evolved from the same branch of genetic tree we are from. Shave Patty, the Bigfoot in the famous Patterson-Gimlin film, put lipstick and a dress on, and she’d have luck getting picked-up at the Bashful Bandit, my local biker bar.

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Photo by Roger Patterson

That seems to be the way Native Americans think about Sasquatch. They are the wild people of the woods, not another animal. They are feared and respected, and not to be allowed near children. They are not something to go looking for.

Enter the ancestors of mad Englishmen. Have you noticed Bigfoot hunters are usually white people? Non-believers account this to the ignorance of white trailer-trash folk, like me, who prefer a walk in Nature to working off the Mercedes payment all day.

This makes no sense to me. I’ll believe an outdoors man about the woods, no matter what the armchair people say. I think it’s because I belong to the only race in denial about Bigfoot.

Genetics experts say non-African people carry around 4% Neanderthal DNA, whereas Africans have hardly any. Maybe there is something dark in the Caucasian past we’re still dealing with. Perhaps that is why it’s existence is so vehemently denied by urbane people who consider themselves the pinnacle of civilization. The realities of the past are too uncomfortable to think about.

One reason Bigfoot fascinates many people is the idea humans and Neanderthal coupled in Europe in the distant past. And in Asia and Melanesia, DNA shows that people slept with Denisovan’s. The term ‘slept with’ is probably not accurate. Rape in the woods is more likely.

It points to a past when catastrophe decimated the population. There have been planet-wide catastrophes that nearly wiped life away, and the human race was reduced to small groups of survivors.

For life to go on, there had to be compromises. Brutal as it seems, there had to be cross-breeding. Perhaps forcibly and uninvited, but necessary nevertheless. It’s even believed cross-breeding bolstered the human immune system, giving us immunity to some disease.

So if there is the remnant of Neanderthal and Denisovan in the gene pool, that means at one time there were people born of interbreeding that had a fifty-fifty blend. Over time those individuals bred with other humans and the gene pool became diluted. Now there is a remnant of their DNA still carried in our blood.

But the corollary must also be true. Some of those hybrid babies were raised by surviving Neanderthal and Denisovan tribes. They would have bred in those communities, diluting the human gene. There must have been a hybrid being whose race was much less human. A feral race with more DNA of the ‘other thing.’

One can imagine they would be smart enough to survive. Smart enough to use rudimentary tools and even communicate.  They could have come from Europe and Asia to populate the New World alongside human beings.

One could also imagine they were hunted mercilessly for indiscretions in the past. Nothing puts a man into fight mode faster than someone stealing his wife and eating his children. They would have been attacked and chased into hiding, like so many Hollywood bigwigs. They would have been the Harvey Weinstein of the time, rightfully shunned for predatory sexual behavior. Harvey even looks Neanderthal, come to think of it.

They got away with it for awhile, when calamitous weather, pestilence and famine decimated life. Survival meant taking what was needed wherever it was available, and the bigger and stronger hominids had the upper hand. Humans didn’t choose to be the wives, or the dinner for their ‘brother’ tribe. But humans had to wake-up at some point and say, “enough!” The Neanderthal and Denisovan would have been hunted down and made to account.

Feared, hunted and killed, and smart enough to understand their persecution, the remnants of those races hid from the enemy. Now they watch and keep track of us when we enter their territory, but like pedophiles and creeps, know better than to show themselves. Except when opportunity allows instinct to take over and satisfy a nasty, old habit.

Native people aren’t the only ones to have these legends, We all do, regardless of race. My people have just sanitized the stories and called them fairy tales to discredit them, but like all stories they begin from a grain of truth. Werewolves and boogeymen, giants and little people have origins of truth in the distant past. Horrible truths.

What happens in the mountains seems to bear this out. People go missing, without rhyme, or reason, never to be seen again. These disappearances have a pattern that is disturbing. David Paulides is an ex-cop and writer who documents strange and inexplicable disappearances in the National Forests.

 The pattern repeats time and again. People go missing without a trace. If a trace is found, or even a body, they are found far from where they disappeared, sometimes in areas nearly impossible to reach.

Small children are found miles from where they vanish, across rugged, mountain country. People disappear while companions are just a few feet away. Experienced outdoors men take a walk and never come home. The typical profile is the last person on the trail, a child who wanders out of sight, or a solo hiker.

The disappearances often occur near a boulder field, rocky pinnacle, or cliff. As I’ve experienced myself, these are hangouts for Bigfoot. They also occur just prior to storms. Maybe an impending storm is a trigger. The blood rises with electricity in the air. A storm also provides cover – a better opportunity to get away.

Dogs trained for tracking can’t find them. Whatever scent they pick-up seems to create fear, and they refuse to track. Some lay down and whimper.

The mountain ranges I frequent have occurrences recorded that fit the profile. The camp host at one of my favorites called it “the last mountain in Arizona,” meaning it’s not overrun by anybody. Well it is, because there are billions of dollars worth of telescopes up there, but the astronomers keep to themselves, fenced inside the observatory. Otherwise, locals go there to hunt and camp, there are a few backpacking trails, and a smattering of cabins, but that’s all.

Many of the locals who go there, both Native American and otherwise, know of the presence of Bigfoot. Reports of intimidation are disturbing. People hear trees snapped in anger in the darkness at the edge of their campsites. Campers get pounded awake with blows that leave dents in the walls of their travel trailers. They hear guttural, unintelligible talking in some jabberwolky language. And there is howling at night.

I listened to howling that sounded like a cage of monkeys fighting a lion. Deep growls and grunts accompanied chimp-like squealing. It was a night of full moon at an elevation far above coyote country. It wasn’t coyote’s.

A few years ago, a woman reported to be mentally disabled walked just a hundred yards behind her family near a campsite in an adjacent mountain range. She disappeared without a trace within sight of her family, who were watchful because of her handicap. She vanished in a brief moment when they turned their attention away. And not a trace could be found. There was no trail, or track to follow.

The prior year, another woman, middle aged, camped with a group of people she didn’t know well. She’d been invited by a friend, but she wasn’t a regular in the group. As they partied around the campfire one evening, she left on her own to watch the sunset from rocky cliffs about a quarter-mile away. The cliffs overlooked a canyon named Hell’s Hole.

This is another common theme. Sightings and disappearances happen in locations with demonic names. One has to wonder why these places were named that way in the first place.

Of course, she was never seen again. Her belongings were left in her tent and no sign of her could be found. The searchers used cadaver dogs, lowered by rope to find her body in the cliffs below, because it seemed that was the only way she could have gone. They found nothing and the mystery remains.

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Bigfoot of the Urals – Menk filmed by the Dyatlov Party before they died.

From those same mountains, another story may shed light on what happens. It comes from an elderly woman who camped there with her parents as a little girl. She says she was six years old at the time, so this occurred in the sixties.

She sat on a log in the woods in sight of her parents when she heard something behind her. She turned around to see a big, black creature behind a tree. It was creeping up on her, she said, crawling from tree to tree and hiding behind logs. She thought it was a bear, until it stood up and she saw its face looked human. She ran to her parents and got away, her parents unaware of anything.

I came upon the trunk of a large tree hung upside down, cradled in the branches of another, with other trees leaned against it tee-pee fashion. I studied it trying to fathom if it could have happened naturally. It didn’t seem plausible.

As I scouted around the area, a path, or game trail led through brush, and I followed it a few yards to where it came to a boulder outcrop. As I reached the outcrop, I heard children playing, and realized it overlooked a campsite. The campsite was down the canyon, maybe five hundred feet below.

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Typical tree structures mark a Bigfoot Trail

When I climbed onto the rocks, I was met with rock clacks. Something began tapping a substantial rock against another, warning me away. It tapped repeatedly, and not with a little pebble that a squirrel, or bird could pick up. It was a rock I’d gauge as big as my hand. I turned around and left, with the creepy realization that whatever clacked the rock was sitting in that boulder outcrop watching the kids play below.

In every instance I’ve seen, their trails lead uphill to natural lookout sites, usually at large granite outcrops. A ridge, or mountain top with a cap of rock that overlooks a campsite, or roadway is a likely spot.

When I have approached such areas, I have several times heard whoops. On one occasion, crossing a meadow towards an outcropping of boulders, there was a distinct whoop from the treeline to my right, and an answering whoop from the boulders. They were communicating a warning I was coming.

The interesting thing is that I parked my truck and fiddled around next to it for several minutes before I started walking towards the boulders. The whoops came only after I’d left the road and committed across the field. I’m sure the lookout could see me the whole time, but didn’t alarm until I started their way.

They watch us. They hang out in the rocks and trees and watch every move we make. They see us coming as soon as we start. They stay hidden and keep their distance. If we approach they fall back. Only if you keep invading their area do they start clacking rocks, or throwing them. To my knowledge, I’ve never had a rock thrown at me, although a pine cone did hit the car from a clear blue sky once.

Sightings of Bigfoot most often occur on roadways. It’s their biggest vulnerability. We’ve criss-crossed the land with big swaths naked of trees. Where there are trees, the Mountain Devil can’t be seen, except for the occasional glimpse, or surprise encounter. It’s rare they are surprised, but they have to cross roads.

Away from the trails and roads, in areas overgrown with underbrush, beneath peaks and ridges, where dead trees lean against each other, and there are rocky outcrops, and boulder fields – that is where they live. To enter is to experience them watching you, hear their whistles, whoops and clacks, and find their scuffs and footprints.

I filmed the following clip at Hell’s Hole, the location where the woman vanished. You’ll see several things in the video.

First, the trail was blocked every hundred yards, or so with broken trees. I was entering an area that had been closed all winter, and just reopened. I knew from the prior year it was a hot spot, where campsites coincide with access to a creek and one of their trails.

The further I went down the trail, the more trees I found felled, and the more obstacles blocked my way. It was as if, after the roads were closed and people had left for the season, they went-off on the campsite and road, tearing down trees in the hope maybe it would keep people from coming back.

At first, I maintained skepticism. The snows and winds of winter could have knocked the trees down. The further I went, however, the more apparent it became there was more than wind and snow pack at work.

On the way, I found a footprint. The toes impressed perfectly in the mud, but the heel landed in foliage making it hard to judge its length. It was at least twelve inches, but might have been as much as fourteen. It’s width was half-again the width of my bare foot – five inches, or more, in an area I had trouble walking in high boots. The ground was covered in brambles and broken trees. You can watch the video and judge for yourself if a human would walk barefoot in that country.

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The footprint is bound by the arrows, toes to the left.
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The cap rests just inside the print.

I followed what I suspected was a track they’d made. The ground was covered in fallen trees, browning ferns and broken twigs. Through it all, there was a distinct trail of steps, like post-holes in the dry ferns that left them broken down. The footprint appeared along the track in a rare patch of bare soil.

I had no plaster, which is a shame because I think it would have cast very well. I placed a water bottle along the edge of the print with the cap resting inside for scale. The print was flat, with a hint of a rise just left of the bottle cap that may have been at the mid-tarsal break. The toes prints are seen, with the big toe splayed away from the others.

A mid-tarsal break, and the ability to splay toes for balance, is characteristic of Bigfoot prints according to Dr. Grover Krantz, and Dr. Jeff Meldrum, both qualified experts in the subject. The pictures I took are not good as the mid-day sun beat straight down, making it impossible to keep shadows away, or see what I was framing.

The tracks led to the boulders above Hell’s Hole, the very place I was I was heading. The same place searchers lowered cadaver dogs to look for the missing woman. I had Ginger with me. She almost never barks, and only growls when she means business. She started growling almost the moment we reached the boulders. At the same time I heard a repetitive knock on wood. Knock-knock…knock-knock-knock. Knock-knock…knock-knock-knock.

This is on film in Part 2, but the knocking isn’t picked-up by the camera. It wasn’t the machine-gun rata-tat-tat of a woodpecker, but a slow and precise rhythm, like keeping time with a tune. Ginger refused to follow me any further in that direction. She stood her ground and growled.

I don’t know any normal forest animal that makes a knock like that. I had the feeling the playful sound was meant to entice me. Part of me wanted to go find the source, even though Ginger was growling. I couldn’t put the leash on and drag her, because there were too many trees broken down. I had to let her free to run her own obstacle course, but she refused to follow me.

We stayed long enough to take some film and left. I didn’t feel threatened. In fact, after a few minutes I felt whatever was making the knocks was gone. On the way out, though, I heard a solid wood-knock from a different direction.

It’s at this point I generally turn around, anyway. If I hear knocking, or whoops, I don’t go further. I know that won’t get me a photo op, but there is something about intruding where you’re not wanted. To be a paparazzi, even a Bigfoot paparazzi, is to be a cad, intruding on others privacy for the hope of a photo to sell.

Besides, I don’t want my head torn-off.

Interesting Resources:

Rise of the Warrior Apes … new perspective on our not-so-nice cousins, the chimpanzee.

From Discovery UK

Tolkien’s World – Cousin Species…

Update: They are smarter than you think…Can Great Apes Read Your Mind? from “The Conversation

We shared the planet with pre-modern humans…Science DailyRed Deer Cave People…less than 14,000 years ago.

Homo Floresiensis…17,000 years ago – hobbits!

NeanderthalDenisovan…30,000 to 70,000 years ago. “The Truth Behind the Neanderthal Case“…a good documentary. Professor Tom Higham…”When Neanderthals and Modern Humans Meet” lecture at University of Oxford.

New genetic data on aboriginal  Australian’s…Mystery ancient human ancestor found in Australasian family tree

What were they like…Super Predators?

What are they like…1967…”Patterson-Gimlin“…the full Munn’s Report.

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Documentary: Stranger than Fiction – “The Patterson Film”

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Most recent sighting.

For the price of covfefe…

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Electric Earth – Sycamore Reservoir

Sycamore Reservoir – Parts 1 and 2

I backpack into the Catalina’s to look at features I believe were created by Arc Blast.

The Santa Catalina Mountains are unique in several ways. They are one of the ‘sky islands’ of the Madrean Archipelago. The nautical terms, island and archipelago, are used to describe the region because it resembles a dry island chain, dividing two seas of desert. The islands are mountains and the waters are cactus.

296780_255589454477312_100000787791512_666771_1120526016_nThe eastern sea is the Chihuahua Desert. I liken it to the Sargasso Sea – grasses on swells of rolling land with volcanic protrusions scattered here and there. It’s breezy and bucolic, an extension of the plains where antelope and buffalo once thrived. From West Texas to Arizona, and deep into Mexico, Chihuahua steams with thunderstorms in the summer, glazes with frost in the winter, and is a crystal cocoon of green grass and warmth in the Spring and Fall.

saguarosThe western sea is the Sonoran. It’s an overgrown jungle of desert, if there ever was one. Wetter than a desert should be, it teems with botanical danger. Cholla, Prickly Pear, Barrel, Occatillo, and the most grand succulent of all, Saguaro, wear cloaks of surgically sharp needles. Even the trees, Palo Verde and Mesquite, have thorns.

As inviting to pain as it is, it’s also a bounty of color and plenty that supports life in varietal abundance. Birds gather here from all of North America. The Sonora is the continent’s corridor for avian migration. In all respects, it’s the terrestrial equivalent to the Great Barrier Reef – birds swim in profusion like fish, reptiles skulk in lieu of crustaceans, cartoon cactus replaces coral, snakes are snakes, and coyote, bobcat and cougar predate instead of shark. It’s a coral reef without water.

catalinasThe mountains are the thing, though. They are the way birds and mammals hopscotch the way across dry, desert seas from the Sierra Madre in Mexico, to the Colorado Plateau. They are islands, where summits rise to ten thousand feet, covered in Ponderosa Pine, Douglas Fir and Aspen. Between the peaks and desert floor, environments layer by elevation. Chihuahuan grasslands overlay foothills of Saguaro forests. Canyons sprout sycamore and cottonwood groves. Juniper, Oak and Pinion stand in mid-layers with caps of forested woods with Canadian winters.

The Santa Catalina’s are queen of the Sky Islands, with exceptional majesty and drama in her cliffs, pinnacles and deep canyon vaults. She is a rock pile, though. Stark and bold granite shelves stack canted in a giant monocline.

SAM_0195There are deep cuts in its stacked layers of rock that bear the signature of lightning. Sharp angled, lightning-bolt crevasses shoot up rock faces, their floors exposing dykes of quartz veined rock with a grain at cross pattern to the surrounding cliffs. In other areas, features of precisely the same shape form on soil, the quartz rock replaced with sediments of starkly different color where plants won’t grow.

The obvious explanation that passes muster for science has these features the result of erosion from  rock-slide and water. I don’t think that is the case. Their angled, jagged progression up slopes and cliffs belies a gravity induced causation. I came to examine some of these features, because to me they appear to be evidence of Arc Blast. Arc Blast is a theory I propose for Telluric currents that once erupted from Earth in scorching arcs, and shattered across the surface of the land following a voltage gradient of surface conductive channels.

There is also a pinnacle I examine, called Thimble Peak, that is known by local native lore to be a sacred place. As I have found in most instances, sacred mountains are fulgamites formed by true lightning – arcs from storms in the sky. They stand like electrodes with dykes of rock radiating from the core, a formation created by a sustained and energetic arc. Thimble Peak is no exception, looking like a battery terminal jutting from Earth.

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The footprint of the entire mountain changes shape where Thimble Peak rises in stark contrast to surrounding ridges. Deep gorges surround it’s mesa-like sub-structure that finger out into the lightning bolt gouges. This trip takes me to the eastern gorge where I camp in its upper reach. A hot, dry day-hike takes me onto the backbone of ridge behind Thimble Peak to get a hard-to-reach perspective on it, and the giant arc features in the canyons.

SAM_0186The hike is in the Chihuahua ecological zone. It’s spring and the grasses blossom with color. It’s also warm and more buggy than normal. You’ll hear me spitting and swatting gnats quite a bit.

In Part two, I bring out the whiteboard and give a brief discussion of how I think fulgamites like thimble peak are integral to mountain formations like the Catalina’s.

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Triangles In Nature – Why?

First posted to Steemit as “Geometry Challenge – Week 1, Entry 1” on November 3, 2017

Triangular shapes are everywhere in Nature. They show up in geology, biology, chemistry and physics; from the sub-atomic scale to the cosmic. But is it significant? Connect any three points and it makes a triangle – it’s hard to avoid. Triangles are bound to appear in Nature, because it’s … well, natural.

Or is it that simple? Triangles emerge in fractal geometries, where they repeat at different scales. It’s as if there is a common denominator influencing the process. The finest examples are ones most difficult to reconcile with accepted theories.

Mountains, we are told, rise and fall subject to tectonic movement, seismic vibration, upheaval,  faulting, freezing, thawing, lightning, wind and water erosion. A mountain form results from a potpourri of random effects spanning millions of years. You’d think they’d just be piles of rubble, yet we find features like this:

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Good lord, there’s triangles everywhere. Not kinda triangular, but sharp-edged and consistently angled, that repeat, over an over. It’s amazing, really. And to think this could happen from millions of independent, random forces acting over millions of years. It’s a wonder.

Geologists say the cause is mainly erosion. Water follows faults, and cracks, carrying away soil, and rock. Rain collects into runnels, that collect into streams, and funnel into ever narrower channels of flow, leaving triangular pyramids between canyons. It’s that simple.

But is this true? Doesn’t water flow straight down, obeying the imperative of gravity? Take a look at these volcanoes. Their flanks are no different than mountains, and they certainly show water erosion.

No triangles, though. Except for the conical shape of the volcano itself, triangles don’t appear. Just chaotic, flow patterns that basically squiggle straight down.

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Perhaps it’s some property of mountains that volcanoes don’t share. Linear alignment of faults that direct the water to produce a regularity in form … maybe?

But that can’t explain the triangles in the next pictures. Just look at the rock behind the triangles. It’s pocked and uneven, twisted and tortured. So, how could water flow in any regular way to carve the neat, little repeating triangles below?

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San Rafael Reef, Utah – photos by Andrew Hall

Close-up you can see the triangles are mostly soft dirt sediments laying on hard sandstone rock. They should have eroded away millions of years ago. Yet here they sit in a neat, tidy row along the base of jagged, rocky slopes. The triangles are evenly layered and cut straight, yet the rock underneath is uneven and convoluted. There doesn’t appear to be evidence of water flow at all.

The triangles aren’t piles of dirt fallen from the slopes above, either. They are clearly layered at the same angle throughout, with hard layers sandwiched between layers of soil. The soil is not even the same color. A rock slide couldn’t do that.

Look at something even stranger. On this mountain in Iran, triangles repeat in harmonics. The triangles are layered on one another, with the outer ones repeating the form in harmony – where two, three or more triangles repeat inside the form of the previous triangle. I circled where seven tiny ones formed across the base of a larger one.

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Harmonics displays itself often on the flanks of mountains of every type of rock, from sandstone to granite, everywhere in the world. They appear in rows, spaced precisely like wavelengths, their amplitudes rising and falling in geometric progression in nested, harmonic triangular forms.

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It’s as if they are wave-forms. In fact, every aspect of their appearance relates to sonic waves. They appear in harmonic frequencies, with wavelengths and amplitudes that vary in proportion, and they are always layered in place, the stratification angled with the face of the triangle.

It’s odd that the faces are flat, too. They should be humped and rounded if made by erosion. It’s as if they were layered into place during some coherent event, with new wave-layers breaking into smaller harmonic repetitions of the wave-form as time progressed. This is something sonic waves do, too.

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San Rafael Reef, Utah – photo by Andrew Hall
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Finely layered sandstone on Comb Ridge, Arizona – photo by Andrew Hall.

kayenta3Layers

Sometimes mountains can be absolutely crazy, going beast – mode with the triangles. Look at the following pictures, and there is only one rational conclusion to draw.

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These were made by coherent forces, not random erosion over time. Just look at the images and it’s clear something fundamentally different from mere erosion occurred. There is some common denominator in the equation for mountains we are missing.

In fact, there are too many wave-like features to be coincidence. There is the repeating fractal form of the triangle itself, with consistent angles. Consistent amplitudes relating to specific layers, suggesting a time sequence to their formation. Wavelength, frequency and amplitude maintain consistent ratios. And they appear regardless of the type of rock, in ordered, stratified layers. Not only that, the wave-forms express compression and expansion, interference patterns, and repeat in nested harmonics. And there is obvious coherence across grand landscapes. The evidence defies all commonly accepted theory.

There is a logical answer, however. There is a rational, physical explanation why mountains have triangular flatiron flanks. Unfortunately, it has nothing to do with water erosion, earthquakes, or millions of years. It has nothing to do with plate tectonics. In fact, the answer disputes almost everything taught in school.

It has to do with the wind. I’m not talking about the wind as you know it. I’m talking about a primordial wind of super-sonic velocity, that generated shock waves and carried electricity. That is why these features appear with patterned perfection. Shock waves create triangular patterns. The mountains didn’t erode into these shapes, they were built into these shapes, like sand dunes in the wind. In fact, except for volcanoes, sand dunes are the only mountain we see made – by the wind.

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Bullet impact creates triangular shock wave reflections. Supersonic wind produces triangles in standing, reflected waves.

The face of Earth was once scoured by weather like Jupiter’s, with winds that exceeded the speed of sound. Triangles are prime evidence. Supersonic wind creates standing waves of pressure and rarefaction that take triangular form as they reflect from obstructions in the wind flow. Obstructions like mountains – so the windward flanks have the triangular shape of shock patterns embossed on them.

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Shock diamonds produced by supersonic flow in a wind tunnel.

The atmosphere was also heavily ionized, and the dust it carried obeyed electric fields, welding and electroplating the landscape like a plasma torch.

Mountains were created in such a primordial environment. That’s why they line up in linear arrays, like dunes. That’s why one face is steeper, like a dune, and the other slope – the windward side, is shallow, flat and displays triangular features. That’s why volcanoes, which were formed by eruption and not winds, don’t display triangular features, and water erodes channels straight down their slopes like it’s supposed to.

None of this is implausible. We see tornadoes produce winds of 300 mph. That’s roughly half the speed of sound. So, it’s entirely possible winds on Earth reached two, three, or more times that speed in the past.

And ionization and electrical current is already in the atmosphere. The highest winds are produced by tornadoes in electrical storms, where the electric field grows to hundreds of millions of volts above normal. Enough to create the giant sparks we call lightning.

We actually see all the conditions in our weather to produce a mountain, except the extreme severity of wind speed and ionization. But we do see those conditions on other planets. Jupiter and Saturn swirl in dynamic cyclones of ionic wind that reach supersonic speeds. Venus’ atmosphere is a constant electric storm, with lightning thousands of times bigger than we see on Earth. If we can see it happening on our neighborhood planets, that’s good evidence it could happened here.

What we don’t have evidence of on other planets, is plate tectonics. Oh well, there isn’t much evidence on Earth either. It’s the narrative that won’t go away, built on unverified assumptions that we’ve been taught to believe.

The truth is, we don’t even know what’s inside the Earth past the few miles of crust we’ve drilled through. We don’t know what causes earthquakes, volcanoes, or mountains to rise and fall. We don’t know if mountains rise and fall, at all. All we have are a bunch of assumptions about what happened long ago.

What the landscape shows doesn’t look like the theory we are taught. It looks like something completely different shaped the land. Alternative ideas abound, but mine is the only one that explains the triangles.

Since we live on this planet, our minds should be open to what it tells us. There is more than triangular shapes on mountains to comprehend. If your interested in learning more, follow me at the ‘electricearth’ tag at Steemit, and visit my website, The Daily Plasma.

Before we end, here is a bonus. Sometimes you can find triangles on volcanoes if you look inside the crater… Tell me why @chargedbody.

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Maar crater, Pinacate Volcanic Field, Sonora, Mexico

Arc Blast

Re-posted courtesy of the Thunderbolts Project

Here is a three part presentation on Arc Blast. It’s a theory on mountain formation based on evidence of coherent, harmonic shock-wave features found on mountains everywhere. Mainstream science contends these are features created by water erosion. Take a look at what I present and decide for yourself. Consider how water can erode rock into layered, harmonic forms.

Related articles:

Arc Blast – Part One

Arc Blast – Part Two

Arc Blast – Part Three

The Monocline

 

 

Gila Bigfoot – The Long Road Home

Episode 4 – The Long Road Home

Ginger and I camp at the lake after a day of Bigfoot hunting. Along the way we stop to check-out a likely granite outcrop in a meadow. As we leave the truck to cross the meadow, I hear an unmistakable whoop from the tree-line, and an answering whoop from the rocks. We change our mind about crossing the meadow.

It’s late season, so we are alone at the campsite. I’m playing a CD while filming, which isn’t appropriate, but the publisher notified me they were okay taking the advertising revenue. I don’t think they will get rich from it.

The next day we head home. This is the last trip for the year. I stop to look at one last tree structure and leave the truck in drive, nearly getting run-over as it rolls backwards while I’m at the tailgate.

Gila Bigfoot – Stench in the Air

Episode 3 – Stench in the Air

Ginger and I continue exploring a hilltop we climbed following tree-leans. On the reverse side of the hilltop, we find teepees of broken trees and a wallow with large tree structures. The trees are woven together in a fashion that defies wind, or snow-load. X’s surround the area.

I keep getting whiffs of bad odor, until Ginger alarms and I get the distinct smell of shit. It wasn’t either of us. I didn’t step in anything. We were at least a mile from the roads and trails. The scent was strong, like someone took a crap right next to us.

Gila Bigfoot – Whoops!

Episode 2 – Whoops!

Ginger and I follow a path of tree-leans that lead to a mountain top with granite outcrops. I hear whoops as I leave the designated trail to follow the tree-leans up the hill, but in the wind, they are indistinct, so I am uncertain.

The tree-leans give way to tee-pee structures and X’s surrounding the hilltop. We don’t venture into the granite outcrop, but skirt around it looking for definitive structures to film. The outcrop seemed spooky. It’s where I thought the whoops came from.

Ginger and I continue exploring this hilltop in Episode 3, where we find more evidence and get a bit nervous.