Ginger and I continue exploring a hilltop we climbed following tree-leans. On the reverse side of the hilltop, we find teepees of broken trees and a wallow with large tree structures. The trees are woven together in a fashion that defies wind, or snow-load. X’s surround the area.
I keep getting whiffs of bad odor, until Ginger alarms and I get the distinct smell of shit. It wasn’t either of us. I didn’t step in anything. We were at least a mile from the roads and trails. The scent was strong, like someone took a crap right next to us.
Ginger and I follow a path of tree-leans that lead to a mountain top with granite outcrops. I hear whoops as I leave the designated trail to follow the tree-leans up the hill, but in the wind, they are indistinct, so I am uncertain.
The tree-leans give way to tee-pee structures and X’s surrounding the hilltop. We don’t venture into the granite outcrop, but skirt around it looking for definitive structures to film. The outcrop seemed spooky. It’s where I thought the whoops came from.
Ginger and I continue exploring this hilltop in Episode 3, where we find more evidence and get a bit nervous.
In this initial episode of Gila Bigfoot, my brother and I drive through remote campsites in known Bigfoot country in eastern Arizona. Along the way we see trail markers. One trail is close to our campsite, so we follow it.
People unfamiliar with Bigfoot trails will say we followed leaning, wind-blown trees that just coincidentally form a distinct corridor through the forest. It’s coincidence the corridor of fallen trees is surrounded by forest without leaning trees.
Skeptics will say it’s coincidence the trees generally lean the same direction at a consistent angle, unnaturally stripped of bark and branches, not connected to root balls, or broken stumps.
And it’s coincidence the ground is scuffled, like something large moved through that corridor of leaning trees. Something that followed the tree-leans straight up the hillside instead of meandering on switchback paths like game trails typically do.
It must be coincidence they lead to a ridge where there is a ‘fence line’ of downed trees blocking an aspen grove that hides another trail I surveyed previously. A ‘fence line’ that has no apparent reason for being there; where there is no stream bank, or natural feature to explain how they formed a barrier, piled on top of each other in the same direction.
It’s just another coincidence the ridge trail leads to water at the points where the stream enters and exits the lake, where the land is swampy and shallow, where it’s easy to find crawdads and fish.
And of course, it’s coincidence we hear wood knocks from this trail in the middle of the night.
Following the 2017 conference, several of us decided to see the Grand Canyon. We left for Flagstaff as the Solar eclipse ended. We made several hikes over the following days. This film was taken by Andrew Fitts at a cinder cone in the San Francisco peak volcanic field, called Red Mountain. An article on the conference is here.
Ginger and I look for ‘squatter man’ in a variety of locations near Tucson, Arizona … without much luck.
Archaic petroglyphs are found on every continent except Antarctica. They are figures pecked into rock. Typically they are found on rocks that have a patina of dark glaze called desert varnish, and the artist created the figures by pecking away the varnish to expose the lighter, native rock beneath.
Similar figures are also found in intaglios, like those at Nazca, Peru, and on other forms of carved art, like the ‘Rongu Rongu’ text of Easter Island, and even totems found in Siberia.
They were made by stone age people. Although when they were made can’t be dated by the rock itself, some have been found in association with campfires, or crusted with lake sediments that can be. They indicate some were made as long ago as 10,000 BCE.
What is remarkable is they depict the same variety of patterns – squiggly lines, concentric circles, spirals and other geometric shapes. Also animals, ladders, oddly elongated alien-looking figures, and of course squatter man – a stick-man figure with arms and legs spread in a variety of “hands-up, don’t shoot” postures.
Actually, squatter man comes in several forms, sometime with a bird’s head, sometimes a fat belly. Yet these figures are consistently found everywhere, as if ancient people around the world had exactly the same idea.
How do the consensus scientists explain this? Some speculate that ancient man lacked imagination. Their emerging artistic abilities only allowed them to create these stick-like figures to represent people dancing and cavorting around the rocks, the animals they hunted, and simple geometric shapes that pleased them.
Others speculate that shamans made them after eating hallucinogenic plants, and the shapes are similar because their visions were created by the drug. I can tell you, these shapes are not what one sees with any magic mushroom, hallucinogenic cactus, DMT, or even LSD. I can speak with authority on that.
Alternative theories abound with the ‘Ancient Aliens’ community and UFO crowd. Of course they see evidence of aliens and UFO’s in every enigma from the past. Like the consensus scientists, they have a belief system to satisfy.
What they really are was discovered by a PhD., plasma physicist at Los Alamos Laboratories; Anthony Peratt, in association with Dave Talbott, one of the founders and principal researchers behind the Thunderbolts Project. Talbott showed Peratt one of these figures and he immediately recognized it depicted an extremely high energy ‘plasma instability’ like those created at Los Alamos for nuclear research. In other words, they depict plasma aurora like the Northern Lights, except at extremely high energy unlike we see today.
Peratt performed an extensive investigation, engaging volunteers from around the world to document over one million of the figures. They documented the shapes, locations and orientation with respect to what direction the creators must have looked in the sky to see the glowing apparitions. His work is documented in a peer reviewed paper published by IEEE, the largest professional science journal in the world. This link will take you to Plasma Universe, his website, where you can find the paper and many more details about the phenomena.
The implications are enormous. For one, it explains why the same figures appear around the world – because people in the distant past witnessed them in near-earth space. It explains the enigma of such features as the Nazca Lines. Also, it means ancient people were experiencing an extreme event in the solar system, possibly from huge solar flares, or a large passing comet. Something energized earth’s magnetosphere with electricity that caused these auroral patterns to appear.
The event would have been catastrophic, because it means Earth would have been washed in deadly radiation. They point to a time in the past when catastrophic events occurred – a lost chapter in our past we don’t fully understand.
One would think archaeologists, historians and paleontologists would be thrilled about this discovery. One would think … but not so. They have totally ignored it because of scientific jealousy and because it doesn’t fit their paradigm. Who does this electrical engineer, Peratt think he is?
I talked to one “expert”, a PhD who actually studies southwest rock art for a living. He asked if Peratt had his silly paper peer reviewed by a proper archaeologist. I said no, because archaeologists don’t know diddly about plasma. I doubt one could be found who studied algebra, let alone quantum physics. It’s unfortunate, but consensus science shows less real curiosity about the cosmos than they do a need to protect their own theories and belief system. Science for many has become a pseudo-religion, not a method of inquiry.
Rocks in the deserts of North America have thousands of these petroglyphs. In this Electric Earth video, I’ll take Ginger on adventures to find some. It isn’t easy.
Follow along as I explore the landscape finding evidence of electrical scarring on planet Earth.
Our geologic history is not what we’ve been taught. The surface of the Earth, like all planets, was, and still is, shaped by electric forces. Plasma current from the Sun, passing comets, and other disruptions in the solar system cause electrical responses internal to our planet, and ionization in the atmosphere that results in volcanoes, earthquakes, weather and climate. In the past, these forces caused lightning, winds and flooding unlike anything we experience today.
Our ancestors recorded these events in mythology. Ancient rock art provides mute testimony. Petroglyphs depict auroral displays that accompanied such events. Around the world, ancient people recorded what they saw in the skies as they hunkered behind rocks, hiding from deadly radiation.