Month: November 2025

Electric Earth, Electric Universe, Space News Video, Thunderblogs November 26, 2025

DeDunked! How about a ReDunk?

A monumental shift in ‘critical thinking’ is taking place. People no longer accept scientific claims as scientific fact. They are questioning the “experts”, because thousands of peer-reviewed scientific studies, and the journals that publish them, have been exposed as frauds. Technocrats have used untested theories and their own wishful thinking to portray a version of the “truth” they want us to believe. People are finally awake to the fact that the “reality” they’ve been taught is built on fake narratives.

This is nothing new in the Electric Universe. We have watched the Big Bang cult take control of the narrative for decades, not with proof of their theories, but by hiding their flaws with magical math and closing ranks around a narrated consensus. They then bully outsider’s who suggest alternate theories. It’s been a tactic serially repeated since they vilified Immanuel Velikovsky.

One area this is particularily so is ancient history, where academic interpretations have always been challenged by knowledgable people who see gaps and inconsistencies in the narratives. The academics defend their turf almost as if they are hiding something. Especially regarding theories for past civilizations in a pre-flood era, and the mythologies surrounding the “flood” event itself.

Chief among today’s alternative history theorists is Graham Hancock, who anyone interested in alternative theories certainly knows. He’s hit a nerve with the consensus, so he’s become the latest to be ‘Velikovskied’.

“DeDunking” is Dan Richards’ YouTube channel devoted to “alternative history from the perspective of a skeptic.” For those who follow, you’ll know his channel typically uses science and reason to evaluate, and sometimes defend alternative history theories, like those of Graham Hancock, against the onslaught of consensus-science ‘Karens’, gatekeepers and debunkers.

I compliment his courage and style, as he calls out the many flaws, lies and ad hominem attacks served up by the consensus in defense of their narrative. He seems to be a sincere truth seeker and an influential one at that. He is a credible voice because he is savvy to the powers in control of disinformation. However, his credibility will suffer if he ignores the most competent alternative theories regarding science and ancient history – the ones the consensus was invented to hide. Those would be ours, of course, in the Electric Universe.

Otherwise, he should have considered it in his video: “New human face carving discovered at Karahan Tepe “T” pillar.” The “T” pillars found at both Karahan Tepe and Gobekli Tepe, I will argue, tell the most significant story of all time. It’s vital to set the record straight about these oldest of all relics, from a time twelve-thousand years ago when the Earth experienced a catastrophic shift in climate. “T” pillars have a story to tell about the very beginning of human society and religion, based upon what people saw in the sky. It is the greatest story of all time. It is the story told in myths. It’s also a story about today, and the battle of narratives vying for everyone’s attention.

*Figure 1. The “Human Face” at Karahan Tepe.*

The subject of “T” pillars strikes at the heart of Electric Universe theory. Like the “Squatterman” petroglyphs that Anthony Peratt proved depict a high intensity space storm besieging the Earth, the pillars also depict a plasma phenomena. Dan, being a voice of agnostic moderation, sorting actual fact from the fictions of the consensus and open-mindedly considering alternatives in the way science should, needs to consider our theories.

In his video, he only considers the typical geological catch-all called impact theory. Catastrophists jump to this conclusion because they are brainwashed by consensus science to believe craters are made by meteor impacts. I don’t think he knows impact theory is based on scientist’s say so, not repeatable tests that prove it. The only crater feature an impact can make is a hole. The only way to make craters in a lab with the features we actually see on the Moon, Earth and elsewhere; like doublets, rim craters, crater chains, rilles and hexagons, is with electricity. That is why scientists never find the actual meteors that made purported craters. They are from sparks, not meteors.

It’s my hope he will be made aware of Kristian Birkeland’s currents, Hannes Alfven’s magnetohydrodynamics, Anthony Peratt’s Plasma Universe, Robert Schoch’s Solar Storm theory and the Electric Universe body of work and ReDunk his Dedunk with more electricity. Turn the lights on, Dan.

Dr. Peratt, a world leading nuclear plasma engineer, documented the petroglyphs around the planet, verified the imagery matched with high energy plasma instabilities and proved they were consistently oriented with a view to the sky where such aurora would appear in Earth’s magnetic field. His work is compelling evidence – no, actually it’s proof – that ancient humans witnessed severe space weather due to a high energy event in the Solar System, which lit-up Earth’s magnetic field with induced electric currents, creating glowing plasma figures in the sky.

They were aurora, like the multi-colored Northern Lights, only farther from the Earth and ghostly white, since the gases that make the colors would not be present that deep in space. However, the same magnetic field that lit-up in space also connected with the Earth, not only at the poles, but all around the globe. Whatever occurred in space sent huge amounts of energy into Earth’s magnetic field, amping it up to a scale we can only imagine. Parts of it lit, because ions and electrons gathered to form coaxial circuits of plasma along magnetic field lines aimed at the Earth.

*Figure 3. Coaxial Birkeland Current structure.*

Earth’s magnetic field begins and ends inside the Earth, so current gathered in it’s outer shells is inducted internally. Physics says so. Who would know better than Nobel Prize winner Hannes Alfven, the one person on the planet who best understood plasma, and insisted this must be so in his electrical model of stars. The scientific community pretends that didn’t happen.

The model applies to stars and “living” planets with an active magnetic field. This is electrically how the magnetic field is generated for all stars and planets. The consensus idea that Earth has a core of iron spinning like a frictionless ball-bearing inside a matrix of molten rock for billions of years generating it’s magnetic field – while other planets and stars generate their magnetic field by some other means – is absurd when physics tells us magnetic fields require an electric current.

If they rely on “science”, why don’t scientists admit that, according to physics, the magnetic field must have an electric current generating it, and look for that inside the Earth. Instead they say it’s an impossible, frictionless, spinning iron ball and neglect electricity altogether. It’s even more absurd since aurora allow us to see electric currents feeding massive energy to the planet!

Hans Alfven’s transformer model of stars

Petroglyphs tell us the Earth’s magnetic field was glowing with current and “z-pinching”, which means incredibly high energies were involved. The amped-up magnetic field had to strengthen and constrict around the Earth like Leviathan, ionizing atmosphere and inducing surface charge on the ground beneath.

Where the energy passed through the atmosphere, storms of biblical proportion raged. How we know is that the Bible says so, and so does every other mythology from ancient times. In fact, the myths talk of storms so much, so explicitly, in so many ways that it’s absurd we don’t get the message. The earliest gods of myth and religion were storm gods.

Megalithic structures many believe to be prediluvian tell a tale of a different environment. If one examines their extreme construction it becomes evident they were built to withstand plasma storms, and it explains why they are found with remnant magnetism, lightning scars and vitrification.

Ancient myths do not say a comet hit the Earth, or anything to indicate an impact. They say storms raged, the Earth erupted with water, dragons set fire to the land, Leviathan circled the Earth and Vimana flew in the sky. Many strange and complex visions were witnessed involving angels, demons and gods. They were in the skies and inside the Earth itself, as the mythologies say, because the entire planet’s circuitry was heating-up.

An impact would be hard not to notice. I think they would have made a note of that somehow on a petroglyph. They were witnessing plasma storms. Plasma storms shook the Earth and erupted the guts out of it by raising it’s internal potential, while cyclones formed at the feet of giant columns of auroral light. The visions they saw are what is recorded in myths, glyphs, columns and statues.

According to several dating methods, many petroglyphs were created around 12,000 years ago. That was the period of the “Younger Dryas“. Roughly a thousand-year period when the climate of half the Earth suddenly cooled, allowing the arctic flower, Dryas Octopetala to thrive everywhere. It also caused mass extinction of megafauna that could not adapt to the changing conditions.

Though climate scientists have tried to blame Mammoth farts, there is no evidence greenhouse gases were the cause, which has left the scientific community flummoxed. The Younger-Dryas is a mystery. It may have been a comet, the Sun flaring, cosmic rays from a supernova, or some event we haven’t imagined. It could have been Earth’s escape from Kronos, the ancient first Sun. Whatever it was, it happened very suddenly, flash freezing animals as they grazed, then burying them in mud. The period is marked by a mat of charred matter across the Americas and parts of Eurasia.

Taken in context, petroglyphs are substantial proof that the Younger Dryas was a plasma storm event. As is the geology and the condition of frozen remains of animals caught in the maelstrom. Even mainstream geophysicists like Dr. Robert Schoch have come to this conclusion, as he wrote about in “Forgotten Civilization: The Role of Solar Outbursts in our Past and Future“. Dr. Schoch recognized the significance of Peratt’s work. He suggests an extreme Solar Storm fits the Younger Dryas evidence very well.

Following this event the world changed. Megafauna were nearly wiped-out. The landscape made desolate, raised by fire and flood. Humans who survived the cataclysm did so together in Anatolia, part of the fertile crescent of land between the Tigris and Euphrates rivers. The earliest constructions of an organized society discovered so far, are several Neolithic megaliths dated to the Younger Dryas period.

Best known are Gobekli Tepe and Karahan Tepe, in Turkey, which have been dated to 9,700 B.C., at the end of the Younger Dryas. But new sites continue to be uncovered with earlier dates, indicating some of them were occupied during, or even before, the Younger Dryas event. Which brings us to the ReDunk information I hope Dan considers.

A common feature found at these sites is the “T” pillar. Their meaning is apparently significant, but remains a mystery. There is no discernible structural purpose for the shape. They seem to be more for a spiritual tradition given how some are decorated with carvings, and how they are used in ringed enclosures reminiscent of Ancient Pueblo Kivas of the American Southwest.

What is unusual about this “T” pillar found with a human face carved into it, is that “T” pillars don’t usually have faces. They do often display arms and hands carved into the pillars, as well as other imagery, but not faces. Also, there are similarly pillar-like stone statues found at these sites with heads similar to this “T” pillar. So, the question is: what does this all mean?

It is my opinion the “T” pillars represent the Earth’s magnetic field lines, fired-up with glow-mode currents. The pillars, like squatterman and other petroglyphs, are a physical record of what was witnessed as a space-storm brewed over the Earth’s poles.

Columnar rays of light, grouped in a ring with two prominent rays in the center. The prominent pillars represent Birkeland currents, delivering energy from an unknown extraterrestrial source. The ring of pillars surrounding them represent magnetic field lines glowing with induction currents, embedded in the encircling walls representing auroral curtains of light.

Note that in the artist’s rendition of Gobekli Tepe in Figure 8, the walls appear as one full ring, surrounded by two partial rings that don’t meet, but overlap. This is how counter-rotating curtains of auroral lights actually appear in the sky. The central pillars, the surrounding pillars and the ring walls are all structured the same as polar aurora.

Figure 8. “T” pillar enclosure displays the same configuration as high intensity polar aurora, with two columns representing Berkeland currents and outer rings representing magnetic field lines encircled with counter-rotating auroral curtains.

Astro-archaeologists have noted the enclosures appear to have certain solar alignments, which also makes sense if the enclosures represent the Earth’s magnetic field. Specific regions of the sky where images appeared, when they appeared, and how they appeared would correlate with Earth’s orientation with respect to the Sun, Moon and any other external influences on the magnetic field.

*Figure 9. Seen from space, well developed, energetic aurora tend to form concentric rings of counter-rotating curtains of light.*

The heads, I believe, were shapes made of light radiating from energized plasma. They were transient effects that made different shapes, some that looked like faces with a little imagination. Sometimes they looked like just a big pair of eyes, bird heads, or fish heads, too.

The first pillars were simple “T” structures. The first heads, found at the same sites on pillar-like sculptures, were not much more. A projecting brow and vertical bar that gives an impression of eyes and a nose. There is a consistent design language and it isn’t very human-like. A long bar-like nose, hollow eyes and no mouth, or just the hint of one, lantern jaw and sometimes a skull cap, hair, or helmet feature.

The head is a “T” and the nose is very odd

It’s more like the template for a face, like the stylized, vacant-eyed statuary department stores use to display clothing. Nothing is there to distinguish them as individual human beings. And since these are the earliest sculptures, they are likely the most true to what was actually witnessed. It was enough for fear and shock to stimulate the imagination into believing they were Gods supervising Earth’s destruction.

The most compelling evidence the “T” pillar represents plasma aurora aren’t the heads, but the iconography on the pillars. For one thing, some of it matches petroglyphs, proving the link with plasma discharge. But the main evidence this depicts plasma discharge is their match with excited hydrogen.

*Figure 12. Hydrogen energy densities at 1st to 4th order spherical frequencies.*

Excited hydrogen atoms vibrate in spherical harmonic frequencies which make the patterns shown in figure 12. These same patterns appear in petroglyphs, as well as the pillars at Gobekli Tepe and other ancient iconography. For example, concentric rings are a common petroglyph found in the same panels with squatterman. Hydrogen makes concentric rings in four different spherical frequencies, shown on the far left in Figure 12, and in Figure 13 alongside sample petroglyphs.

Concentric Ring Petroglyph – American Southwest

As energy poured into the thin plasma outer reaches of the atmosphere, it met layers of hydrogen. In a plasma storm, hydrogen would be produced in large quantities by electrolysis of surface water. An energized layer of plasma composed of hydrogen resonating at this particular frequency will holographically portray this signature form, at scale across the whole energized region.

Coherent light structures are observed in the sky all the time, even though there is no lens, or prism involved, only tiny particles of water vapor acting holographically to form large structures, like rainbows, moon rings and other atmospheric phenomena. Hydrogen in a plasma will do the same thing.

There is structure to the plasma because the electric field is vertical and perpendicular to the layer of hydrogen, creating a standing wave interference pattern. Each standing wave forms a cell, like a bubble of charge density that tessellates into spherical nodes vibrating at spherical frequencies.

*Figure 14. Aurora Australis – tesselation in the plasmasphere causes auroral light to appear as shafts and curtains.*

Tessellation of standing waves is also why some common aurora appear as columns of light, like in Figure 14. It is the same phenomena that makes the patterns of light beneath the waves in this pool in Figure 15. The wave structure itself focuses light, defining the wave troughs and peaks in light and shadow. Petroglyph images are also tessellated wave patterns. They were made by glowing waves of plasma instead of sunlight and water.

*Figure 15. Waves bending light to display tessellated structure.*

In fact, not all petroglyphs display animals, or anything recognizable. Many petroglyphs display cellular patterns like the pool water, as shown in Figure 16.

*Figure 16. Cellular patterned petroglyphs record plasma tessellation cells*

A common image recorded in petroglyphs and elsewhere is known as “goggle-eyes”. As you can see in Figure 17, goggle-eyes are sometimes portrayed alone and sometimes incorporated into a face, or pillar-like anthropomorphic statues. Goggle-eyes are found in petroglyphs alongside squatterman and concentric rings. Goggle-eyes are formed by hydrogen.

At other spherical frequencies, hydrogen forms other patterns similar to ones found on Gobekli Tepe pillars, and elsewhere, proving these were being witnessed in the heavens from around the world. Certain designs that look like dumbbells, or horseshoe magnets facing each other are found on the pillars in Turkey, as well as indigenous African art, thousands of miles and centuries away. They are also patterns created by excited hydrogen that resemble the letters “H”, “I” and “U”, shown in Figure 18.

Stars and flowers are another common theme seen in petroglyphs and ancient iconography that auroral hydrogen is responsible for. The star is the inverse of the flower, and both were portrayed as light emissions oscillated from the flower-shaped outer boundary to the star-like inner filamentary structure of the tessellated plasma cell.

Other forms made by plasma, not necessarily hydrogen, include certain animals, like birds, often shown as a sequence of repeating patterns. They are on pillars as well as petroglyphs, again proving the link as something universally seen around the world.

Repeating forms, especially in rows and columns, is a feature unique to high energy plasma. They are another effect caused by tessellated interference patterns in energized plasma. Instead of one tessellated cell lighting, charge diffuses through a patch of identical standing waves, lighting-up repeating features in each.

*Figure 21. Tessellated interference patterns in plasma produce repeating forms resembling a bipedal bull in a flock of bighorn sheep.*

We can see the same thing above thunderstorms with high speed cameras. Figure 22 shows self-similar plasma sprites appear like a school of jellyfish as multiple high altitude tessellated cells discharge in-phase.

It is no coincidence that high energy plasma “Z-pinch” creates a human form, or that interference patterns in a plasma makes forms that resemble living organisms. The universe is holographic with a fabric of pure aetheric energy, so every form is a fractal harmony of wave patterns. Repeating forms in Nature is the rule, not the exception.

Science says petroglyphs and pictographs depict local fauna, scenery and normal activities, like people hunting and dancing. Please, take note of the images and see if things look normal to you. For once, we have a clear example of scientists suffering pareidolia.

There is continuity of images and themes in the artwork of ancient Anatolia that is repeated in rock art around the world. “T” pillars are an example of this and present an astonishing implication. “T” pillars are not exclusive to these sites in Turkey. They are found in all ancient cradles of civilization. Like ‘squatterman’ and “Jacob’s Ladder’ which are found in petroglyphs around the world, a form of the ‘T-pillar is found at megalithic sites around the world.

We just don’t call them “T” pillars elsewhere, because the “T”‘s have been replaced with anthromorphic figures with faces. Like Urfa Man in Turkey, they have the same blank faces, striking the same patient pose. They are the Moi in Easter Island, the pre-Incan gods of Meso-America, the Buddha of Asia, the Egyptian pantheon and the Annunaki. Similarities include a long, lantern-jawed head, ski-slope nose, no mouth, or only the suggestion of a mouth and often no feet, or legs. Heads appear wearing a boxy hat, headdress, or helmet.

They simply evolved over time, from columnar structures with simple features, to elaborately featured anthropomorphism with faces, bodies, stories and personalities.

*Figure 24. Goggle-eye pictograms with bodies, or pillars?.*

Even more compelling proof the “T” pillars are the archetype for subsequent gods are the goggle-eyed figures mixed with fish found in Australia and shown in Figure 25. You can see how the context of the fish morphs from individual fish, to goggle-eyed fish, to fish with human-like, goggle-eyed heads. Centuries later, fish gods appear among the Annunaki, holding handbags and stories of creation.

There is a simple, direct continuity of themes in the lineage of religions that links a space weather event to auroral lights, catastrophic climate change and shared emotional trauma. The Annunaki, Egyptian, Greek, Roman and every other pantheon of gods were fashioned on the “T” pillar, because ancient man saw electricity in the sky.

In Figure 26, the Kuntillet Ajrud inscription, discovered on pottery found buried in the Sinai desert and dated to the 9th century BC, portrays the Egyptian god Bess. Barrier style pictographs of unknown age found in Utah’s canyons depict the same goggle-eyed, jug-headed figures without the anthropomorphisms of arms, legs and other appendages.

The Kuntillet Arjud artwork was originally inscribed with the names of Yaweh and a female diety named Ashera, before the images were added. There is controversy whether the images have any connection with Yaweh of the old testament. It is certain that the images represent gods of Egypt, however, linking the rock art, and therefore plasma aurora, to belief in gods.

I contend the “T” pillars represent the “Elohim” of Genesis. They are what the myths are about – storm gods. They are the trauma for which we collectively suffer amnesia. Beings of light from the heavens beaming to mountaintops where lightning and thunder reigned. The notion that Man is made in God’s image is a result of ancient man seeing his image in the sky. What we call “squatterman” today, and imagery like the Barrier Style rock art of Utah, were the creator gods of yore.

I also contend it was people turning away from this pagan pantheon to acknowledge the one true God of the cosmos that began monotheism. A more sophisticated understanding that energy lit the cosmos, and the storm gods were just light fixtures, had to appeal to those who stopped to think. Perhaps that is why so many statues of these storm gods are found headless and why sites like Gobekli Tepe were intentionally buried. They were deemed to be false gods, and rightfully so. They were just lights in the sky and bad weather.

What makes this relevant today is the new/old narrative that Annunaki and other mythological characters were reptilian visitors from another star system who seeded human life on Earth. People are being led into a revival of this ancient pantheon to fill the knowledge void left by the failures of academic science. It’s similar to the “flat earth” phenomena, where a malicious psi-op attempts to gain traction with vulnerable people who just want answers. There was an ancient alien energy that caused plenty of aerial phenomena, but no little green men were involved – at least not with respect to the Annunaki. The Annunaki, like the “T” pillars, represent a ‘Category 5’ space storm and the resultant chaos on Earth.

Also, a course correction is needed for the new-age “catastrophists” who believe an impact is the only possible way Earth’s climate could have been disrupted so severely, so quickly. Not that a meteor, or comet isn’t a possibility. In fact, that is exactly what Emmanuel Velikovsky originally presented in “Worlds in Collision” and the concepts that gave rise to the Electric Universe. A cometary visitor of sufficient size could have caused all of the magnetic field effects recorded in the petroglyphs. However, not by impact, or even airburst.

*Figure 27. The Vulture Stone at Gobekli Tepe*

Simply coming close was enough. Differential potential between Earth and a large invading body would generate an electrical wind to amp the magnetic field. So, it could have been a comet, or the Sun, or another planet. It could even have been the Moon, or the Earth itself adjusting it’s orbit.

Whatever the cause, it generated plasma storms. They were long lasting and probably recurring. They shook the Earth and erupted the guts out of it, while cyclones formed at the feet of giant columns of auroral light. We know this because the storms are also recorded.

The famous “Vulture Stone” at Gobekli Tepe tells this part of the story. The handbags represent the storm clouds. I’ll refer to “Handbag of the Gods” where I decode the Vulture Stone.

Nature is circuitry. Our bodies work on circuitry. So does every plant and animal on Earth. Inside Earth is circuitry generating a magnetic field that reaches to the Moon and makes a bubble of circuitry so powerful it lights the polar skies. The Earth’s electric bubble lives inside the Sun’s electric bubble, called the heliosphere, making circuitry between Earth and Sun.

Nested spheres of circuitry repeat at the galactic and cosmic scales. Repeating forms in Nature is the rule, not the exception, because it’s all made of circuitry. Everything is electric.

*Figure 28. Polar Aurora – Earth recieving electricity from space*

So, what do you think, Dan. Are you beginning to see, with electric eyes and your electrician background, how things are wired?

Cheers,

Electric Earth, Electric Earth Video, Electric Universe November 6, 2025

Explain This? … Well, Okay.

Proving that plasma winds electrically scoured the Earth, built mountains and carved canyons, is a tall order in the face of more than a century of consensus science saying otherwise. In prior times, Electric Universe theories might have been readily accepted, since religions and mythologies explicitly state the gods of creation were storms, lightning and thunder.

Modern science, however, came along and discounted myths and religions as useless for understanding Nature. Scientists said ancient myths express the superstitious anxienties of people ignorant of cause and effect. They displaced any notions about cycles of catastrophe by insisting geology is an exceedingly slow process of change due primarily to chemistry and erosion. They didn’t prove it, by the way, they just insisted that time itself is the proof – billions of years – so, who can argue with that? And except for the chemistry, which is the work of electricity, they excluded any role for Earth’s, or the Solar System’s electric circuitry in their causes and effects.

The Electric Universe view is that the Earth, Sun, Solar System, and in fact, the entire Universe, is a composition of connected electric circuits, and electricity is the cause of all the effects. The weather did actually shape the land, much as mythologies say, during highly kinetic plasma storms. The landscape is electrically carved and the mountains are wind-blown dunes.

Our theories have evidence. They present cause and effect mechanisms that make perfect sense in terms of classical physics. The evidence and the mechanisms comport with what can be seen with the naked eye. And some of the theories have been confirmed by experiment.

To show how our theories explain a mountain much different than the consensus, a comparison is in order. The consensus analysis is this Myron Cook video examining the Sheep Mountain anticline in Wyoming. With the title: “Explain This!”, he presents a challenge. I’ll take it. You can compare his explanations to mine and determine which fits best.

Cook’s video covers classic geological theory that I will provide an alternate, Electric Universe explanation for. What I hope this will show is that Plasma Orogeny is a theory of verifiable simplicity, elegance and classic physics, whereas the consensus requires a narrative built of dogmas and unverified assumptions.

*Figure 1. Sheep Mountain Anticline, Wyoming USA*

I mean no offense to Myron Cook. He knows what he’s been taught. He authentically believes the theories of his predecessors are confirmed by his own observations. Unfortuntely, his predecessors were wrong and he suffers confirmation bias, because if one squints hard enough, a million years of erosion can be imagined to do almost anything.

I chose his video because I think it is excellent. He communicates his knowledge in plain language, and explains technical concepts without hubris, or condescension. He obviously loves Nature and is curious and enthusiastic. He presents excellent footage of the mountains – much better imagery than I can provide. I like him. Maybe he will see this article and become curious about the Electric Universe.

I’m linking his video because it allows a convenient comparison of particular features and explanations. He gives a textbook explanation most mainstream geologists would substantially agree with. I hope you enjoy his video, as I did, and give him a thumbs-up and only positive comments.

The Plasma Orogeny of Sheep Mountain

The triangular shape and planar face of the fins, or flat-irons, was made by sonic shockwaves. That is why they appear as repeating harmonic forms. What you will notice in several examples we’ll look at later, is that flat-irons and related mountain features are shaped like shock-waves, down to the finest detail. However, before looking at the finer detail, higher fidelity innerstanding will be achieved by starting with a broader contextual view.

Sheep Mountain Anticline is a dune raised beneath a giant, updrafting wind that fed an even larger plasma storm system. The swirling patterns of topography immediately surrounding the anticline tell the story. These patterns were literally blowtorched into the earth by downbursting plasma winds from the same storm system.

*Figure 3. Sheep Mountain and surroundings*

Figure 3 is annotated to highlight points of discussion, but the slider can be moved to see the raw image without annotations. Sheep Mountain is the snail-track shaped mountain outlined by a rust colored layer of earth sitting center-left in the image. Please expand images to examine the intricate patterns closely and note the following:

Area 1, directly above Sheep Mountain shows a slightly oval crater pattern. Area 2 shows two almost cojoined oval craters. Both of these features are surrounded by a pattern of hills and dales that looks like a figure-eight racetrack. The figure-eight pattern mates with the contours of Sheep Mountain perfectly, as if they were molded together. Area 3, below Sheep Mountain has a more paisley pattern of craters, but these are oriented lengthwise almost perpendicular to the mountain.

Plasma storm systems capable of producing the same windforms at ground level are found on Jupiter, at a much larger scale, but in the same fractal, paisley patterns that created Sheep Mountain and many other similar mountains found around the world.

In Figure 4 is an image of a storm system on Jupiter that is very close to the pattern of storm that made Sheep Mountain. Again, it is annotated to compare with the areas noted in Figure 3, but the slider will remove the annotations.

Area 1 on Jupiter clearly shows a hook shape indicative of a tornadic rotation. Area 2 appears to have two counter-rotating cyclones. They are embedded in a storm cloud shaped like a figure-eight in an identical configuration to the figure-eight racetrack by Sheep Mountain. There is even a squared-off shelf-cloud on Jupiter configured exactly like the squared-off top of the racetrack. Below the white figure-eight cloud are paisley shaped storms in Area 3 oriented exactly like the paisley craters in Wyoming.

Between these is a linear bar of angry looking clouds. This is the updrafting inflow wind to the giant thunderstorm, where dusty plasma winds reached supersonic speeds as they lifted, leaving a pile of dust behind, removed from the wind electrostatically, to form Sheep Mountain and it’s fins. Where Sheep Mountain formed is indicated by the green bar. Chevron shapes appear in the clouds where the inflow occurs. At least that is what a similar storm did in Earth’s formative years, when cold, dusty plasma engulfed the planet. What is taking place beneath the storms of Jupiter is hard to say since we can’t see the surface. I will only say, it’s not what NASA tells us.

Why, one should ask, would the top of the clouds on Jupiter, or anywhere else tell anything about the ground below? Because the most electrically charged, fast moving winds are vertical winds in updrafts and downbursts. This is true on Earth and Jupiter. So, what you see looking at the top of Jupiter’s clouds are primarily the tops of towering updraft columns and cyclonic downdrafts. Just like meso-cyclones and cyclones on Earth are built around central updraft and downdraft columns.

The updrafts are building mountains. As the wind lifts from horizontal to vertical flow, it accelerates, creating a shockwave. Dusty plasma wind passing through the shockwave releases its dust electrostatically and deposits it into a region behind the shockwave called the separation bubble.

*Figure 7. Destruction by Nuclear Convection*

The storm is creating the same effect that air-burst nuclear detonations cause: an explosively fast updraft that draws a supersonic ground wind in it’s suction. Harmonic shockwaves form at the inflow to the updraft where the wind deflects and accelerates upward. This has been simulated by airburst models.

Flat-irons are found in almost every mountain range on Earth. They can be limestone, sandstone, or granite; sedimentary, metamorphic, or igneous. They can form an entire tetrahedral mountain, a harmonic series like an anticline, or flatirons on a mountain flank, and they will perfectly match the shape of shock-waves. That is one hell of a coincidence.

How random seismic forces and erosion create such geometric perfection without leaving everything crumbled is a mystery, because geologists can’t make this happen in a lab. They can shake, tumble, stretch and squeeze earth and rock all day long, or even a billion years, and they will only make a pile of rubble. Erosion softens edges, it does not make them sharp and straight. They can never form tetrahedrons of such crystalline form because these are products of creation, not destruction.

However, engineers do it in wind tunnels all the time. When a supersonic wind hits a surface, it deflects, accelerating the wind, creating a shockwave. Behind the shockwave, in the boundary layer beneath the fast moving wind, a compressed, dead air space is created called a separation bubble. The shape of the separation bubble, under ideal conditions, is a perfect tetrahedron.

*Figure 9. Separation Bubble formed in a wind tunnel*

Analogous to an ocean wave forced to rise, curl and break onto a beach, it’s shape defined by Fibonnacci; when a supersonic wind is forced to rise, curl and break, it’s shape is defined by Pathagoras. One can see the flat triangular face of such tetrahedrons on iron meteors. Because they entered the Earth’s atmosphere at supersonic speeds and began to melt from the heat, shockwaves sheared across the meteor’s surface as it tumbled through the atmosphere and left triangular shapes of molten iron in the separation bubbles. These are “flat irons”, or “fins”, created by shockwaves and they are identical in shape and porportion to those on the flanks of the mountain shown in Figure 10.

It is not coincidence this meteor has triangles on it. Every iron meteor develops shockwave separation bubbles as they ablate at supersonic speeds falling through the atmosphere. Here are more in Figure 11.

How wind shaped flatirons on the mountain is no different than the flatirons on meteors. High speed wind pushed material into triangular pockets of still air shaped by shock waves. How the wind makes a mountain in the wake of a supersonic shockwave is no different than making sand dunes. Sand fills-in slow moving compression waves that form pockets of still air that faster wind rides over. The mountains are different only in that the wind was supersonic, so the bumps were sharpley defined tetrahedrons, and the wind was dusty plasma, not just sand.

Proof is the harmonic repetition of forms found in both sand dunes and mountains, because they are both produced by sonic pressure waves. Erosion doesn’t harmonize. Erosion is entirely dependent on a watershed being available to collect adequate rain to erode things below the watershed. What you see in the mountains are impossibly eroded peaks, box canyons and repeating geometric shapes that have no watershed above them to begin the erosion process.

Geologists invented something called “mass wasting”, which means the parts of the mountain they can’t explain just disappear, presumably sand-grain by sand-grain over millions of years. They don’t know where it disappears to, or what carries it away, or how it magically produces repeating harmonic forms. They cannot demonstrate it happening by any means. It’s the geologists version of dark matter. They say things to explain it like, “nature rhymes”, that don’t explain anything, but sound very eloquent.

A cold, dusty plasma differs from a plasma of noble gases used in electronics and neon signs. It is not fully ionized and has dust, sand, or even rock entrained that is not ionic, but carries a surface charge. Surface charge on the dust polarizes to align with the electric field, so the dust drifts like a charged particle with the plasma. It is “cold” because the bulk temperature of the plasma is reduced by the non-ionic matter.

Cold, dusty plasma is not well understood. The entrainment of matter makes it more like a foam than atmosphere. Particles of dust suspend like bubbles of foam, bouyed by electromagnetic forces. When those particles come in proximity to a surface of opposite charge, they stick electrostatically. That is how a plasma wind deposits a mountain, because it blows over land that has been electrically charged, either from the ground below, or from lightning above. Shockwaves act as waveguides for lightning, which charges the land in their shadow.

The limestone Sheep Mountain is composed of was sucked out of a sea somewhere else and blown to Wyoming by the wind. Different materials blew in before and after, sandwiching the limestone between. Myron notes it is “fine-grained”. It is most likely the water, fish, fossils and all, were lifted from a sea-bed by subsurface electrical discharge and delivered as an electrified slug of limestone mud by plasma winds. Existing sub-sea canyons are the remnants of those events. They are the deepest places on Earth and, as usual, a mystery to consensus science.

If triangular flatirons and tetrahedral mountains were the only similarity to shockwaves, that could be called coincidence, but there are complex details that are precisely replicated. Figure 14a shows a ring of mountains in Pakistan similar to those near Sheep Mountain. They are patterned with harmonic, tetrahedral fins and another feature particular to supersonic shockwaves called a Prandtl-Meyer expansion fan. A wind tunnel image of an expansion fan is shown in Figure 14b.

Erosion creating an expansion fan is beyond coincidence. All of the features in this mountain, it’s bootprint shape, it’s fins, the linear hills that make the expansion fan, the crater and shockwave blasted rim are exactly shaped and positioned as they should be if caused by a supersonic downburst wind.

It isn’t a one-time anomaly either. Figure 15 is a comparison of the crater in Pakistan with another in Mexico, halfway around the world. Downdrafts blast these types of craters like a plasma blowtorch. This one also has a rim the shape of a bootprint lined with tetrahedral fins, and an expansion fan of linear hills, also with fins on the windward side. The crater in Mexico indicates a clockwise rotation, the Pakistan crater is counter-clockwise.

Also shown is a storm on Jupiter with the same bootprint shape and the dark eye of a hurricane in the center, rotating clockwise, shown for comparison. The thin, white rim of clouds shaped in a hook are formed by updrafts, while the dark cyclone in the center is the blowtorch. The expansion fan is in the clouds sweeping gracefully off-image to the left.

The parallel rows of linear hills in expansion fans are made like the ‘figure eight’ racetrack next to Sheep Mountain. The wind blew perpendicular to the rows of hills and dales beneath higher altitude up-and down-drafts, creating an interference pattern of high and low pressures on the ground. The narrow, linear, parallel hills are pressure ridges, where wind speed was slowed and dust deposited, while low pressure, fast moving air swept the lanes between.

Updrafts and downdrafts are convection currents, but they aren’t only thermal currents, they are driven by the planet’s electric field. In a plasma storm, there are heavy charge concentrations in the clouds inducting charge concentrations on the ground below, and in the layer of aerosols and dust that lays over the ground, amplifying the electric field.

Condensate is a charge carrier. Where there are clouds there is higher charge density and a stronger electric field. Dust and aerosols carrying a positive charge are lifted by the electric field, generating updrafts. Paragliders and hang-gliders know this as “cloud suck”. It’s extremely dangerous because it can trap them in a cloud and even lift them into a thunderstorm.

The ground charge must reflect the sky, and vice versa, because of capacitance. It’s as if the pattern of striated clouds shown in Figure 16 were a mold that was pressed to the ground to create the racetrack. Electricity makes the pattern and wind does the rest, molding the pattern of dust being deposited the same way it molds the cloud condensation – by voltage. As above, so below. The explanation is capacitance.

It is capacitance between Earth and sky that causes lightning and tornadoes in the first place, as both are examples of coaxial currents generated by capacitance. This is simple physics that can and has been reproduced in tabletop experiments. It’s the electric field and it’s constant feedback with magnetic fields that twists plasma winds into electric currents that segregate into vertical jetstreams that create incredible bootprints, figure eights, horseshoes and paisley patterns in Jupiter’s clouds and the matching fractal shapes on Earth.

Updrafts leave “sedimentary” deposits behind, as charged dust is electrostatically precipitated by shockwaves, which act as lightning rods. The sudden compression and expansion of a shockwave causes ionization and the formation of a double-layer, making the shockwave a plasma conduit. The shockwave touches ground at the separation bubble, making it the charged hot spot where the dust collects anodically, layer upon layer, in the exact shape of the pressure ridges and shockwaves formed by the wind.

Figure 17 shows a textbook diagram of a feature called the “Lambda Foot”, with some examples found in Nature. It is a compression wave created at the boundary layer contact between a shockwave and it’s reflection. It causes a sudden step-shift in pressure regimes between the incident shockwave and it’s reflection, which can clearly be seen where the sediments are offset. They are difficult to find as they are embedded into the base of mountains, but clear examples can be found at roadcuts and cliff faces. Consensus geology calls these “slip faults”, as if the ground just fell into this slot. They are not “faults” at all and have nothing to do with “tectonics”. They are 100% caused by shock waves.

Textbook example of Lambda foot pressure regimes

Most telling is in the difference between the center image labeled “laminar flow” and the right image labeled “turbulent flow”. Turbulent flow happens in fluids, not solid rock.

Each layer of sediment was plasma-borne dust, carried in the wind, segregated into step-voltage regimes in harmony with pressure regimes, stacked vertically by capacitance. Higher pressure, means higher density, means higher dielectric effect in an electric field. Plasma layered wind followed the voltage and pressure profile as it carried charged dust into the lambda foot. That dust, suspended like bubbles in a foam, electrostatically connected with the ground and adhered in the exact same profile as the wind that carried it.

Another shockwave feature easy to find in Nature is a hole in the center of tetrahedral fins. Figure 18 shows a flatiron in Comb Ridge, Arizona produced by an unstable shockwave. The instability causes a low pressure zone on the face of the separation bubble that will eat away a hole, like this one. I have highlighted the face of an unstable separation bubble, produced in a wind tunnel, that shows the hole forming, as well as smaller harmonic tetrahedrons. The entire shape of the shockwave is almost identical to the flatiron in Comb Ridge.

Even geology of highest order strangeness can easily be identified with shockwaves. In Figure 19 are several examples of what I term “sawblades”. Also shown are Schlieren images of where in a shockwave ‘sawblades’ form along the top of the separation bubble, highlighted in yellow among other features within the shockwave structure. Please take time to zoom in to the unannotated version of the shockwave to see the sawblades clearly, they are very tiny in the image.

In the turbulent backdraft of a supersonic shockwave, horizontal tornadoes form. Figure 20 highlights these rotating winds and shows examples of the result when such winds are composed of dusty plasma.

Dense dust rotating in the tornado that connected to ground, electro-statically adhered, freezing in-place, while un-grounded plasma remained suspended in the wind and blew away, leaving half, or a quarter of a petrified tornado.

Horizontal rotating winds are created in the wake of a shockwave separation bubble

Consensus explanations require this rock to bend into a jelly roll deep underground by some unknown process, and then rise to the surface by another unknown process, plus a few million years of unknown things happening that cause half the jelly roll to disappear. None of their processes can be demonstrated, but they give it a name anyway to make it sound real: “tectonics”. Our explanation is a two step process with electric wind and dust and can be reproduced – the process is already used everyday in manufacturing.

How windborne dust was compacted and seemingly flash frozen into place tells us it had to be electric. Only a dusty plasma could be so thick and still act as a fluid. Only ionic matter and charge bearing dust could instantly recombine and chemically bond to a crystalline form, in situ, in this manner. It just stretches the imagination to consider entire mountains being blown into place and almost instantly formed like they were made of whipped cream, but that is what electricity and a dusty plasma can do.

Scientists sorely need to be challenged to rethink everything they’ve done in the past century. Gravity has trapped theoretical science inside a black hole, looking for dark matter, dark energy, unicorns and multiverses in all the wrong dimensions. Science needs to study Nature as it’s actually experienced instead of moving space and time to suit the scientists’ career path.

Thunderbolts.info has dozens of articles and videos explaining how geologic phenomena like flat irons, craters, canyons and mountains were formed by Earth’s electric circuitry and plasma winds. We show how the winds of Jupiter are a living example of it happening. It comes down to recognizing the fractal patterns of charge diffusion on a spherical capacitor, because it’s the electric field of a spherical capacitor that shapes the wind. On a side note: it’s how the weather can be, and perhaps is, manipulated electrically.

In his video, Myron illicits the “rhythms of nature” as the cause of repeating harmonic forms, like Sheep Mountain’s fins. “Rhythms of nature” is a poetic observation, not an explanation. Consensus science is full of them: “The butterfly effect”, “billions and billions of years”, singularity, infinity, duality, monopole, black hole, worm hole and “space-time”. It’s all a load of crap.

The Electric Universe is about finding answers to the greatest mysteries in Nature. One has to start by asking the right questions. Materialism in science leads to the wrong questions, because they are predicated on the wrong theories.

Energy, frequency and vibration, my friends. Energy makes the hologram; matter doesn’t matter. It’s just energy having a rest inside it’s own magnetic nest.

Cheers,