Tag: geology

What is a Holographic Universe?

Holographic Universe is a term often used in connection with Electric Universe. Why is that and what does it actually mean?

Echo the words of Nikola Tesla: “Energy, Frequency and Vibration“. They are the fundamental aspects of a Holographic Universe, because a hologram is an interference pattern of energy, frequency and vibration. Vibration is its motion, frequency is its measure and energy is its cause. It is a trinity of oneness, because these are all aspects of one thing: Energy. A Holographic Universe is one made of Energy.

Energy is a trinity of oneness in that it is information, cause and intent. Coherent information is the substance of awareness and it’s found in its irreducible form in the geometry of the waveform. Energy is the irreducible cause from which everything else is an effect. Causation and probability is from potential energy held in the waveform. And intent is the vector and frequency of the waveform and it’s resultant effect, which is either constructive, or destructive to the waveforms around it.

Figure 1. Constructive interference amplifies and produces standing waves of potential energy.

Energy is a trinity of oneness because it is the substance of space, time and matter. In a one word description, the Universe can’t be a bubble of space, or time, or matter, or even space-time, for that matter. It is a bubble of energy. That is the only description that makes physical, or logical sense.

Matter is potential energy isolated by it’s frequency. Time is the tempo of change in the collective bandwidth of frequencies. Space measures the amplitude of vibration that holds everything apart, because waveforms fill every corner of the Universe.

Energy can not be created, or destroyed. Energy is eternal. It is self-organizing and self-contained by circuitry of its own design.

Matter is a consequence of energy. Space is a consequence of energy. Information is a consequence of energy. Time is a consequence of energy. Gravity is a consequence of energy. Electromagnetism is a consequence of energy. Biology is a consequence of energy. Consciousness is a consequence of energy.

Particles are bubbles of energy. The Universe is a bubble of energy. One cannot conceive of anything without energy. Without energy, the lights go out and there is nothing to talk about and no way to talk with no one to talk to. You cannot have an anthropic principle, a deterministic principle, a Big Bang theory, gods, or any other philosophical navel-gazing without energy. The entire cosmos is a consequence of this one, multi-faceted thing. Energy is the common denominator of all things known and unknown; natural, and supernatural.

Like Dr. Bronner says on the soap bottle: “Eternally one! ALL-ONE! ALL-ONE!” – that “ONE” thing is energy.

So, how do we experience this holographic cosmos? Can it be felt? Can it be measured? Can it be seen?

Figure 2. The Songbird of the Andes.

It can be seen everywhere one looks. It can be felt, heart and soul, by those who pay attention. But some examples are more astonishing than others. Take note of the ‘Songbird of the Andes’. This holographic evidence in the form of a group of mountains makes a three-dimensional bird in flight, stretching 51 miles from beak to tail-feathers. It has an eye where an eye should be, wings where wings should be; heart, lungs, liver, kidney and a few other things, all where they belong anatomically.

Please look at Figure 2 carefully and you will see more than just the shape of a bird in flight. There are details that can’t be ignored. Yet somehow they have been, even though it’s right there on Google Earth. It is ignored because it is evidence of intelligent design.

The songbird is but one example of the hologram and how harmony scales information fractally. The bird is almost entirely composed of pressure ridges formed by plasma winds, lightning and volcanic eruptions. The plasma wind was inducted by ground currents to blow orthogonally across them to create the many pressure ridges. It is an electromagnetic interference pattern caused by capacitance between the ground and atmospheric phases of moving charge concentrations in a plasma storm. It is, by my definition, a holographic interference pattern of electromagnetic energy sourced from the Earth. Telluric currents that reach deep into the Earth shaped this bird.

It was an interaction of wind, volcanoes and lightning that, according to “science” should be chaotic and random. An electrical coupling of Earth and sky by capacitance – the spherical capacitance of the Earth – holds a mirror to the Earth’s inner energy. It isn’t random. This is “as above, so below” writ large. We are seeing the “spirit” of the Andes laid bare.

I can describe in detail how the wind blew to form each mountain, the vectors and Mach speeds, and what kind of storm generated the winds, but I’ve done that before several times with mountains like these, so I don’t want to repeat that effort now. I want to point out that all the information about the energy that created this bird is still there, available to read by anyone.

We can read the landscape and identify volcanoes, discharge craters, sputtered and etched canyons, places where the Earth boiled with electrolysis and dunes shaped by shock waves in supersonic plasma winds, but it is hard to find words to explain this bird. The only word that even applies is “holographic”.

As said by 17th century polymath Blaise Pascal, “The last function of reason is to realize that there are an infinity of things that surpass it.”

From ants to plants, electricity has a role in growth, locomotion and communication in the natural world that science is only beginning to become aware of. Our moods, energy and state of awareness is controlled by frequencies in our electromagnetic brainwaves. We swim in energies we don’t see that affect us in ways we aren’t aware of.

Consensus science is theory based on a “space-time” framework. The entire framework is based on mathematics that aren’t in Nature. Singularities, monopoles, strings and extra dimensions may make beautiful math, but they don’t exist as real things. The result is it produces no technology, or knowledge useful to mankind and never has.

Black holes don’t make better mousetraps. The theories simply produce more theories that circle each other in a cul-de-sac and go nowhere. They need a consensus because they lack anything resembling proof. If you have witness-able proof – the true basis of science – consensus is beside the point.

There is a cognitive dissonance in effect when the four “known forces of Nature” are referred to as “fundamental”. That dissonance is the idea that gravity is somehow separate and distinct from the other three. The other three are all manifestations of electromagnetism at different scales of amplitude and wavelength.

Logically if one looks at Nature, so is gravity. The idea gravity is somehow a bird of a different color separate from the flock is a wild goose chase – pardon the multiplicity of metaphors – that ultimately leads to hunting unicorns, like dark energy. It is asking the wrong question.

All forces are a consequence of one unifying thing: energy. Energy is what is truly “fundamental” to all of Nature that we experience. “What is energy?” is the question that should be asked. That question isn’t asked because it leads to the concept of God.

Cut to the bone, the “Alpha and Omega”, “as above, so below”, “as within, so without”, and all the other esoterica describes cosmic energy. Cosmic energy is the one God to rule all. Energy is the Intelligent Designer.

A pure form of energy is given structure by frequency interference. Standing waves of constructive and destructive interference results in a continuous foam of potential energy. It is a pattern of compression and expansion where surface tension forms the compression zones around bubbles of expansion. Surface tension is where most of the energy is stored.

This is what used to be called the Aether, the luminiferous fluid that was considered the “fabric of the universe” throughout history, from the time of Plato to Tesla. Zeus and his Thunderbolt is not simply a “storm god”, it is a direct homage to raw Cosmic energy. Materialistic atheism took firm control in the 20th century and stamped down belief in the aetheric, along with the use of common sense.

The cosmos is filled with frequencies and harmonies we can’t directly observe, like dog whistles our ears can’t hear, or microwaves our eyes can’t see. Solar cycles take decades to evolve that produce harmonics over millennia. Those frequencies and harmonies are where the mysteries lie, but there are no “extra dimensions”, there are no “black holes” and there are no theoretical “strings” attached.

Similar to how soap bubbles reflecting light can look like steel balls – not hollow spheres – materialist’s imaginations fail to grasp that matter is just more energy inside a bubble. They can break them apart and see what splashes out, but the frequency of the raw energy locked inside the bubble is beyond the reach of their instruments, so they perceive a “particle” and modify it with notions of “duality” to explain why it doesn’t act like a particle. Their failure to comprehend isn’t for lack of data, it’s from inventing mathematics that does not reflect actual Nature.

Figure 13. A self organized drop of potential energy.

A standing wave is a volume of potential energy. Consider the drop of water in Figure 13. It is a singular drop that emerged from a superposition of waves and just de-cohered from it’s parent waveform. It is a drop of potential energy. Such is a particle.

The particle retains the structure, momentum and information of the parent waveform, but energy filling the space inside the bubble is in a closed circuit at frequencies instruments can’t follow. They can’t pin it down and measure it like a grain of sand any more than they could find one inside the drop of water.

The drop of water is an analogy that lacks the charge and structure of electromagnetism. More appropriately, a plasmoid created by “Z-pinch” provides a better model for a singular bubble in the aether.

Energy structures itself through harmonic resonances that holographically scale as a fractal phenomenon. In other words, circuitry follows the same patterns at every scale. Therefore, the form of a star reflects the form of an element of the aether, just as it reflects the form of a galaxy, a living planet, or even a thunderstorm. Not in a material sense, not in it’s observable shape, but as a circuit. It is the pattern energy self-organizes into naturally, and mirrors itself again and again, wherever energy flows. Everywhere.

Fractal similarity is a product of circuitry. It’s the circuitry intrinsic to the Aether that is reflected throughout Nature. Circuitry is the shape of energy flow and how energy embodies geometry.

A tornado and a dust devil are not similar-but-different things. Nor are waterspouts and land-spouts. They are all the same Marklund convection current forming a circuit between the Earth and sky. It is a type of coaxial electric wind that forms a negative channel inside a positive vortex. The negative wind sweeps positive ions to the outside and up, creating a tremendous pressure drop that draws ground winds carrying more ionic dust. It isn’t just self-organizing, it is self-amplifying, by inducting energy into the circuit. Different intensities of ionization and chemistry in different circumstances makes for variations in the vortex, but the circuit is the same.

A shock wave electrostatically separates dust from supersonic plasma winds into tetrahedral piles we call mountains. Ionization in solid-state matter diffuses in patterns like the Mandelbrot set that can be seen in canyons. Clouds look like feathers, rivers look like lightning discharge and ancient aurora looked like people and animals in the sky. Everything is electric and that is why.

Fractal, self-similarities are everywhere in geology, astronomy, chemistry, biology and anywhere energy moves. It’s why we see Fibonaccian spirals in ocean waves, pine cones and even the eyeball of a bird made of mountains in the Andes. To see a detailed fifteen minute discussion of the fractal nature of mountains, watch “Every Mountain on Earth Matches a Tree Root System“.

None of it is coincidence. The “tree root system” they describe is the geometry of energy flow out of the Earth. This is more proof of the mirror effect of spherical capacitance in Earth’s electric circuitry. Those are the fractal shapes placed where the crust of the Earth became saturated with charge and the ionic, airborne dust was electrostatically deposited by dusty plasma winds.

If you watch the linked video, please note how rivers climb to an elevated water source in precisely the same pattern as tree roots grow outward. It is a growth pattern. That is a pattern of creation, not the destructive pattern of erosion. I point this out because it is, like magnetic anomalies and magnetite deposits in river valleys, evidence of my theory that they were carved by electric discharges originating from beneath the crustal perimeters of the continents.

These discharges neutralized the remnant surface charge of the newly deposited ionic mountains. If one understands these things, and they are predictable things if one accepts Electric Universe theory, the Earth’s entire landscape makes perfect sense.

The truly profound thing, however is that circuits are intelligent. That is why we use them to make computers and AI. Artificial intelligence is made with circuitry. It can be made smarter than we are.

But what if the intelligence isn’t artificial? What if that is the natural state of affairs? Maybe it’s time we appreciate that there is coherent information wherever energy flows and that Nature’s circuits are next-level genius.

Carl Jung described a collective consciousness, individuation and synchronicities. Meaningful messages from Nature that imply feedback from an intelligence greater than ourselves and beyond the perception of the five senses. Though the spiritual aspects of his work are barely tolerable to science, they ring true to the human experience.

Rupert Sheldrake refers to fields of “Morphic Resonance” – the holographic patterning that repeats across time and scale to present the same patterns again and again. He’s posed the question: what if the Sun can think? I say it can, but circuitry is more to the point because a circuit is the pattern of energy that produces a field, and it can do calculations.

The “key” to the Universe, I believe, or at least as close as we can get, is the geometry of the circuit inside every bubble and the energy and information stored in its surface tension. That should be the irreducible, holographic basis of repeating, geometric self-similarity throughout Nature.

Waveforms come in geometries. They are not random. They are geometric, fractal and reproducible at any scale. The Fibonacci sequence, Sine waves, bell curves, trigonometry, algebra, calculus, differential equations and at the root of it all, geometry are all ways of describing waveforms, which is the topography of the Aether and all that comes from it.

A DIY truth seeker who’s channel name is Scientific Lee calls it “God’s Double Helix“. Buddy James artfully portrayed it in “Geometry of the Electric Universe“. Frank Chester defined a geometry and mechanism of its structure called the “Chestahedron” – a seven-sided platonic form that seems to be a superposition of all platonic forms. It is amazing to see it’s geometric relationship to the Earth, polar aurora and the human heart; it’s the most holographic of holographic designs.

These gentlemen are natural philosophers, not credentialed physicists. Yet they are describing and demonstrating a simple, extremely relevant and fundamental truth about Nature’s design that seems to be missing in the complexities of consensus theories.

This is the alchemy of gnosis. Alchemy has nothing to do with any religion, incantations, turning lead to gold, or distilling urine to make a philosopher’s stone. Alchemy is transmuting the spiritual experience to conscious understanding. The work of alchemy is to become aware and open-minded to what Nature says and how she says it. It sounds easy, but it’s harder than it sounds.

Unassailable knowledge yielded freely by Nature is called gnosis. Gnosis is, I-know-because-I-saw-with-my-own-eyes kind of knowledge. Witness, listen, gratefully feel the flow of energy through Nature, and the information sought will arrive as if invited, because it is already there waiting to be noticed. This is the point I need to drive home. It’s a hologram. The information is everywhere waiting to be noticed.

Isaac Newton, a self acclaimed alchemist, and Nikola Tesla, who talked to pigeons, did not lay the foundations of science and technology with equations. They became aware of what they were seeing in Nature and the math fell out as a byproduct. Real science isn’t theorizing, or simulating, it’s learning how to recognize Nature’s electromagnetic magic.

It isn’t as if knowledge doesn’t exist. The problem is most people aren’t ready for it. Recognizing our mind and body are elements of a circuit who’s source is cosmic energy acknowledges that we as humans are antenna, receivers, transducers and transmitters of energy made manifest through our will and actions. We broadcast whether we want to, or not. Free will means a constant choice between constructive, or destructive interference. There is no sitting on the fence, and this makes some people uncomfortable.

Figure 17. The Nazca Lines. My theory: the ancients had hot air balloons.

We are designed to recognize patterns, because patterns of structured energy is the language of the Cosmos. Ancient Greeks understood. They learned it from Egyptians. Secret societies know. Hermetic traditions, Gnostics, mystics, wizards and witches of all stripes at some level understand that everything has conscious energy within. They know the flow of energy and its geometry are at the root of all meaning. They know because they have learned to some degree how to recognize its feedback and use, for better, or worse, its power and knowledge.

The mystical nature of a hologram is in the fact it’s pattern – its information – is available holistically throughout the entire image. Torn apart, every element holds the knowledge of the whole. It is because the information is encoded and coherent with the energy – the frequencies of light waves making the hologram – that it is available everywhere in that field of energy. The field of energy available to all of us is the entire Electric Universe. Proof is everywhere waiting to be noticed.

The Electric Universe and the knowledge it brings comes with receipts – proofs that our theories actually work. They work because they have always been based on the idea that we are all of one energy from one coherent source. We are entangled because everything is entangled with the same coherent energy. Telepathy, premonition and gnosis is expected in a holographic universe, because unseen harmonies, echoes and feedback are natural to the environment. It’s only in a material narrative governed by gravity where these things can’t make sense.

Some day we’ll discuss the Rooster in Asia, the Dragon in Europe, the Cobra in Africa, the Ouroboros in North America and how these spirits of the mountains came to be. Or you can look for yourself and figure it out, because the information is there to see.

Thank you.

Predictable Mountain Forms: The Mach Stem Explained

Science requires testable, repeatable, predictable results as the gold-standard proof of any theory. Today, I want to present another set of testable, repeatable, predictable results from Electric Geology as proof that shockwaves and supersonic winds formed Earth’s mountains during a period when plasma storms raged in the atmosphere.

Shockwaves, supersonic, dusty-plasma winds and how they made non-volcanic mountains and mountain ranges has been examined many times previously, so rinse and repeat, before we dive into the newest discovery, let’s briefly recap the repeatable, testable proofs previously given in several articles, including: “The Shocking Truth” and “When Plasma Storms Engulfed the Earth“:

  1. Iron meteors were presented as physical proof that shockwave separation bubbles form tetrahedral “dunes” – Figure 1a.
  2. Mountain formations were presented as physical proof they are identical in specific detailed form to shockwave “separation bubbles” and “Lambda structures” – Figures 1, b and c.
  3. Harmonic formations were presented as physical proof they were caused by sonic waves – Figure 1d.
  4. “Lambda foot”, or “Y”-shaped pressure sinks imbedded in mountains, a feature particular to a specific region of a shock wave, were presented – Figures 1, e and f.
  5. “Prandtl-Meyer expansion fans”, another geometry specific to supersonic winds were shown to be present in mountains – Figures 1, i and j.
  6. Several examples where a variety of features specific to shock waves, including some of the aforementioned, as well as others, appear together in mountain ranges in the exact physical context of a supersonic wind formation, as in Figure 1, g and h.

All of these were presented with several examples to show they were not just coincidental similarities. They are consistently present features found in mountains around the world. Because of that, supersonic shockwave features are predictable. This is the final tenet of proof according to the scientific method – predictability.

I found an opportunity to test the predictability of the shock-wave theory. Guess what? It passed. Of course, you will have to take my word for it that I “predicted” anything, but when I show the results that won’t matter anyway; the results speak for themselves.

This discovery began when I noticed a certain pattern of “V” shaped cuts and divots just beneath mountain peaks, always on the leeward side of wind formed mountains. It didn’t appear every time, but only on particularly large and steep mountains shaped by the Lambda structure of a shockwave.

I first noticed this feature while hiking in the Catalina’s, my ‘backyard’ range in southern Arizona. Figure 2, a and b shows two examples. Both pictures are of the leeward side at the tip of a tetrahedron, and the feature I refer to are the deep diagonal cuts that bracket the peak and extend downwards to meet, forming a “V”.

I knew these were from shockwaves. Shockwaves become electrically charged; firstly, because they produce such extreme pressure and heat they naturally ionize gases flowing through them. Secondly, because they are essentially plasma conduits between the earth and an electrical storm, so they conduct lightning. As a result they tend to evacuate any matter they contact, which leaves sharp geometric cuts in the rock. It was obvious shockwaves made these cuts and notches, but I still didn’t understand how these particular shockwaves formed.

Then I discovered the “Mach Stem” – see the linked video titled “One Minute Aeronautics”. The Mach Stem is also depicted in the Figure 3 diagram of a shockwave from an airburst nuclear detonation. Because of the particular attitude of an airburst event, and the Mach angle the shockwave makes with respect to the ground, it forms a Mach Stem at the very tip of the Lambda structure triple point.

Figure 3. Mach Stems are created at the “Triple Point” on the top of the Lambda structure, which in a supersonic wind is a standing wave that resides beneath the shock reflection and forms a cushion of high pressure.

I know, that’s a mouthful. The detailed technical explanation is much worse, but if you have the interest, I have linked this paper that explains it:

“Validation of the Mach Stem Triple Point Film Scanning and Re-Analysis Project September 11, 2020 Jason R. Johnson-Yurchak Lawrence Livermore National Laboratory”

I quote one relevant paragraph that discusses why a Mach Stem only forms in certain conditions, which explains why I didn’t always see the “V” cuts on every mountain:

“According to Kinney and Graham’s research in Explosive Shocks in Air (2014), if the height of burst (HOB) is increased past a certain limit, only regular and single Mach shockwave reflection can occur. At the ideal angle of shock (40⁰ ~ 46⁰), the reflected angle catches up with the incident angle, forming the Mach stem as the shockwave transitions from regular reflection to single Mach reflection. A minimum Mach number (Mₓ) of approximately 1.2 is necessary for the Mach stem to form while the absolute minimum angle of shock for transition is 39.23⁰.”

As you can see, it only forms when the shockwave is at a particularly steep attitude, and the Mach number is above a certain point. Also, it is a destabilizing effect causing destructive interference as the shockwave goes through a transitory phase. Very similar conditions apply to certain mountains, especially the very biggest ones. The angles referenced in the quote don’t necessarily apply since the conditions in a dusty plasma would be different and the source of the shockwave is much different, but still appropriate to form a Mach Stem. Therefore, it dawned on me that I should look for Mach Stem’s on Earth’s largest and most famous mountains.

Mind you, it cannot be just any old “V” shaped feature. It must be attached directly to the peak itself, made of nearly straight diagonal cuts that are typically slightly deeper on one side. This is, I think, because the Mach Stem is made from the incident shock and it’s reflection, and the reflection lags in strength and timing to the incident wave, which causes some asymmetry.

Also, the Mach Stem will sometimes flatten, or break-off the tip of the Lambda structure, leaving a squared-off, or double top mountain. This is because the Mach Stem is destructive interference caused by instability and interference between supersonic and this small region of subsonic winds at the triple point. You will also note on close inspection, especially on the Jungfrau in Figure 4 c, there are sometimes triangular, harmonic shock reflections embedded within the “V” notch. They are not always present, but not uncommon either. They are often covered by snow.

I began my search with the famous Eiger in the Alps. The “Death Wall” as it’s known by climbers, is the near vertical wall on the north face of the mountain. This is the leeward side. The other side of the Eiger is a steeply sloping triangular face that forms the windward, or “ski-slope” side.

Climbers, of course, take the steeper north wall because it’s the most likely to kill them. And so it has, several times. That’s why it’s called the Death Wall. Those who succeed, however, do so by climbing the final pyramid through the “exit cracks”, diagonal cuts in the rocks in a “V” shaped notch just below the mountain peak. That notch is the indelible imprint of a Mach Stem. I then looked at the north face of the Jungfrau, the mountain right next to the Eiger. It too had a “V” notch. See Figure 4 a through c.

Well, in all honesty, I already knew I’d find a notch on the Eiger. I was aware of the climbing history of the mountain and the fact climbers used these diagonal cuts and the “V” notch as part of the standard route. So, then I predicted that I would find the same thing in the Himalayas. See Figure 5, a through g.

As you can see, there is a “V” notch created by a Mach Stem on a Baker’s half dozen of the tallest, most famous mountains on Earth. There isn’t much else to say. Believe your lying eyes, or believe the consensus explanation, if you can find one. Typically, this is the kind of thing they dismiss as “another marvel of nature”. Now it has an actual name, with data and calculations that describe it’s physics: the Mach Stem.

But wait a minute. Could the limestone of the Himalayas, Karakorum and the Alps have some kind of preferential angle of fracture that erosion inevitably produces at the very tip of limestone peaks? Surely it is a characteristic of the rock, plus a million, or so years of erosion the way everything else happens according to the consensus, right?

So, I looked in the Rockies, which are granite. And the Andes which are primarily granite, too. Lo and behold they have “V’ notches and diagonal cuts at their peaks. In fact, you can’t turn around without seeing a “V” notch. So that leaves the type of rock not the cause. It must be shockwaves. See Figures 6, 7 and 8.

It cannot be anything else. The standard explanations of fracture planes and erosion don’t hold-up under scrutiny. The Mach Stem is at the very peak of the mountain, exactly where it belongs on a shockwave, and where there is no watershed to collect water to erode anything. Ice will certainly fracture and erode rock in freeze-thaw cycles, but ice isn’t guided by intelligent design. These are consistent features of geometric certainty, with opposing, complimentary angles that always conspire to be in the same place, same arrangement.

Also, the “V” notch is always on the downwind side of the largest, steepest “Lambda structure” mountains that show no such “freeze-thaw erosion” on the windward side. The windward side is generally a smooth planar face with no notches. Mountains with the large Lambda structure geometry display Mach Stems regardless of rock type, including shales, limestones and granite. I have not found sandstone examples of large Lambda structures. It seems such large structures were also very hot during formation such that sand was fused into granite.

I’m nicknaming it “The Seat of Olympus”. It has a nice ring and it certainly fits, being kind of like a seat at the peak of the tallest mountains. For good measure, here are some more examples. Each of these has a missing, or damaged peak due to destructive interference from the Mach Stem. Also notice how similarly the notch leaves a half-moon hollow between two peaks in each case – another marvel of nature.

One final image, in Figure 8 I’ve highlighted the Mach Stem. As a Seat for Olympus, it looks a bit uncomfortable, but that is a very interesting thing, because it is spiked with harmonic reflections. The entire Lambda structure must have been vibrating when this mountain formed to produce these harmonics. The interesting thing is the size of harmonic reflections inside the highlighted Mach Stem are all of a size significantly smaller than the harmonic reflections outside of the Mach Stem. Just more proof these features were produced by sonic waves and that the Mach Stem rings to its own frequency.

Figure 8. A profusion of harmonic shock structures in the Karakorum attest to sonic frequencies and unstable winds inside and surrounding a “V” notch. Note the smaller size and pattern of the harmonics inside the Mach Stem “V” notch. It is likely, IMO, the Lambda structure was unstable and vibrating violently to create these harmonics during mountain formation.

In summary, we can add another proof of theory to a growing list of proofs that supersonic winds and shockwaves shaped the mountains. Mach Stems are a repeatable shockwave phenomena that appear only at the shockwave triple point on the windward side of mountains formed by a Lambda structure. That is a very specific thing, and it’s reproducible and predictable.

The Lambda structure’s geometry and dimensions and the existence of a Mach Stem provides a wealth of information that would increase our knowledge of Earth’s formation. It can be used to estimate the Mach speed of the wind when the mountain formed, what direction the wind was blowing and what dust was born in the plasma winds, since it left deposits.

Re-examining the wealth of geologic data available in its proper context, knowing plasma winds and Jupiter-like storms played a significant role in shaping the landscape, would allow us to re-consider the sequence of catastrophic events that created the Earth’s stratigraphy and fossil record, and perhaps, understand the cause.

There is satisfaction when inspired by a moment of ‘ah ha’, to find your crazy idea turns out to be true. Discovering the Mach Stem is one especially sweet instance, because Mach Stems are so prevalent and easy to spot, anyone who reads this article will see them and think of shockwaves – whether they want to, or not.

Like the Mach Stem, ring to your own frequency, but don’t be a destructive chip off the old block. Resonate with goodness, gratitude and Mother Earth, and have a blissful day.

Explain This? … Well, Okay.

Proving that plasma winds electrically scoured the Earth, built mountains and carved canyons, is a tall order in the face of more than a century of consensus science saying otherwise. In prior times, Electric Universe theories might have been readily accepted, since religions and mythologies explicitly state the gods of creation were storms, lightning and thunder.

Modern science, however, came along and discounted myths and religions as useless for understanding Nature. Scientists said ancient myths express the superstitious anxienties of people ignorant of cause and effect. They displaced any notions about cycles of catastrophe by insisting geology is an exceedingly slow process of change due primarily to chemistry and erosion. They didn’t prove it, by the way, they just insisted that time itself is the proof – billions of years – so, who can argue with that? And except for the chemistry, which is the work of electricity, they excluded any role for Earth’s, or the Solar System’s electric circuitry in their causes and effects.

The Electric Universe view is that the Earth, Sun, Solar System, and in fact, the entire Universe, is a composition of connected electric circuits, and electricity is the cause of all the effects. The weather did actually shape the land, much as mythologies say, during highly kinetic plasma storms. The landscape is electrically carved and the mountains are wind-blown dunes.

Our theories have evidence. They present cause and effect mechanisms that make perfect sense in terms of classical physics. The evidence and the mechanisms comport with what can be seen with the naked eye. And some of the theories have been confirmed by experiment.

To show how our theories explain a mountain much different than the consensus, a comparison is in order. The consensus analysis is this Myron Cook video examining the Sheep Mountain anticline in Wyoming. With the title: “Explain This!”, he presents a challenge. I’ll take it. You can compare his explanations to mine and determine which fits best.

Cook’s video covers classic geological theory that I will provide an alternate, Electric Universe explanation for. What I hope this will show is that Plasma Orogeny is a theory of verifiable simplicity, elegance and classic physics, whereas the consensus requires a narrative built of dogmas and unverified assumptions.

Figure 1. Sheep Mountain Anticline, Wyoming USA

I mean no offense to Myron Cook. He knows what he’s been taught. He authentically believes the theories of his predecessors are confirmed by his own observations. Unfortuntely, his predecessors were wrong and he suffers confirmation bias, because if one squints hard enough, a million years of erosion can be imagined to do almost anything.

I chose his video because I think it is excellent. He communicates his knowledge in plain language, and explains technical concepts without hubris, or condescension. He obviously loves Nature and is curious and enthusiastic. He presents excellent footage of the mountains – much better imagery than I can provide. I like him. Maybe he will see this article and become curious about the Electric Universe.

I’m linking his video because it allows a convenient comparison of particular features and explanations. He gives a textbook explanation most mainstream geologists would substantially agree with. I hope you enjoy his video, as I did, and give him a thumbs-up and only positive comments.

The Plasma Orogeny of Sheep Mountain

The triangular shape and planar face of the fins, or flat-irons, was made by sonic shockwaves. That is why they appear as repeating harmonic forms. What you will notice in several examples we’ll look at later, is that flat-irons and related mountain features are shaped like shock-waves, down to the finest detail. However, before looking at the finer detail, higher fidelity innerstanding will be achieved by starting with a broader contextual view.

Sheep Mountain Anticline is a dune raised beneath a giant, updrafting wind that fed an even larger plasma storm system. The swirling patterns of topography immediately surrounding the anticline tell the story. These patterns were literally blowtorched into the earth by downbursting plasma winds from the same storm system.

Figure 3. Sheep Mountain and surroundings

Figure 3 is annotated to highlight points of discussion, but the slider can be moved to see the raw image without annotations. Sheep Mountain is the snail-track shaped mountain outlined by a rust colored layer of earth sitting center-left in the image. Please expand images to examine the intricate patterns closely and note the following:

Area 1, directly above Sheep Mountain shows a slightly oval crater pattern. Area 2 shows two almost cojoined oval craters. Both of these features are surrounded by a pattern of hills and dales that looks like a figure-eight racetrack. The figure-eight pattern mates with the contours of Sheep Mountain perfectly, as if they were molded together. Area 3, below Sheep Mountain has a more paisley pattern of craters, but these are oriented lengthwise almost perpendicular to the mountain.

Plasma storm systems capable of producing the same windforms at ground level are found on Jupiter, at a much larger scale, but in the same fractal, paisley patterns that created Sheep Mountain and many other similar mountains found around the world.

In Figure 4 is an image of a storm system on Jupiter that is very close to the pattern of storm that made Sheep Mountain. Again, it is annotated to compare with the areas noted in Figure 3, but the slider will remove the annotations.

Figure 4. Storm system on Jupiter

Area 1 on Jupiter clearly shows a hook shape indicative of a tornadic rotation. Area 2 appears to have two counter-rotating cyclones. They are embedded in a storm cloud shaped like a figure-eight in an identical configuration to the figure-eight racetrack by Sheep Mountain. There is even a squared-off shelf-cloud on Jupiter configured exactly like the squared-off top of the racetrack. Below the white figure-eight cloud are paisley shaped storms in Area 3 oriented exactly like the paisley craters in Wyoming.

Between these is a linear bar of angry looking clouds. This is the updrafting inflow wind to the giant thunderstorm, where dusty plasma winds reached supersonic speeds as they lifted, leaving a pile of dust behind, removed from the wind electrostatically, to form Sheep Mountain and it’s fins. Where Sheep Mountain formed is indicated by the green bar. Chevron shapes appear in the clouds where the inflow occurs. At least that is what a similar storm did in Earth’s formative years, when cold, dusty plasma engulfed the planet. What is taking place beneath the storms of Jupiter is hard to say since we can’t see the surface. I will only say, it’s not what NASA tells us.

Why, one should ask, would the top of the clouds on Jupiter, or anywhere else tell anything about the ground below? Because the most electrically charged, fast moving winds are vertical winds in updrafts and downbursts. This is true on Earth and Jupiter. So, what you see looking at the top of Jupiter’s clouds are primarily the tops of towering updraft columns and cyclonic downdrafts. Just like meso-cyclones and cyclones on Earth are built around central updraft and downdraft columns.

The updrafts are building mountains. As the wind lifts from horizontal to vertical flow, it accelerates, creating a shockwave. Dusty plasma wind passing through the shockwave releases its dust electrostatically and deposits it into a region behind the shockwave called the separation bubble.

Figure 7. Destruction by Nuclear Convection

The storm is creating the same effect that air-burst nuclear detonations cause: an explosively fast updraft that draws a supersonic ground wind in it’s suction. Harmonic shockwaves form at the inflow to the updraft where the wind deflects and accelerates upward. This has been simulated by airburst models.

Flat-irons are found in almost every mountain range on Earth. They can be limestone, sandstone, or granite; sedimentary, metamorphic, or igneous. They can form an entire tetrahedral mountain, a harmonic series like an anticline, or flatirons on a mountain flank, and they will perfectly match the shape of shock-waves. That is one hell of a coincidence.

How random seismic forces and erosion create such geometric perfection without leaving everything crumbled is a mystery, because geologists can’t make this happen in a lab. They can shake, tumble, stretch and squeeze earth and rock all day long, or even a billion years, and they will only make a pile of rubble. Erosion softens edges, it does not make them sharp and straight. They can never form tetrahedrons of such crystalline form because these are products of creation, not destruction.

However, engineers do it in wind tunnels all the time. When a supersonic wind hits a surface, it deflects, accelerating the wind, creating a shockwave. Behind the shockwave, in the boundary layer beneath the fast moving wind, a compressed, dead air space is created called a separation bubble. The shape of the separation bubble, under ideal conditions, is a perfect tetrahedron.

Figure 9. Separation Bubble formed in a wind tunnel

Analogous to an ocean wave forced to rise, curl and break onto a beach, it’s shape defined by Fibonnacci; when a supersonic wind is forced to rise, curl and break, it’s shape is defined by Pathagoras. One can see the flat triangular face of such tetrahedrons on iron meteors. Because they entered the Earth’s atmosphere at supersonic speeds and began to melt from the heat, shockwaves sheared across the meteor’s surface as it tumbled through the atmosphere and left triangular shapes of molten iron in the separation bubbles. These are “flat irons”, or “fins”, created by shockwaves and they are identical in shape and porportion to those on the flanks of the mountain shown in Figure 10.

It is not coincidence this meteor has triangles on it. Every iron meteor develops shockwave separation bubbles as they ablate at supersonic speeds falling through the atmosphere. Here are more in Figure 11.

How wind shaped flatirons on the mountain is no different than the flatirons on meteors. High speed wind pushed material into triangular pockets of still air shaped by shock waves. How the wind makes a mountain in the wake of a supersonic shockwave is no different than making sand dunes. Sand fills-in slow moving compression waves that form pockets of still air that faster wind rides over. The mountains are different only in that the wind was supersonic, so the bumps were sharpley defined tetrahedrons, and the wind was dusty plasma, not just sand.

Proof is the harmonic repetition of forms found in both sand dunes and mountains, because they are both produced by sonic pressure waves. Erosion doesn’t harmonize. Erosion is entirely dependent on a watershed being available to collect adequate rain to erode things below the watershed. What you see in the mountains are impossibly eroded peaks, box canyons and repeating geometric shapes that have no watershed above them to begin the erosion process.

Geologists invented something called “mass wasting”, which means the parts of the mountain they can’t explain just disappear, presumably sand-grain by sand-grain over millions of years. They don’t know where it disappears to, or what carries it away, or how it magically produces repeating harmonic forms. They cannot demonstrate it happening by any means. It’s the geologists version of dark matter. They say things to explain it like, “nature rhymes”, that don’t explain anything, but sound very eloquent.

A cold, dusty plasma differs from a plasma of noble gases used in electronics and neon signs. It is not fully ionized and has dust, sand, or even rock entrained that is not ionic, but carries a surface charge. Surface charge on the dust polarizes to align with the electric field, so the dust drifts like a charged particle with the plasma. It is “cold” because the bulk temperature of the plasma is reduced by the non-ionic matter.

Cold, dusty plasma is not well understood. The entrainment of matter makes it more like a foam than atmosphere. Particles of dust suspend like bubbles of foam, bouyed by electromagnetic forces. When those particles come in proximity to a surface of opposite charge, they stick electrostatically. That is how a plasma wind deposits a mountain, because it blows over land that has been electrically charged, either from the ground below, or from lightning above. Shockwaves act as waveguides for lightning, which charges the land in their shadow.

The limestone Sheep Mountain is composed of was sucked out of a sea somewhere else and blown to Wyoming by the wind. Different materials blew in before and after, sandwiching the limestone between. Myron notes it is “fine-grained”. It is most likely the water, fish, fossils and all, were lifted from a sea-bed by subsurface electrical discharge and delivered as an electrified slug of limestone mud by plasma winds. Existing sub-sea canyons are the remnants of those events. They are the deepest places on Earth and, as usual, a mystery to consensus science.

If triangular flatirons and tetrahedral mountains were the only similarity to shockwaves, that could be called coincidence, but there are complex details that are precisely replicated. Figure 14a shows a ring of mountains in Pakistan similar to those near Sheep Mountain. They are patterned with harmonic, tetrahedral fins and another feature particular to supersonic shockwaves called a Prandtl-Meyer expansion fan. A wind tunnel image of an expansion fan is shown in Figure 14b.

Erosion creating an expansion fan is beyond coincidence. All of the features in this mountain, it’s bootprint shape, it’s fins, the linear hills that make the expansion fan, the crater and shockwave blasted rim are exactly shaped and positioned as they should be if caused by a supersonic downburst wind.

It isn’t a one-time anomaly either. Figure 15 is a comparison of the crater in Pakistan with another in Mexico, halfway around the world. Downdrafts blast these types of craters like a plasma blowtorch. This one also has a rim the shape of a bootprint lined with tetrahedral fins, and an expansion fan of linear hills, also with fins on the windward side. The crater in Mexico indicates a clockwise rotation, the Pakistan crater is counter-clockwise.

Also shown is a storm on Jupiter with the same bootprint shape and the dark eye of a hurricane in the center, rotating clockwise, shown for comparison. The thin, white rim of clouds shaped in a hook are formed by updrafts, while the dark cyclone in the center is the blowtorch. The expansion fan is in the clouds sweeping gracefully off-image to the left.

The parallel rows of linear hills in expansion fans are made like the ‘figure eight’ racetrack next to Sheep Mountain. The wind blew perpendicular to the rows of hills and dales beneath higher altitude up-and down-drafts, creating an interference pattern of high and low pressures on the ground. The narrow, linear, parallel hills are pressure ridges, where wind speed was slowed and dust deposited, while low pressure, fast moving air swept the lanes between.

Updrafts and downdrafts are convection currents, but they aren’t only thermal currents, they are driven by the planet’s electric field. In a plasma storm, there are heavy charge concentrations in the clouds inducting charge concentrations on the ground below, and in the layer of aerosols and dust that lays over the ground, amplifying the electric field.

Condensate is a charge carrier. Where there are clouds there is higher charge density and a stronger electric field. Dust and aerosols carrying a positive charge are lifted by the electric field, generating updrafts. Paragliders and hang-gliders know this as “cloud suck”. It’s extremely dangerous because it can trap them in a cloud and even lift them into a thunderstorm.

The ground charge must reflect the sky, and vice versa, because of capacitance. It’s as if the pattern of striated clouds shown in Figure 16 were a mold that was pressed to the ground to create the racetrack. Electricity makes the pattern and wind does the rest, molding the pattern of dust being deposited the same way it molds the cloud condensation – by voltage. As above, so below. The explanation is capacitance.

It is capacitance between Earth and sky that causes lightning and tornadoes in the first place, as both are examples of coaxial currents generated by capacitance. This is simple physics that can and has been reproduced in tabletop experiments. It’s the electric field and it’s constant feedback with magnetic fields that twists plasma winds into electric currents that segregate into vertical jetstreams that create incredible bootprints, figure eights, horseshoes and paisley patterns in Jupiter’s clouds and the matching fractal shapes on Earth.

Updrafts leave “sedimentary” deposits behind, as charged dust is electrostatically precipitated by shockwaves, which act as lightning rods. The sudden compression and expansion of a shockwave causes ionization and the formation of a double-layer, making the shockwave a plasma conduit. The shockwave touches ground at the separation bubble, making it the charged hot spot where the dust collects anodically, layer upon layer, in the exact shape of the pressure ridges and shockwaves formed by the wind.

Figure 17 shows a textbook diagram of a feature called the “Lambda Foot”, with some examples found in Nature. It is a compression wave created at the boundary layer contact between a shockwave and it’s reflection. It causes a sudden step-shift in pressure regimes between the incident shockwave and it’s reflection, which can clearly be seen where the sediments are offset. They are difficult to find as they are embedded into the base of mountains, but clear examples can be found at roadcuts and cliff faces. Consensus geology calls these “slip faults”, as if the ground just fell into this slot. They are not “faults” at all and have nothing to do with “tectonics”. They are 100% caused by shock waves.

Most telling is in the difference between the center image labeled “laminar flow” and the right image labeled “turbulent flow”. Turbulent flow happens in fluids, not solid rock.

Each layer of sediment was plasma-borne dust, carried in the wind, segregated into step-voltage regimes in harmony with pressure regimes, stacked vertically by capacitance. Higher pressure, means higher density, means higher dielectric effect in an electric field. Plasma layered wind followed the voltage and pressure profile as it carried charged dust into the lambda foot. That dust, suspended like bubbles in a foam, electrostatically connected with the ground and adhered in the exact same profile as the wind that carried it.

Another shockwave feature easy to find in Nature is a hole in the center of tetrahedral fins. Figure 18 shows a flatiron in Comb Ridge, Arizona produced by an unstable shockwave. The instability causes a low pressure zone on the face of the separation bubble that will eat away a hole, like this one. I have highlighted the face of an unstable separation bubble, produced in a wind tunnel, that shows the hole forming, as well as smaller harmonic tetrahedrons. The entire shape of the shockwave is almost identical to the flatiron in Comb Ridge.

Even geology of highest order strangeness can easily be identified with shockwaves. In Figure 19 are several examples of what I term “sawblades”. Also shown are Schlieren images of where in a shockwave ‘sawblades’ form along the top of the separation bubble, highlighted in yellow among other features within the shockwave structure. Please take time to zoom in to the unannotated version of the shockwave to see the sawblades clearly, they are very tiny in the image.

In the turbulent backdraft of a supersonic shockwave, horizontal tornadoes form. Figure 20 highlights these rotating winds and shows examples of the result when such winds are composed of dusty plasma.

Dense dust rotating in the tornado that connected to ground, electro-statically adhered, freezing in-place, while un-grounded plasma remained suspended in the wind and blew away, leaving half, or a quarter of a petrified tornado.

Consensus explanations require this rock to bend into a jelly roll deep underground by some unknown process, and then rise to the surface by another unknown process, plus a few million years of unknown things happening that cause half the jelly roll to disappear. None of their processes can be demonstrated, but they give it a name anyway to make it sound real: “tectonics”. Our explanation is a two step process with electric wind and dust and can be reproduced – the process is already used everyday in manufacturing.

How windborne dust was compacted and seemingly flash frozen into place tells us it had to be electric. Only a dusty plasma could be so thick and still act as a fluid. Only ionic matter and charge bearing dust could instantly recombine and chemically bond to a crystalline form, in situ, in this manner. It just stretches the imagination to consider entire mountains being blown into place and almost instantly formed like they were made of whipped cream, but that is what electricity and a dusty plasma can do.

Scientists sorely need to be challenged to rethink everything they’ve done in the past century. Gravity has trapped theoretical science inside a black hole, looking for dark matter, dark energy, unicorns and multiverses in all the wrong dimensions. Science needs to study Nature as it’s actually experienced instead of moving space and time to suit the scientists’ career path.

Thunderbolts.info has dozens of articles and videos explaining how geologic phenomena like flat irons, craters, canyons and mountains were formed by Earth’s electric circuitry and plasma winds. We show how the winds of Jupiter are a living example of it happening. It comes down to recognizing the fractal patterns of charge diffusion on a spherical capacitor, because it’s the electric field of a spherical capacitor that shapes the wind. On a side note: it’s how the weather can be, and perhaps is, manipulated electrically.

In his video, Myron illicits the “rhythms of nature” as the cause of repeating harmonic forms, like Sheep Mountain’s fins. “Rhythms of nature” is a poetic observation, not an explanation. Consensus science is full of them: “The butterfly effect”, “billions and billions of years”, singularity, infinity, duality, monopole, black hole, worm hole and “space-time”. It’s all a load of crap.

The Electric Universe is about finding answers to the greatest mysteries in Nature. One has to start by asking the right questions. Materialism in science leads to the wrong questions, because they are predicated on the wrong theories.

Energy, frequency and vibration, my friends. Energy makes the hologram; matter doesn’t matter. It’s just energy having a rest inside it’s own magnetic nest.

Cheers,

A Bad Day On Mars

They call Mars ‘Scar Face’. His weapon, the Thunderbolt. They say his union with the Goddess, Venus, birthed creation.

This legend is about Mars, told by the Pawnee, a North American First Nations tribe that had no telescopes. But the scar is there. Valles Marineris is the longest, deepest, most evil looking chasm in the Solar System. Yet it’s impossible to see with the naked eye given Mars’ vast distance from Earth. How odd the Pawnee seemed to know of it.

The Pawnee theory sounds like the Greek, Mayan, Incan, Egyptian and Norse mythologies. Did the Pawnee share their best leaf in the peace-pipe with everyone in the world? How else could such a randomly bizarre story spread? Or was everyone talking about an ancient, global event experienced and remembered at a time when Mars was so close it appeared as big as the Moon, or even bigger? 

Mars is a desolate planet. Mostly sand and rock. The planet retains a remanent magnetism, but there is no active planetary circuit like Earth’s. Compared to Earth, it’s atmosphere is exceedingly thin. It can raise a dust storm, but no rain. We hear theories that Mars has lot’s of water somewhere deep inside, and indeed we’ve found enough to wet a teacup, but no rivers to carve canyons. Especially not one six-miles deep. There is no evidence on Mars to indicate Valles Marineris was carved by a river of any kind.

It resembles cuts made by a radial saw, not meandering water. There is a particular symmetry to both the canyon and it’s surroundings. The canyon is composed of parallel linear cuts, which divides the plateau it pierces into a figure-eight, with a ring of highlands and a ring of lowlands neatly segregated by the canyon. Beyond the west limb of the canyon, Tharsis Mons rises like three mice in a row, triangulated almost perfectly by Olympus Mons.

The entire Tharsis Mons structure is counterbalanced across the breadth of the canyon by giant craters – including the very deepest places on the planet. The Hellas Planitia and Argyre crater are anomalous sinks in the highlands, juxtaposed across the planet from the “volcanoes”, with the canyon smack in between. This is a dipolar symmetry, like anodes and cathodes in opposition across the width of a sphere.

There is no rational theory based on tectonic forces, volcanism, erosion, or impact that explains the collective symmetry of features, so it is ignored by “curious” scientists. However, classical physics does have an answer for anyone who chooses to find the truth.

Capacitor overload explains the gash, the dipolar symmetries, the craters and the other features. It doesn’t explain the cause, but if we listen to the ancients along with the evidence we get significant clues, because the stories always mention Venus. The discharge left a distinct pattern on the planet that tells the story of that day. This explanation can, and has, in part, already been demonstrated in the lab.

Capacitors fail explosively. They fire a spark from the inside-out, and blow a hole in their casing, sending a sonic shock-wave, sparks and molten-matter flying. Valles Marineris is the scar of a discharge from the interior of Mars, because the energy entering the planet exceeded the planet’s energy storage capacity.

The straight-cut gash of the canyon itself is clear visual evidence of electro-magnetic forces. But the gash is not as straightforward as a simple cut from a plasma torch discharging through the planet’s crust. It is part of larger pattern that involves spherical capacitance, magnetic induction, drift currents, sputtering discharge and redistribution of matter. It is a pattern both anodic and cathodic, displaying dipolar alignments, multiple arc discharges and glowing plasma circuits shaped by magnetic induction.

The best comparison to make is with a solar storm. Solar storms are examples of the Sun’s spherical capacitance in discharge mode. The Sun is always discharging, but Mars did it one time because of a sudden catastrophic overload. For either case, what the sparks do is very similar: they follow the magnetic fields.

A blown spherical capacitor shoots violent, relativistic, arc-mode currents radially from the surface of the sphere, producing magnetic fields around the discharge. A Solar discharge, sometimes called a flare, does the same, creating similar magnetic field patterns. We can compare a solar storm with Valles Marineris and see these similar patterns, particularly the figure-eight magnetic field of an electric dipole.

The figure eight pattern is due to the electric dipole, which is from currents rising and falling vertically with respect to the crust in coronal loops. The pattern isn’t unique to a blown capacitor. It’s not unique to the Sun, Mars or any particular electrified body, nor whether it is from an arc-mode discharge, or dark-mode drift currents. It’s a feature of the circuit pattern and the dipole it creates that causes the figure-eight E-M field under any of those conditions. So the circuit pattern can be recreated, and has, to produce similar results.

Michael Steinbacher and Billy Yelverton produced what they termed the “Crooked Smile”, which is in the same pattern as Valles Marineris. The entire experiment can be viewed at Thunderbolts.info: “Valles Marineris in the Laboratory?” I’ll just point out three observations important to the circuit.

  1. They laid a dielectric layer over a grounded layer, producing capacitance between the electrodes and ground.
  2. The electrodes were composed of a matrix of pins to distribute charge, hung above the dielectric layer, to create a wide discharge column across an air gap.
  3. They sprinkled sand above the air gap over the plate so as to allow each grain to acquire charge as it drifted through the electric field.

The sand landed either in layered deposits, or didn’t, leaving a sand-free surface. It’s the sand-free surface that takes the canyon’s crooked smile pattern. The crooked smile is an interference pattern caused by the capacitor layer, because it delays return currents by 90 degrees of phase. There is also a delay between actions of the electric field and the magnetic field, because the magnetic field lags. So what results is a multi-phase interference pattern of charge-saturated and desaturated zones on the dielectric plate that the charged sand is either repelled from, or attracted to.

A similar, more complex interference pattern is described in “The Keystone Pattern“, “The Cross from Laramie” and “Granite Cauldron and the Boiling Boulders“; articles that present similar discharge patterns here on Earth caused by plasma storms. The Keystone Pattern, like the Crooked Smile, is caused by reactive currents surrounding a discharge current. Reactive currents are magnetic and electric field induction currents that are patterned by the E-M field as the discharge passes through a dielectric layer.

The appearance of Mars suggests an enormous EMP struck the north pole, which spread surface charge across the crust of the planet. This would have stripped away the original atmosphere leaving a dense plasma of charged dust particles and gases. It also left a charged layer of soil, which immediately sputtered – lifted off the planet into plasma winds by the coulomb force between the crustal surface and the electrified atmosphere. The winds deposited the dust surrounding the oppositely charged, southern pole. This is why Mars, like the Moon has regolith piled on one hemisphere and not the other.

Charge spread both inside and outside the planet’s crustal layers to saturated capacity and ultimately overload. The explosive discharge left anodes – volcanoes; and cathodes – craters, where looping coronal discharge issued from the planet. The canyon and figure eight is at the center of this discharge, beneath the coronal loops, where filaments of magnetic induction were the strongest.

It’s what electricity does in a spherical capacitor – store away as potential energy and discharge as capacitance is reached – and Earth and planets with atmospheres are spherical capacitors because we can actually see, feel and hear Earth discharging. We see it on Saturn, Jupiter, Venus, Uranus and Neptune as well. Any thunderstorm will prove it. In fact any natural atmospheric phenomena you can name: aurora, clouds, lightning, hurricanes and tornadoes are the actions of a spherical capacitor inducting and discharging, as are earthquakes and volcanoes. One testable RLC mechanism explains how planets work. Climate models don’t account for this, which tells you how important it really is.

Electrically speaking, the Earth, stars and planets are RLC circuits inside an electro-magnetic bubble that create an internal electric field. That field is contained, like the pressure inside a bubble, inside the spherical layers of multi-junction capacitance created by the planetary crust, atmosphere and plasma-sphere. It doesn’t matter if the “crustal” layers are solid, liquid or gaseous plasma. They are dielectric layers that form capacitance in the circuit. They also reflect energy back into it’s interior, making the bubble a resonant cavity.

The internal electric currents respond to the currents outside the bubble the same way high-side transformer coils do, inducting a higher voltage inside the bubble than exists outside.

Induced currents inside the Earth is modelled by Hans Alfven’s Transformer Model of Earth. It is a model I agree with, but Alfven was only modelling the energy coming in. He did not include the circuitry of energy storage and discharge, which is the capacitor in the circuit. It’s a necessary addition to model the complete RLC circuit.

The Earth’s internal electric field radiates from its core to the sheath of the spherical capacitor, vectored in opposition to the external electric field of the Sun, which makes the planetary body an electret. Any electrical stimulation from outside elicits a higher voltage response internally – “As above, so below” – that resonates within the spherical cavity. This amplifies internal currents and excess energy stores in the spherical shells of the containment bubble, while releasing measured amounts of energy through the capacitor to maintain a steady state. At least up to the point where dielectric breakdowns occurs, when the internal electric field gets too strong and starts pushing energy through in a runaway arc-mode discharge.

This is what happened to Mars.

An X-class flare on the Sun is the electrical circuit equivalent of what happened to Mars. A breakdown of the capacitor’s dielectric layers and a violent, arcing discharge.

Spicules on the Sun are electrically analogous to sputtering discharges that made the smaller craters on Mars. The largest craters and volcanoes are the anodes and cathodes of magnetically induced coronal loop currents that extended across one hemisphere of the planet.

Although this is conjecture, myths like the Pawnee’s suggest Venus sent the EMP. If Mars were aligned in a linear orbit between Venus and Earth, orbiting Saturn, as Electric Universe theory suggests, Saturn the brown dwarf star, may have expelled a CME directly at the linear grouping, blasting them out of Saturn’s orbit. The EMP that struck Mars would have passed around Venus as a surface charge, leaving Venus a hot cometary body. Hitting Mars, it blew the circuit, leaving Mars stripped of it’s electro-magnetic sheath. People on Earth would have seen it. They also would have experienced what remained of the EMP after it passed around Mars, which might explain some petroglyphs and the transition from the first sun, Kronos to our second sun, Sol, as myth has it.

What else may have happened to Earth under this scenario? Besides myths, there should be evidence of electrical scarring on Earth as well. Perhaps we’ve even looked at some of it in past articles.

Conjectures about how it happened aside, Mars is a blown capacitor. That much can be empirically demonstrated.

Cheers,

Lightning And Its Fractal Domain

When the leading edge of Hurricane Hilary approached the Borrego Desert, I watched from a high vantage some miles away. A line of thunderheads organized into a mothership super-cell that exploded with frightening power in the dark hours before dawn. Once it began, it stayed lit for twenty minutes, like a giant glow-plug. Sparks crazed it’s clouds and licked the ground, while a constant flame burned within.

The explosive encounter was as much about the land as it was the clouds. Like a Tesla coil, the ground was part of the circuit of the storm. It was the land’s response to the hurricane at that place – the Borrego desert – that polarized the energy, amplifying the clouds into an arcing demon.

The sight hinted at scenes our ancestors recorded in myth and petroglyph. The archetypes of major religions, past and present, largely consist of anthropomorphized interpretations of plasma events and phenomena. Not only the event, but equally important, the location it was witnessed is immortalized.

For the moment, set aside whether you believe in gods, demons, or aliens. Ancient people believed. If we want to understand the message they left, we need to re-imagine the context for it.

Dr. Anthony Peratt demonstrated that ancient petroglyphs depict plasma instabilities in the Earth’s plasma-sphere. Specific discharge patterns such as “Squatter man” and “Jacobs Ladder”, to name two of the most prominent, are pecked into the rocks on six continents in identical form and context to verify that some global plasma event took place roughly 12,000 years ago.

The Squatter-man image is of a glowing plasma current forming toroid rings. The rings are known as “reactive currents”, formed by magnetic and electric field induction circulating around the central discharge. The central discharge is a current following the field-lines of Earth’s own, amped-up magnetic field.

What Dr. Peratt doesn’t discuss in his work is the consequences to Earth’s weather beneath those descending arcs of glowing plasma. After all, one must realize magnetic field-lines have no ends. They are electromagnetic interference patterns generated within the Earth and make continuous paths all the way through. Peratt’s instabilities were auroral currents similar to the polar aurora we experience today, but amped-up to the point they glowed along the field-lines much farther from the poles, appearing higher in the sky and visible around the globe.

Much of Earth’s circuitry is internal and unknown. Electrical discharge patterns and how they occur on planetary bodies provide the most outwardly obvious clues. It is electrical discharge that makes and patterns planetary crust, weather and atmospheric phenomena, and it’s what is portrayed as the archetypical demi-gods, demons and alien craft in the various narratives.

The atmosphere and crustal surface present a unique interface to electric currents. It presents an enormous resistance to the current. Also, the plasma physics of near-Earth space becomes quantum chemistry in the atmosphere, and solid-state diffusion in the crust. And charge densities follow geometries shaped by the interfaces, which influences the shape of discharge and its effects. The evidence is in the geology of Earth’s crust, where the electromagnetic effects left undeniable patterns, and in the patterns of weather even today, although it’s operating at a much lower wattage.

We’ll talk specifically about discharges that occur vertical to the plane of the ground, as in cloud-to-ground lightning, which strikes normal to the ground and leaves a pattern such as a crater. Some types of planetary discharge display different aspects of magnetism and reactive power because they are not oriented perpendicular to the ground, like cloud-to-cloud, or ground-to-ground arcing. Those are point-to-point connections that have a different return path in the circuit. Today we’re examining radial discharge from the sphere of the planet, which produces coaxial discharge circuits, where the discharge and return path share the same space.

This is important, because we tend to think and work in terms of Euclidean geometries. Spherical planets are spherical capacitors that produce spherical E-M fields that move currents around in spherical geometries. Straight lines projected on a sphere are no longer straight, they become geodesic, parallel lines are no longer parallel and geometries become distorted.

This leads to tessellation of plasma structures in a spherical capacitor, as charge separates into cells. Interference patterns of compression and rarefaction in a charged atmosphere leads to negative charge in plasma separating into cells surrounded concentrically by positive charge, or vice versa. Given the spherical geometry of planets, these form as tessellation cells in the atmosphere and crust.

Process of charge concentration, separation and establishing current paths. Standing wave interference stores potential energy in tessellated cells. Opposing polarity circuit patterns form along interfaces and centroid-to-centroid pathways, separating charge coaxially. Nodes interconnect into circuitry.

Tessellation cells are what shape charge accumulation and separation, and produce various atmospheric and crustal electrode patterns that are absolutely essential to understand the fractal shapes in geology, weather, solar storms, or any other effect of spherical capacitor discharge.

Tessellated charge concentrations mirror from ground to sky forming a pagoda of segmented E-M domains, layered by natural dielectric frequencies, where coaxial discharge occurs.

Tessellated cells are not point sources, but act like opposing electrode plates with uneven, pulsing energy. In conductive layers of the atmosphere, tessellation cells will contain a volume of charge that forms an electrode. Electrodes will stack naturally, due to the mirroring effect of capacitance to form segmented, polarized columns. Charge distributions at one end of a cell mirror charge distributions at the other in opposing polarities. This forms the pagoda-like structure of a coaxial, stacked capacitor, with it’s base grounded to Earth and it’s column extending to the plasma-sphere, sheathed by it’s own magnetic field.

This structure is the segmented, or one could say corpuscular electromagnetic domain where atmospheric discharge occurs. In terms of an electrical circuit, this is the same corpuscular structure that forms coronal discharge from the Sun. Tessellation cells are what shape anode tufts, as anyone familiar with the Safire Project has seen. It is the structure of Earth’s own coronal discharge and all spherical capacitors, including all the stars, planets and moons. Not all of it is visible to the naked eye on Earth, as it is largely composed of drift currents. The arcs and glows from discharge we see is only a fraction of the action.

But ancient time were different. They lived at a higher potential, which means a higher frequency, when ionization occurred more readily and the sky glowed as a result. Glowing tessellation cells – electrodes in the sky, where currents collided, emitting patterns of light – are the evidence.

Charged, glowing plasma forming circuits in and around tessellation cells are what these ancient petroglyphs represent. In fact, tessellation patterns usually accompany squatter-man glyphs. Squatter-man is the vertical column of a discharge from Earth, and the tessellation cells are the footprint of the discharge columns on the ionosphere and layers of atmosphere. Its proof the sky was going crazy. It’s also evidence that the Electric Universe is correct, and the weather is 100% caused by circuitry.

The story is one of a sky ablaze with energy, not from angelic haloes, alien craft, asteroids, or comets. It was from the Earth itself, amped-up with potential by another “Velikovsky”-type electrical source. Perhaps the Sun. There are several processes to unpack what took place, and how it relates to petroglyphs, lightning and geology.

Tessellation is an aspect of standing-wave interference. It’s a geometric way to map the topography of interference patterns. Standing waves in a plasma store and release energy in cross-currents of induced reactive-power formed in oscillating magnetic and electric fields, which meet perpendicular to each other. These fields conform with the geometries of tessellation patterns because charge densities conform with the compression and rarefaction patterns in the atmosphere. It’s magneto-hydrodynamics in a weak atmospheric plasma.

Tessellation cells vibrate to form standing waves within standing waves. This can go on forever, by the way, with frequencies within frequencies making standing waves within standing waves in fractal repetitions, creating complex tessellation patterns.

Tessellation will produce a variety of geometries including polygonal, spiral, radial, polka-dot and linear patterns. They can become unstable, transient patterns, or stable, standing wave patterns. They can fractionate into multiple holographic echo patterns in lateral cells. However, there are several influences that lead to certain tessellation patterns that can be found repeatedly in cloud formations, geologic structures and elsewhere in Nature.

They are responsible for the array of spiral, concentric ring, checkerboard and fluid-maze petroglyph images pecked into the rocks. The ancients witnessed these glowing, sparking patterns in the sky and considered them messages from the gods.

Glowing patterns in the ionosphere were from a high energy event, like the aroura that commonly occur at the poles. The reason aroura discharge looks like curtains of light is because the light is produced by glowing, tessellated cells. The Birkland currents that reach Earth pass through tessellated atmosphere.

Everyday weather is patterned by tessellation also, but with more subtle energy. We’ll review a few examples of tessellation in the clouds. Geologic regions of Earth display the results of sputtering, glow and arc discharge patterned by tessellation during times of extreme electrical stress. We’ll examine a few examples. Moon craters are the footprint of tessellation cells, as are Earth’s craters and some of it’s mountains. We can deduce cause and effect that creates these various conditions because it can be reduced to the pure logic of circuitry.

x-y aspect of the magnetic field for a discharge along the z axis.

Once a tessellation cell forms an electrode, another forms naturally by capacitance in vertically adjacent, charged layers of atmosphere attempting to mirror the first layer. These layers form in opposing polarities creating dipoles between them and forming a coaxial stacked capacitor circuit between the ionosphere and ground. Each segment in the stack has it’s own frequency, or phase in constant feedback with adjacent segments as current flows through. Phases superposition at the electrode, and therefore, can be deconstructed from the interference pattern.

Shape of the E-M Domain of a discharge. Note that dipolar alignments always remain straight lines. Ground nodes should be stationary relative to sky, so this is upside-down in relation to how an actual thunderstorm works.

The first thing contributing to the cellular pattern is magnetism, which results from moving charge. Whenever there is moving charge, as in a lightning discharge, the current establishes a magnetic field around it. This forms a columnar sheath around the current with magnetic walls to enclose “the domain”. Everywhere inside this domain electro-magnetic forces are dynamic.

The domain compresses and expands with the movement of charge through it, which pinches the magnetic sheath. A fast moving current constricts the domain hyperbolically, while a drift current leaves the domain loose. As one cellular domain constricts it draws energy from surrounding domains, which expand.

The hyperbolic shape is a consequence of dipoles rotating at different rates, and phase angles produced by reactive power interference in the process of magnetic pinch. This shape shifting is important in driving charge to-and-fro within the domain, creating cyclic patterns of induced drift currents.

Looked at in cross-section, one sees cross-currents of oscillating radial and circumferential induction fields, compounded by leading and lagging periods between voltage and current phases.

It is frequency and phase that segregates the domain column into cells, with electrodes being the interfaces. It is the superposition of phases at the electrode where the interference pattern occurs.

Electric fields move ions one way, while magnetic fields move them another way, and leading currents pattern first and lagging currents come to overlay. Repeat this in cycles, adding energy from the surroundings as available, and complex standing wave patterns emerge.

How tessellation patterns electrodes, currents and circuits in the atmosphere depends largely on the charge carriers. Nature doesn’t use copper wires. Atmospheric charge is water, ice, or dust borne charge, called bound current when it’s moving, and derives from coherent, polar alignment of charge densities on aerosols and condensates. It turns the clouds into cells and filaments of weak, dusty plasma, even though the particles are mostly water vapor, not dust. Water in all it’s forms is far more electrically structured and complex than a piece of dust.

Capacitance forces dipolar separation of charge on any body.

Capacitance forces dipolar separation of surface charge on any body. Electric fields align these into coherent bodies of bound current similar to the way an electric field coherently aligns magnetic dipoles to create a magnet. Coherent bodies of bound current in the sky are called clouds and it’s why they look like electromagnetic interference patterns – that is exactly what they are.

Tessallation cells are contiguous radially as well as tangentially to the sphere of the Earth throughout the atmosphere. It’s structured like bubble wrap, where the bubbles are organized in layered columns. Currents are free to flow from bubble to bubble and interstitially along bubble interfaces. Our focus is on discharge currents that fount from the Earth radially, but it is important to be aware of the lateral interconnectedness of the discharge domain as well, because cells trade energy in this direction. Visible condensation is evidence of continuity in currents delivering energy this way.

Look at developing cirrus clouds and you will see a continuous backbone of condensation form that displays continuity for a circuit. The circuit will branch tendrils to fill cells surrounding it, ultimately making the shape of a feather, or horsetail, with a 90 degree bend at the end where the current turns with the cell walls as the induction phase changes it’s direction to be field aligned with the cells.

Stratospheric, ice-borne charge tends to separate into linear filaments that rotate into cyclonic winds that are ungrounded. Waterborne, mid-level winds are influenced by the ice layer above, and the surface-ground layer below, giving it three-phase, ungrounded current activity which evolves into tetrahedral shapes. Ground-surface charge is from dusty, heavy, diffuse ions that are influenced by potential with the more uniform charge distribution in the ground beneath, so tends to draw tornadic-ally from four sectors.

Ground charge on Earth is negative, and because it’s grounded to Earth and transports by solid state diffusion, it draws charge primarily from below, coning upwards to meet positive charge saturating the surface of the domain footprint. On Earth, this interface becomes a grounded, three phase junction.

Tesla understood this and “invented” the delta-wye three-phase connection. The fact is he copied Nature. He was a good inventor because he was a better observer of his surroundings.

Earth’s atmosphere forces the domain to become a multiphase circuit. Under tension, an atmosphere layers itself by dielectric properties at different altitudes, as density, temperature and chemical composition change. Layers of water vapor and ice are more conductive layers and have a natural frequency different from dry air. Higher, low density atmosphere is more ionized. Double layers form between these natural frequency phases, which segregates the domain column into cells, and each cell becomes a domain of it’s own, interconnected to adjacent cells in the manner of a stacked capacitor.

Two-phase interference at domain cell junctions.

Each segmented cell has its own natural frequency response to the enormous electric field that contains it. The electrode pattern is the superposition of each contributing frequency, where charge separates.

At discharge, segments join, coupled by resonance, and become a coaxial, closed circuit current. Much of it is composed of reactive, drift currents that go unseen, because the entire domain is actually a sputter pattern. Arc and glow mode currents form in and around the high density center of the domain, except in the lower, water cloud cells coupled to ground, where arcs filament around the center of the domain.

The electric field beneath the thunderstorm is locally amplified by the tension between the plasma in the clouds and the plasma ground-surface charge. The tension is technically a “line-to-line” voltage between the cloud and ground-surface currents, which are out-of-phase with each other as the plasma on the ground-surface is trying to follow the action of the plasma in the cloud.

It’s the freakwensy, stoopid!

Atmospheric scientists do not understand anything I just wrote. They believe lightning is a dielectric breakdown of static charges and can’t understand why their math doesn’t work. The voltage potential between line-to-line alternating currents is subject to spiking while resistance drops. This happens when phases match, which causes the dielectric breakdown. It’s a different calculation.

When the ground and cloud phases resonate, the entire domain is in harmony and resistance in the dielectric medium drops drastically, allowing filaments of current to connect in a complete, unified-frequency circuit between the cloud and ground. Its how Nature tunes itself, like one tunes a radio. Once the right frequency is found the signal gets through.

The electrodes separate charge. The discharge we see, whether its named lightning, or a Disney character, is the recombination of the opposing charged currents when they collide. This is particularly evident in sprites, because they display positive plasma flames above, and negative arc tendrils below the actual electrode in the upper atmosphere. The sprite shows both the charge separation and recombination in a visible discharge as current filaments through the electrode pattern.

Mature thunderstorms, with their anvil tops and rotating mesocyclones essentially fill the lower segmented cells of the columnar domain and the entire structure acts as bound currents in a circuit. The middle, toroidal layer snaps and pops as it grinds between the other layers like a motor.

A thunderstorm and its EM domain: anvil and toroidal clouds fill their respective cells above a ground-surface charge saturation, forming a stacked capacitor. Negative lightning discharges from the toroid around the central updraft, while positive lightning connects anvil to ground outside of the domain.

Most cloud-to-ground lightning is generated around the central updraft of a thunderstorm. Because a mature thunderstorm is the domain and it’s central updraft is it’s positive inner current surrounded by a torus of negative cloud-borne charge, the faster the updraft, the more sparks are generated around it as current channels back to earth in a coaxial circuit.

Anvil clouds are electrode plates in the stacked capacitor. Mammatus are tessellation cells within the anvil that collect charge into tufts. The cloud base and wall cloud of a thunderstorm are footprints of the bottom of the domain cell. Tornadoes are Marklund discharges from the rotating thunderstorm cell, connecting to ground and forming fractally similar imbedded domains.

In high wattage events, connection of the discharge to ground can cause a resonant frequency discharge to take place at the interface, which will sputter a crater. Electric waves of charge build, reflect and superimpose at the interface of a high dielectric in the same way sonic waves build to a shock-wave when they reach the speed of sound in a given atmosphere. Resonance forms a standing EMF shock-wave when it’s slowed from near light speed to solid-state diffusion speed at the air-ground interface, called a “resonant frequency discharge” that splays perpendicular to the vertical discharge column across the plane of the ground with nuclear intensity. Energy expended along this plane is also called “reactive power”, and it forms induced currents in both the ground and atmosphere at the interface.

Because this interface is exposed to ground charge, ground-surface charge and the influence of cloud charge, with lead/lag effects, they superimpose on the ground surface in a multi-phased, grounded interference pattern. Because Nature always finds a balance, the multiphase pattern is usually dominated by three phases and therefore a 3-phase, grounded pattern is most common. Because of the explosive power of resonant frequency, enough energy is often available to express all three phases in the landscape.

Not all craters are created equal. Some are produced by rotating Marklund currents and some are sputter patterns that removed layers of charged earth. Most have raised rims deposited by dust, drawn by magnetic induction to the edge of the discharge domain. In the examples provided, typical features of the pattern are produced by sputtering, winds and arc discharge that excavated and re-deposited the topography.

A radial discharge pattern on a single vector from both sides of the ring, and sometimes with a bar crossing through the ring appears in most cases. It is due to magnetic field induction and is always biased to one side of center-line because of lead-lag interference. Tops of craters show evidence of being swept by fast, linear, electric winds being driven in the grounded 3-phase Keystone pattern. All of these features and several more are evident in the Richat structure, which was formed by a large, hot, supersonic, 3-phase, buzz-saw of a Marklund tornado.

The circular rim is from electric field induction outside the magnetic sheath of the domain. It’s the footprint of the domain. The rim is raised by an inflow of dusty winds drawn to the discharge, and this can be confirmed by how the layering of the rim is structured. There is regular interference that cancelled rim building at intervals on one side of the ring, giving it a saw-blade effect where shock waves formed. A raised rim forms when windborne ionic dust is drawn in and sticks to the charge-saturated ground where induced ground currents flow.

The crater and depressions are where matter was lifted because it carried a surface charge from saturation with the ground-surface. The sputtering lifts everything saturated by ground-surface charge, down to the interface with ground charge. This interface is flat, so it leaves a flat crater floor.

In other words, the shape is a pattern of cathodic and anodic hot spots in the ground and the action of ionic dust laden winds redistributing matter from cathode to anode by sputtering.

Because tessellated domains form both anodic and cathodic regions, polarities can be reversed and form a mountain instead of a crater. These also conform to the Keystone pattern, but whereas a crater’s pattern is biased to the ground phase, mountains are patterned with more emphasis on the ground-surface phase, because it is primarily formed by ionic, dust laden, ground-surface winds in that frequency.

Moon craters are simple discharge structures compared to terrestrial craters because they are only two-phase, direct current coaxial discharges, and have no Keystone type standing-wave complexity of multiple resonant phases. There is just a lead and lag phase of discharge and return circuit, which sputters away matter saturated with ground surface charge to the level interface with the Moon’s ground. That is why almost all the Moon’s craters have flat floors and are the same depth.

Tessellation is evident in “doublet” craters that are joined without any evidence of one having “ejecta” spilling over the other, as if two asteroids improbably landed simultaneously. Sputtering doesn’t make “ejecta” in the first place, and a doublet is so obviously caused by tessellation that one day, small children will laugh about the idiocy of impact craters the way we laugh at “flat earthers” today. Tessellation is especially apparent in the occasional hexagonal and squared craters found among otherwise round craters on the moons. It’s the natural spherical geometry of an area surrounded by circular cells.

This same effect is seen in geologic structures impressed with strong electric currents. A high, but steady current forms close-packed, tessellated, polygonal columns. In the image shown, each column has a head and almost buried foot feature, like a battery, defining where the electrode interfaces were.

Not all discharge is above the surface. Discharge punches maars, karsts, breccia and kimberlite pipes through the crust. The shape these structures take is the product of where the depth of electrode junction is and whether it sputtered matter out, or left a de-saturated zone behind. Subsurface discharge is primarily from energized aquifers, or mineral deposits that vaporize and vent to the surface leaving various blow-hole and fulgurite tubes.

It’s no exaggeration to say every landform on Earth can be identified with an understanding of energy, frequency and vibration. In a holographic, Electric Universe, everything is an interference pattern, including matter. It’s just potential energy stored in a standing wave. If one identifies the fractal nature of spherical tessellation, it makes it possible to map Earth’s circuitry.

Earth’s Ley Lines

Tessellation is apparent in Earth’s ley lines, because magnetic induction in Earth’s crust follows their pattern. They can also be locally mapped by correlating with tessellation cell patterns in the topography. The Ley pattern, by the way, is densely packed with geometric uniformity, implying formation under very high electrical stress.

The ancients built on these Ley lines. They developed astronomy, astrology, numerology, geometry, geography, as well as cultural and religious narratives in context with their observations of Nature. They immortalized events with astrologically oriented temples, pyramids and megaliths placed geometrically about the Earth. It’s quite apparent their astronomy was to observe the Earth’s position and attitude with respect to the Solar System and Galaxy. They did not go to all that trouble just to know when to plant crops. They did it because at one time Earth’s position was out of whack.

Their most ancient works were constructed to withstand severe electrical storms and the shrieking winds, lightning, tsunamis and earthquakes that accompanied them. What’s left today are Cyclopean stone-works strewn across the continents; broken, scorched, vitrified and magnetized. Apparently, they did not withstand. Survivors sheltered in cliffs, caves and hollowed out rocks to protect themselves from being electrocuted, buried, scoured, drown, and irradiated by “the gods”.

“As above, so below” isn’t a mystical belief, it’s the most cogent description possible of the way the Earth works. The ancients certainly knew this better than today’s academia. But priests attributed the clouds to the will of the gods and sacrificed the children to appease them. That is what misunderstanding Nature will do when priests and academics bring their fears to the altar.

We need to stop this nonsense and recognize things for what they are. Who knows what’s in the future of an Earth with a magnetic field that’s shifting. Whatever happens, when the storm comes, leave the children alone. It’s already too late to do anything about it.

Thank you.

Mount Origami – More Proof of Plasma Winds

Origami isn’t this mountain’s real name. It’s called Friday Fold, and is in the Alps, near Bern, Switzerland. Because it’s such a complex piece of earth, it serves especially well to demonstrate the actions of electric circuitry and plasma winds in mountain formation. In fact, this mountain displays electromagnetic/sonic-shock effects so well, it might be considered the “David” of plasma wind sculptures.

Friday Fold on Gasterntal, Bernese Alps

It also provides another opportunity to review sonic-shock effects, and expand our knowledge. This exquisite visual evidence portrays so many details of shockwave behavior that it could almost stand alone as proof that plasma winds sculpted the face of our planet. Therefore, we’ll spend some time reviewing shockwave evidence you may have seen in this space before, but it will be worth it to see how this one mountain ties it all together.

One has to wonder how these rock layers bent without breaking? Let’s first take a tongue-in-cheek review of the scientific consensus model for how such a mountain came to be. We should poke some fun because their theories are based on some incredibly hollow assumptions.

The consensus will say heat and pressure under tons of overburden made the rock plastic, and seismic forces made it twist. But these formations are right beneath the surface, where no such heat and pressure exists. So, the consensus added millions of years to allow time for something to happen.

And they have concluded that somewhere in that time this mountain grew deep underground under tremendous heat and pressure, either as a bottled-up volcano, or an ancient seabed, before being twisted and shoved thousands of feet through the Earth’s crust, bending without breaking, to arrive in the Alps – the very rooftop of Europe.

The twisting occurred because the continents are, according to the consensus, creeping across the face of the Earth like undulating amoebas, slowly smashing into each other and causing the crust to fold like an accordion. .

This requires some cause to push the continents, for which evidence has yet to be invented. Being a consensus, however, demands a settled consensus. And settled, they have, on the idea of subduction, whereby continental plates try to hump each other. One plate rides up onto another like a horny walrus causing all kinds of mayhem – earthquakes, volcanoes, and faulting from up-and-down accordion action. It’s an act of violent tectonic rape that shakes the bedframes, but very slowly over millions of years.

This still doesn’t answer what does the pushing, but it explains the heat and shaking. The consensus still looks for a source that pushes the continents around. Peer-reviewed papers claim it could be Plutons, Dark Energy, Dark Matter, micro-Black Holes, or a wormhole. These are “things” with names but no explanation. Many think it’s related to the idea – really just a wild-ass assumption – that the Earth has a core of iron that spins inside like a ball bearing at a different rate than the rest of the Earth. It’s been doing this for billions of years, right under our feet, and we don’t even feel it. It’s so damn smooth, like a Lincoln Continental, except when the continents bang around.

Consensus science model of mountain formation.

While agreeing to disagree about the pushing force, they agree on the humping. But the consensus model for mountain formation from accordion action needs one more act – erosion. They have to fill-up those millions of years. The concept is demonstrated in the above piece of “science”. The idea being mountains were really, long ago pushed up way higher, even two-three times as high as they are now, and then worn down by erosion over those millions of years. This has to happen in their models to produce mountain shapes – the sharp peaks, cliffs, deep cut canyons – and the fact they find “river rock” and sea shells on top of mountains and all other sorts of geologic strangeness.

Never-mind wear causes shapes to round-off, not sharpen. It’s counter-intuitive that mountains result from wear, of course, because it’s nonsense. Welcome to cognitive dissonance.

Their theories leave a lot of questions. Like, where is all that eroded matter? But the biggest question of all is how does that model of time plus random forces produce the harmonics that are so obviously present?

Look at the above pictures, and others to appear later. Go look at the mountains outside. There are harmonic shapes everywhere. These are sonic wave-forms. They are the result of an interference pattern generated by electric winds. The tetrahedral shape of mountains and layered triangular flat-irons are due to a high pressure zone in the shockwave called the Lambda Structure.

Harmonics in shockwaves are found in longitudinal, transverse and compound form. A longitudinal harmonic occurs when multiple lambda structures form simultaneously, side-by-side across a wind-front as an interference pattern. A transverse harmonic occurs when sequential lambda structures form in-line with the wind, like a jagged sine wave, building tetrahedrons one atop, or in-front of another as the shock wave travels into the wind. A compound harmonic occurs when both happen together, in symphony.

Transverse structures portray changes in amplitude to the lambda structure over time, allowing a way to determine if the winds were building, or diminishing as the mountain deposited. Longitudinal structures portray changes in amplitude as well, allowing determination of relative wind strength across the wind front.

Changes to the Mach angle, portrayed on the windward side of the tetrahedron, allow a way to determine relative changes to the wind velocity, in both direction and speed.

The mountains are waveforms. The waveforms are evident in virtually every mountain structure except for volcanoes, and even some volcanoes exhibit them, although the cause and effect are different. Some mountains are clearly defined tetrahedral shapes from supersonic winds and some are piles of fluid dunes, deposited by subsonic winds. The same shockwave forms appear time and again in every type of mountain, from igneous granites to sediments of sandstone and limestone, belying the consensus concepts of formation.

Consensus geology generally ignores the obvious harmonics because their paradigm holds no answer. That is why I never believed them. If you can even find where consensus geology tries to explain harmonics it revolves around meaningless pleas to butterfly wings, interconnectedness and complexity. Ponderings of the eternally confused. They are so full of crap.

They can’t explain it because they ignore the obvious role of electricity. Harmonics are a consequence of resonant frequencies in electromagnetic waves. Sound waves, light waves, any wave. The energy that drives the wind is electromagnetic.

You will know, if you have followed Electric Earth geology, that plasma winds and electrical discharge sculpted the face of our planet. Not parts of it – everything. Erosion and time have had superficial effects on a landscape shaped by Earth’s electromagnetic field, which time and again has amplified to catastrophic levels. Earth’s birth was electrical, and plasma winds scoured it’s face then, and since in repeated events of high potential that piled layer upon layer of sediments during storms of Jovian intensity. As myth has it, and the Thunderbolts.project knows, Zeus really did throw lightning.

That episodes of plasma storms swept the planet is, verifiably evident. Mount Origami is evidence of fluid, ionized dust deposited by supersonic winds during one of these episodes. The shape of it’s sinuous folds is irrefutable proof of supersonic winds.

Most mountain structures are formed like a sand dune, deposited by dust laden, plasma winds. The wind, however was in places supersonic, travelling in jet streams of electric current segregated by magnetic fields and step voltages. Winds swirled in coaxial vortices, paralleled at different speeds, passed each other in opposite directions, and crisscrossed like a freeway overpass. Polarity, harmonics, the electric field and magnetic induction patterned their motions. They were winds like those on the planet Jupiter are today.

Supersonic winds form shockwaves where there is a change in momentum, meaning a change in speed, direction, or density. Any bump on the ground in the path of such wind will produce a standing shockwave. Shockwaves produce sonic waveform geometries sharply defining regions of compression and rarefaction in the atmosphere. These geometries can be reproduced without fail in the laboratory using simple wind-tunnel models.

The image shown is an example. It portrays a standing shockwave produced by a supersonic wind in an expanding volume chamber. Note the nuanced patterns that barely show as shadows, as well as the darkly defined lines that portray the incident shockwave. These are all harmonic reflections that resonate with the incident shockwave, and portray an interference pattern of compression and rarefaction downstream.

Supersonic shockwave and downstream harmonic reflections.

Like any sound wave, shockwaves echo, refract, resonate and cancel in the manor that classical physics predicts. The dark lines in the image are from light refracted by the high density, extreme pressure in the shockwave, taken by Schleiren photography. Each dark line is actually a razor thin region of extreme compression and temperature. Compression also ionizes air in the shockwave, and in the charged plasma environment at the time mountains were built, they became electrical conductors between the clouds and ground.

It should be recognized by intuitive reasoning that in a plasma environment, sonic waves and electromagnetic waves become one and the same. The energy in the shockwave forces ionization, as demonstrated when nuclear-blast shockwaves generate lightning. Add an electric field amped to super-storm levels, winds mixing a chemical soup; and Earths atmosphere had to mimic Jupiter’s, with gargantuan electric shocks trying to balance charges, and the shockwaves acting as lightning conduits.

All of the regions in the shock pattern influence mountain building, and the evidence is left in the rock. So we’ll take a look at a few examples to establish how to observe this, and then discuss the formation of Mt. Origami.

There are three regions highlighted in the next, simplified diagram of a standing supersonic shockwave and it’s turbulent downstream reflections. Use the slider to see the features highlighted.

Lambda Structure – red, Separation Bubble – green, and Expansion Fans – blue.

The highlighted features play the most common roles in mountain building. The first, most obvious feature to examine is the ‘Lambda Shock Structure’, also noted as the ‘Bifurcated Structure’, highlighted in red. This region is where a deflection of the supersonic wind creates a standing wave, called the ‘reflected shockwave’ in the diagram, because it is a reflection from the floor, but is sometimes referred to as the incident wave depending on the framework of the experiment.

The Lambda structure is, in 3-D, a tetrahedral bubble of high pressure and low velocity created where the fast moving airstream separates from the ground and deflects upward. Like wind flowing over an airplane wing, the deflection produces a low pressure, high velocity zone above, and a high pressure, low velocity zone below. In a highly charged plasma environment, it was also a densely charged, delta-wye junction in the circuit between sky and ground, which made it act like an electrostatic dust bin.

The shape of the tallest, most dramatic mountains on the planet are direct visual proof of this. Note there are singular peaks and repeating, harmonic peaks. These were created in a singular storm event that swept the face of the planet. A storm so violent that supersonic winds generated lambda structures thousands of feet high. A wind so dusty it filled those structures to overflowing during that singular storm. This is just my opinion, of course, based on what I see around me. I will say in my defense, that many ancient texts and myths tend to agree.

Everest is a particularly good display, because it shows the magnitude of the freaking winds I’m talking about. It’s twenty-nine thousand feet tall and has sea shells in it. Meaning it was dredged from the sea and deposited high-speed into an electromagnetic Jell-O mold generated by an electrified wind dragging across the face of the Earth. To my mind, this could only be possible if nearly the entire atmosphere was in supersonic motion.

The angle of the windward face of the Lambda structure is related mathematically to the Mach speed of the wind producing the shockwave. The Lambda structure forms a triangular plane at this angle, situated perpendicular to the wind direction, just like the windward facet of a sand dune. It is called the Mach Angle and can be used to determine the wind velocity for a given gas density.

Everest’s north face, on the Tibetan side, is this windward face. The stratification of it’s limestone sediments are at an angle of ‘dip’ much shallower than the North face profile that portrays the Mach angle. The stratification is very evident in the photo of Everest shown.

Please note in the accompanying shockwave image, inside the Lambda structure, there are echoes inside that have a reduced angle of dip compared to the Mach angle of the tetrahedron. This is highlighted in red in the image above.

Compare the stratification dip on Everest to it’s Lambda outline, and there is a similar relationship to the internal pressure stratification in the Lambda structure, indicating the mountain was deposited in layers at this angle under the influence of a continuous wind until entirely filling the tetrahedron. The layers vary in composition, indicating the wind itself was layered, or segmented in composition.

Did the layers deposit sequentially, one atop the other; or did a single wind, rainbow-layered in chemistry fill this lambda structure all at once? I strongly favor sequential layering, but haven’t ruled-out the rainbow. At least, it did not happen over millions of years. It occurred during a single ‘storm’ event. Geologically speaking, it happened all at once.

That must have been something. The entire planet must have spun. In fact, it did. This can be shown – and will be in future articles – by identifying the interference patterns that remain for us to observe. The devil is in the details, however, so understanding shockwaves first is critical. With direct knowledge of how supersonic wave structures act, anyone can see – and study – these structures in the mountains for themselves. There is a wealth of peer-reviewed material in applied science, written by engineers without political agendas, that can be relied upon to study shockwave behavior. The mountains are at your disposal.

The next feature is noted as the ‘separated flow zone’, or more commonly the separation bubble highlighted green in the diagram. It’s this zone of the shockwave structure that formed Mt. Origami. This zone is really a sub-set, or bubble within a bubble of the lambda structure. Because these are sonic waves there are harmonies, and this is a harmonic within the lambda structure. It can fill with dust and create a mountain which will show unique characteristics. One is the ‘double peak’ configuration caused by destructive interference in the waveform.

The separation bubble is an even higher pressure, lower velocity zone within the Lambda structure. It can also be turbulent, with sucking de-compression zones and backflowing eddies. It is subject to destabilizing as wind velocity fluctuates, and as the bubble fills with dust. The instabilities make identifiable patterns, one of which is ‘double peaks’.

Tucson Mountains

It’s cause is the ‘expansion fan’, the third feature highlighted blue in the diagram, that creates a standing wave interference pattern. This is an interference pattern common in mountain ranges everywhere, where linear, windswept valleys stretch between rows of tetrahedral peaks caused by a low pressure expansion fan at the top of the separation bubble.

Interference patterns in a wind field – Tucson Mountains, Arizona. Light blue – deflecting supersonic wind, dark blue – ground-hugging cross-wind from expansion fan interference. Note the tetrahedral facets on the windward side and smooth on the downwind side of the mountains.

The Schlieren photo shows the low pressure zone created beneath the expansion fan that evacuates this region of the separation bubble with fast circulating winds, leaving a valley between two peaks. In profile, one sees two harmonic peaks, but is actually parallel rows of peaks.

Blue represents airstream direction. Red represents separation bubble and destructive interference due to expansion fans.

It’s important to understand the expansion fans are standing-waves of low pressure that re-vector the wind 90 degrees to the wind forming the shockwave. It causes recirculation, or whirlpools of low pressure in their wake. The whirlpool effect redirects the wind ninety degrees, like a horizontal tornado obeying the right-hand rule, which is how the wind flows hugging the ground in the interference pattern.

Sequential and longitudinal tetrahedrons form in a wind-field, separated by lanes of destructive interference.

If conditions are right, the expansion fan can also suck dust into this region of the separation bubble and fill it, although examples are harder to find because they are usually beneath the ground. The example on the left shows an improbable convex hill made of concave stratigraphy. On the right is an example of an intrusive stratigraphy curling like a wave beneath a perfectly level ridge. This is, literally, a petrified tornado curled beneath an opposite polarity cross-wind that leveled the surface.

A separation bubble produces harmonics in wind tunnel tests that can be perfectly matched with complex mountain forms. Wind deposits “sediment” layers aligned with pressure regimes within the separation bubble. More often these are deposited in laminar planes, like this geologic depiction of the layers in the Catalina Mountains, in Tucson Arizona.

However, these pressure regimes curl like waves – because they are, – when there is turbulence.

Turbulent shockwave reflections can do the darndest, harmonic things when they are energized with high charge density. Note in the region downwind of the lambda structure shown next, there are regular, parallel, vertically linear shock reflections. This is a fine harmonic detail in the pattern of compression and rarefaction that can be found in extremely energetic events.

It’s expressed in the rock as regular perpendicular seams, where knife thin compression waves carried currents that evacuated matter and left checkerboard cracks.

Red lines outline fine, standing-wave pressure stratifications in the shockwave.

The next image shows greater fidelity of the intricate standing wave geometries that can form in the Lambda foot near the separation bubble. Bear in mind, the wind blows through sonic waves, but they aren’t bounded by the wind alone. They couple to, and vibrate the solid matter they contact, as some of the energy they convey reflects, and some absorbs depending on the properties of that material. These sonic wave patterns are what you’ll see if you examine rocks much. At least where I live, granite and quartz is crisscrossed with fissures in these same geometries.

The coupling occurs because the matter is being deposited in a fluid, or semifluid state around the shockwave itself, and therefore molding to it’s intricate pressure regimes and boundary layers, all of which is energized with electric current that solidifies to rock as ions recombine to absorb the energy.

The following images display, on the left, a diagram of pressure regimes at the boundary layer of a reflected shockwave. On the right is a perfect example in nature where this exact thing happened, layering windborne dust in the exact mold of the shockwave because this dust deposited into the shockwave as the separation bubble filled, following its exact pressure and step-voltage profile. Yes, I said exact three times.

What’s especially telling of wind formation are downburst craters. Downburst craters occur where the eye of a cyclonic storm impacted the land beneath like a supersonic blowtorch. It typically created ‘boot-print’ craters, with the inner rim of the crater displaying harmonic, tetrahedral shock-patterns where the plasma wind deflected from the ground. The very type of cyclonic storm that produced boot-prints on Earth can be seen raging in Jupiter’s atmosphere today. The glaringly apparent harmonics in these waveform structures can fully be explained by plasma winds, and is reproducible – did I mention Jupiter, where it’s happening today?

There is only one rational, reproducible cause that complies with known physics to produce such harmonic effects, and it’s not erosion. It is harmonic sonic waveforms produced by supersonic winds. Harmonic waveforms appear at every scale from the structure of the rock itself to the shape of the tallest mountains, and each and every one can be modelled with wind and a dose of current.

The next image highlights features of a mountain in Comb Ridge, Arizona, along the rim of Monument Valley, formed by an unstable shockwave. In it there is a circular hollow in the center of the tetrahedral mountain. This is also the result of an expansion zone that creates a tornadic circulation which eats into the separation bubble. Around it, harmonic mini-tetrahedrons are forming in forward positions as the destabilized shockwave was beginning to advance into the wind.

Unstable shock wave created a hole in Comb Ridge.

Next are highlighted prominent features on the image of an unstable shockwave produced in a wind tunnel. You can see, adjusting for perspective, they are patterned almost identically.

Unstable shock wave creates a hole in the face of a separation bubble.

Which brings us back to Mt. Origami and it’s strangeness.

The hole is why. Mount Origami, like the mountain in Comb Ridge had a hole in it, too. It’s a very common thing to find such holes in mountain faces, because they were all formed by winds that repeated the same actions again and again. Here are a few examples:

Look carefully at the next image, which is a close-up of the hole in the mountain in Comb Ridge. You will see the hole penetrates layers into the face of this tetrahedron, and even undercuts the rim. The hole penetrates deeper at the center, and concentric rings of the penetrated layers are exposed.

The Hole in Comb Ridge.

What forms these holes is a whirlwind that attacks the face of the tetrahedron due to instabilities in the shockwave. The whirlwind drives into the face like a drill. If conditions are right, this whirlwind can drill a hole in the mountain as it forms, and then suck dust from the upper regions of the airstream, and inject it into this hole like a firehose.

Being in a plasma wind, the whirlwind is a Marklund current, which is coaxial, with a spiraling negative current that draws matter up, surrounding a downdraft current of positive ions. The outer whirlwind drills the hole and the inner current gabs dust from above and injects into it.

Imagine taking a hot croissant from the oven, still chewy and too hot to eat. Before it cools, punch a hole in the center of it’s triangular face and inject it with cream cheese. Fill until it separates the croissant and lifts the top layer. Now, press your hand on it and squish until the cheese begins extruding out the sides. That is essentially what happened to Mt. Origami. Take a look:

Green outlines the ‘hole’ formed by a vortex. Blue indicates where ‘fill material’ was injected by the vortex.

The outline, in green, profiles the hole discontinuity and blue lines trace the flowstone sucked into the gap. This tetrahedron formed in the separation bubble of a shockwave that destabilized, allowing a vortex to form on the face that penetrated the nascent tetrahedron and blew dust in, like injecting cream cheese. The shock wave itself, and the patterned layers that it molded, under tremendous pressure, were curled by the inflection in the wind, which changed the attitude and shape of the original tetrahedron, folding it back like a flap of croissant and filling beneath with hot fluid material.

The following pictures show where hot, semi-fluid matter extruded and dripped, covering the stratified layers with flow-stone.

Perhaps you are still skeptical the wind could do this? Then take one more look at the entire panorama of the Gasterntal mountains. Examine all the details. It is a living sculpture in perfect profile of an unstable separation bubble, portraying in excruciating detail the turbulence in the wind.

Panorama of Gasterntal is a shockwave display.
Mountain formation within a turbulent shockwave showing tornadic instability formed by expansion fan.
Folds are created by turbulence in the separation bubble.
Central to the panorama is a curling wave.
Intricate pressure patterns form acute geometric bends – not random forces over millions of years.

This should nail the coffin shut on consensus geology and prove plasma winds. The entire mountain displays intricate shockwave patterns that can be matched, curl for curl with a repeatable wind tunnel test. And this isn’t the only example of the same turbulent form in mountains. Mt. Origami happens to be the best example I’ve found.

Of course there will be those who call this pareidolia. They are the same people that say the paltry, one-way force of gravity shapes and powers the universe. They are the same people who say millions of years of erosion makes harmonic, perfectly formed tetrahedral peaks in the shape of shockwaves. They also say a room of monkeys could write the Bible if given enough time. They are the consensus – herd minds who have shepherds who feed them this nonsense. But for normal people, I think common sense and a pair of eyes is all that’s needed to see what is actually sitting in Switzerland.

Wind blew through sonic shock patterns of high charge densities, carrying matter. A chemical Pandora in reverse – all jammed together in layers that conformed to shockwaves that came and went. A brief interference pattern caused by some ‘Velikovsky-style’ event. Only their pattern is left behind, as solid as a rock.

There is no need for equations, or a PhD. Nature provides the empirical knowledge by example. God wants us to know. Besides, you must be aware by now, a PhD is evidence of complete matrix absorption – the highest level of brainwash.

This is why I am a Natural Philosopher, not a psy-op-entist. Why waste time on detailed forensics when the truth has already been revealed? It’s my Dharma, which is to say, my pleasure to show humanity, not to prove anything. Belief is in each individual’s heart; not charts, or equations. You look, you see, you think and you decide.

Thank you, and Cheers!

Granite Cauldron – Part 2

In Part 1 of Granite Cauldron, we discussed boulders and their formation. We looked at several examples where the granite displays unambiguous patterns that perfectly match the known behavior of hot, viscous fluids forming drops and flows at atmospheric pressure. We discussed my proposition that this is the result of a massive telluric current. That is, an electric current emerging from below Earth’s crust and diffusing into the crust, where it charged a conductive aquifer near the surface, causing electrolysis and generating heat that boiled the sand capping this aquifer.

To complete our understanding of the theory, and in particular why the ground boiled, it’s time to take a broader view of the mountains themselves to see how the cauldron came to be. It will help if you have also read, or watched previous articles on “The Keystone Pattern” , because that pattern is a definable, predictable consequence of current discharging into, or from the Earth, and will be referred to in this article.

Repeatable and predictable is as close as it gets to proof, right? We’ll look at how the Keystone Pattern is evident and then discuss the plausibility of electrolysis and heat making granite from sand.

The Cauldron

To orient yourself, look at the following Google Earth image, and use the slider to see annotations. The mountains in question are within the lower area circled. The city on the coast at the bottom of the image is Tijuana, Mexico, and above it, with the large bay, is San Diego.

The circles have crosses in the center, and you can see by using the slider, that these correspond to deep cut valleys, and the circles highlight valleys and highlands ringing the cross. You can also see several other circular, cross and parallel valleys elsewhere, but the features highlighted easily dominate the region.

Move slider to see highlighted features.

In the lower circle, in the lower-right quadrant below the cross, is Potrero where most of the photos in Part 1 were taken. A closer look at this area reveals more patterning to the canyons within and around the circle. The next image shows there are parallel, linear canyons in the upper right and part of the upper left quadrants formed by the “X”. Use the slider to see them highlighted in blue.

Blue lines are electric wind vectors, red is Marklund current rotating up, green indicates sputtering due to ground-charge saturation.

These canyons were cut by electric winds driven by reactive currents on the ground. Reactive currents are induction currents in the electromagnetic field surrounding a discharge. Reactive currents are at 90 degrees to the primary current discharging, so this is a pattern of currents and winds hugging the ground and flowing into, away from, and circling around the center of a discharge coming out of the Earth at the center of the “X”.

The annotation indicates in red where the winds twisted and lifted into a tornado along the left-hand of the cross, and opposite on the right is an area shaded green where electrical sputtering took place, leaving a large, flat bottomed valley. Both of these, and the linear winds are predicted by the Keystone Pattern.

As are the lower quadrant winds, which the canyons show blew radially away from the “X” in the left quadrant, and blew circumferentially around the “X ” in the right quadrant.

Tornado = Marklund Current

In the next annotated Google Earth image, the slider shows yellow and orange annotations where shock waves left tetrahedral patterns. The orange tetrahedrons were from supersonic winds exiting the tornado.

Tornadoes are a class of weak plasma discharge known as a Marklund current. It is, in fact, a coaxial circuit from cloud-to-ground with a positively charged current spiraling up on the outside, which is the dusty part of the tornado we see, and there is a central downdraft of negatively charged current. It’s this central downdraft that blows out from the bottom of the tornado at supersonic speed that caused standing-wave tetrahedrons to form in it’s blast zones in the left quadrants.

We don’t notice this outflow wind in the puny little tornadoes seen today, because a) nobody is looking for it, and b) it’s overwhelmed by the positively charged bulk of dusty wind being drawn into the rising outer rotation. But in the amped-up, high pot electric storm that made this tornado, the negative outflow was substantial and carved into the ground to slip beneath the spiraling positive inflow, and that is why it’s marks can be found on the landscape.

The yellow annotations are from shock waves caused by arc-blast from a ground hugging discharge that formed the cross, highlighted in red. This filament of arcing discharge heated and vaporized everything in it’s path, and the explosive wind of expanding gas left shockwave separation bubbles that formed these tetrahedrons.

Because the pattern indicates winds circulated counter-clockwise, the right hand rule says the current was coming out of the Earth. The winds followed the charge distribution on the ground, which was patterned by reactive currents. Reactive currents are currents induced by the electromagnetic field that surround the vertical discharge current. They are sometimes called eddy currents.

As the discharge circuit sparks the E-M field rotates, creating an interference pattern on the ground between magnetic induction and electric field induction, which are at 90 degrees to each other at the center of the discharge.

All of the features shown can be found in craters and mountains all over the planet, and some other planets, because it’s what electricity does. It’s a predictable, repeatable, fractal, naturally occurring proof that we live in an electric universe and, like us, gravity is just along for the ride. But more specific to the boulder cauldron, this pattern confirms that electrical charge welled from the Earth, with it’s charge concentrated at the center of the “X”.

“X” marks the spot. The magnetic field forms the ring around it. But magnetism takes time to develop, so is out-of-phase with the electric field allowing hysteresis into the circuit, and standing waves result. Each quadrant exhibits a particular shape of charge distribution as the E-M field modulates, as leading and lagging induction currents form and the dominating force shifts from the magnetic to electric field.

This pattern is just an interference pattern like the bars of light produced in the famous “two slit” experiment. It is more complex, because it involves multiphase, alternating electric current and magnetic fields which are things that have stumped consensus science for the past century. This pattern should be well understood and well recognized, but it’s not, even by electrical engineers because they don’t dive deep into understanding the flow of energy and ignore the obvious influence of the ether. They use convenient approximations, graphs and models and ignore fidelity in the fundamental waveforms.

The ground-sky interface presents a huge wall of resistance. Current welling from the ground suddenly loses its conductor – all the water and metals in the ground – and meets the high dielectric air. Even if the air was a conductive, dusty plasma, as it most certainly was, the change in density from solid-state to gas presents a huge step resistance. Resonant frequency discharge occurs when back-emf forms, reflecting off this resistive barrier and superpositions – matches frequency – resonates, in other words, like a shock-wave and forces the energy orthogonally from the vertical plane to the horizontal, across the face of the earth, gouging channels in its path due to the fact the energy wants to stay in the ground where it finds conductance, and because it’s arc-blast is an explosive wind.

To better understand the patterning it helps to see the vertical channeling that occurs in coronal discharge currents. Dark-mode, drift, or coronal currents are used in manufacturing to electrically apply coatings; a process called sputtering, or to remove material; a process called electro-dynamic machining, EDM. In both processes there are two electrodes: one giving-up material and one gaining material – a cathode and an anode, – and a circuit through the atmosphere between.

Orange tetrahedrons are from blue tornadic outflow, yellow are the arc blast of a resonant frequency discharge, in red.

Such currents pattern themselves into circuits of two-way, positive and negative channels. These channels are what appear at opposite sides of the “X”, where sputtering occurred on one side and a Marklund current on the other. Positive and negative biased plasma channels precisely as experiment produces in point-to-plane coronal discharge, as shown in the diagram: “Primary Reaction Channels in Coronal Discharge”.

When these mountains were built, the electrodes were the Earth’s crust – ground – and plasma charge concentrations in the clouds – storm. This formed an electric field geometrically similar to a classic point-to-plane discharge in air. The footprint of a tornadic wind and sputtering, juxta positioned precisely as experiment predicts, is worth noting. It’s the same damn pattern as a meso-cyclonic thunderstorm, with it’s rain curtain, down-burst channels, updrafts and Marklund currents located in the same damn places, every damn time. When will these so-called scientists notice?

Close-up of Arc Blast and Tornado footprints.

The sputtering channel and the Marklund, or “electric wind” channel are one and the same channel looping through the electrode. It is a coronal loop, which is the same electrical circuit that makes coronal loops on the Sun. It’s the same electrical circuit that drives thunderstorms and the storms on Jupiter. It is the same electrical circuit witnessed and recorded by ancient people – probably just before it killed them.

To demonstrate how this is a predicable, repeatable, fractal expression of a coronal discharge, look at the other, larger region circled in the first image at the beginning of the article. Below both circled regions are compared, and I have highlighted where the electric wind and sputtering channels left their marks. They are mirror images of each other. The quadrants are simply rotated opposite each other. Both have counter-clockwise rotation.

Northern circled region close up.

Looking closer, one can identify the sputtered region is now occupied by the City of Ramona. Typical of sputtering, it leaves a flat-bottomed, kidney-shaped valley ideal for farming, grazing and occupation.

City of Ramona lies in a sputtered valley.

The Keystone pattern is a set of patterns created by a primary discharge current and it’s reactive currents in an E-M field, and will display at an interface where coronal discharge occurs due to a step rise in resistivity, like on a capacitor plate, or the surface of an atmospheric planet. Like fingerprints, or snowflakes, they are of a pattern set, but no two are identical, because of local influences like the materials involved, which are never precisely the same. A similar pattern was previously shown to form the Laramie Mountains in Wyoming and the Richat structure in Mauritania.

The blisters begin on the Baja Peninsula, and continue up the coast, eventually to become the much more energetic strato-volcanoes of the Pacific Northwest. These southern blisters are still-born volcanoes, whose energy was expressed in chemical outpouring from electrolysis, rather than the explosive convulsion of a sub-surface arc discharge. Even today, the region is hot and boiling, with several hot springs and even utility-scale, geothermal power production in the desert valley to the east.

The volcanic lineament all along the North American plate boundary, and other continental plate boundaries as well, is caused by electric current that runs the edge of the boundary as it drifts from beneath the plate. The continental plates are thick cratons of basalt piled with layers of sediment, and makes a collector plate to current welling from the Earth.

We can deduce this has to happen, because Earth is inducting electric current from the Sun at the poles and Earth doesn’t store it all. We know the crust forms a spherical capacitor in the path of this energy, and the patterned charge distributions that result from capacitance can be seen both in it’s geology and in it’s weather. The Keystone Pattern is one of several examples of tested, or testable phenomena caused by electromagnetism. Shock wave tetrahedrons are another. Tornadoes, cyclones and meso-cyclones are another. The alternating El Nino/ La Nina currents that influence the climate of the entire planet is another. These are all patterns of motion, phase and frequency provably caused by the planet’s own electromagnetism. We can also measure it, in the form of telluric currents and potentials, if we want to look.

The continents present extra layers of capacitance, which means they collect charge. That charge then leaks around the edges and self-organizes in a patterned E-M field, called the fringing field. Current flows in the fringing field, heating things up and wreaking havoc, like earthquakes and volcanoes.

The reason this region boiled and electrolyzed instead of bursting in volcanoes is due to the geometry of the Telluric currents in the fringing field. This has also been discussed before, in “Subsurface Birkeland Currents”. Fringing currents not only occur at the continental edges, but also criss-cross continents along old plate boundaries of the earliest cratons. This forms intersections in the current, called triple junctions, and creates cyclic current loops. There is also feedback input from electric storms, solar storms and cosmic wind. The net effect is the fringing currents are self-organizing circuits with functionality. A circuit of triple-junctions and ring currents with amplifying inputs is the description of an Operating Amplifier.

Op Amps switch current flows, directing current at each junction by amplifying, or resisting it. This region lies between junctions, in the “bridge” of the Op Amp, where the current was held to a lower level by the geometry of the circuit itself.

One triple junction is immediately south of the blisters we’ve been discussing, and can be identified by the Pinacate volcanic field in Sonora Mexico. Another is to the north near Mendocino, California.

Between these nodes the number of volcanoes is greatly reduced and are distanced apart compared to the continuous line of huge strato-volcanoes to the north of the Menodicino node. Likewise the profusion of volcanoes south of Baja node continues through and beyond Mexico. Between there is the Shasta, Lassen and Mammoth volcanoes and a few lesser eruptions, but not with the energy and density elsewhere on the lineament. Not coincidentally, this is also the exact same reach parallel to the San Andreas fault, because the fault is from a discharge inducted between these nodes.

It all makes perfect sense looked at as an Op Amp circuit. The fault parallels the continental fringing field current. It’s at a shallower depth and came after the mountains were built, so came after the fringing field current. It connects between triple junctions in the bridge of the Op Amp, where current can bypass around the ring portion of the circuit. It creates a high voltage/low current situation between the nodes that induced a parallel current. This is sometimes called stray capacitance, because the induced filament is field aligned to the bridge current and it acts like two, thin linear plates of a capacitor. The induced filament sparked, creating the fault and still causes occasional earthquakes.

The entire Pacific coast and it’s features such as the San Andreas fault, the Sierra Mountains, San Juaquin Valley, the coastal ranges including the subject mountains, and even the Great Lakes on the other side of the continent can be explained in great detail by the electric circuits in the fringing field. But that takes us beyond the scope of Inkopah’s rocks.

The Rock

In case you think the idea granites are produced by electrolysis is crazy, please look into how elemental silicon was first produced. In 1854, pure elemental silicon was first produced in crystalline form as a product of electrolysis.

Sudden charge diffusion into a salt water aquifer beneath, or within layers of sand, perhaps still saturated having been dredged from the sea by tsunami, would evolve blossoms of oxygen by electrolysis that channel to the surface. Hydrogen would evolve, too. But being the smallest, slipperiest molecule, hydrogen would escape first, easily permeating through the porous sandstone overburden,. What hydrogen didn’t escape would cling to the sand giving it a positive charge.

The oxygen would follow, forming an ionic flow of current which would heat-up the channel. Electrolysis itself does not generate heat, but the current of ions, free electrons and chemical reactions would. It would boil and superheat the water, perhaps bringing it to triple point, where electrolysis more freely takes place. Oxygen would react with ions in the sand, especially iron. There is every evidence of this, as the rock and ground are suffused with iron pyrite, mica and the orange stain of iron rust. Everything was very hot, but not subject to the explosive thermal shock of arc discharge that vaporizes matter.

Granite, like 95% of all rock on the planet, is composed of silicon and oxygen in the form of silicates, like quartz. Almost all rocks are essentially silicon, oxygen and a small percent of other elements.

Oxidation is a reaction, whereby oxygen, in this case, gives up electrons to become a cation, and another element gains the electrons to become an anion. When iron rusts, the iron is oxidizing because the iron is stealing electrons to become iron oxide. Any metal, except gold, will oxidize.

Silicon is particularly wont to oxidize with oxygen to create rocks. Granite in particular is a conglomeration of the micas, clays, quartz and feldspars listed below.

Major groupStructureChemical formulaExample
Nesosilicatesisolated silicon tetrahedra[SiO4]4−olivinegarnetzircon
Sorosilicatesdouble tetrahedra[Si2O7]6−epidotemelilite group
Cyclosilicatesrings[SinO3n]2nberyl group, tourmaline group
Inosilicatessingle chain[SinO3n]2npyroxene group
Inosilicatesdouble chain[Si4nO11n]6namphibole group
Phyllosilicatessheets[Si2nO5n]2nmicas and clays
Tectosilicates3D framework[AlxSiyO(2x+2y)]xquartzfeldsparszeolites
From Wikipedia:

They are all crystalline compounds of electrically bound silicon and oxygen.

Silicon melts at 2577 degrees F, 1414 C and boils at 5909 degrees F, 3265 C. However, it’s unlikely temperatures this high were reached.

Application of an electric field with both AC and DC current has been tried and proven to lower the melting temperature of silica substantially, even to only a few hundred degrees – temperatures one can achieve in a conventional oven. Therefore, if electrolysis occurred, the electric fields generated would have naturally lowered the melting temperature by helping disassociate the crystalline bonds and liquify it. The presence of water also lowers the melting/boiling point of silica.

Electrolysis is accelerated by heat, saltwater, and capillary action – all present. The reaction is especially helped if the water is supercritical. That could be the case for water welling up from the deep under significant pressure at a temperature that melts sand.

The piezo-electric effect of current in the rock crystal itself would have had an effect, too, amplifying the release of free electrons and literally vibrating the rock. Electrically, granite is an excellent conductor, a chemical sink for oxygen, and, under stress, a piezo-electric generator.

Essentially all the conditions to promote boiling and electrolysis are present, from the materials to the energy welling from deep in the Earth.

To show how easily granite conducts electricity, the following film produced by James Hammond shows coronal discharge across an air gap between a granite block and electrodes. Notice that current diffuses entirely through the granite,, expanding to reach the entire electrode on the bottom. Also note, these discharge filaments are little plasma tornadoes. This may give you some visual clue to what the granite cauldron once looked like.

Video courtesy of DiveFlyFish.

After some time, the coronal discharge begins to eat away the rock, forming conductive channels that starves current from the other filaments and focuses it ultimately into an arc-mode discharge. Jim’s experiment is reversing the process of granite creation by disassociating crystalline bonds and melting and dissolving the rock.

Only electricity can do that – both construct and destruct matter. Interference is always either constructive, or destructive. Which brings up the bigger question: What is your interference pattern – what energy do you project?

We live in a fractal universe of energy and information, holographically presented us from without and within. Look inside to find the universe, because every element of a hologram contains the entire image. Every element of our being holds the answer, if we let the signal through. And, our energy projects tomorrows pattern. The future is in our hands.

So let’s make it better.

Cheers, and best of luck.

Granite Cauldron

Between the Borrego Desert and the pine covered peaks of Cleveland National Forest in eastern San Diego county, California, there is a domain of solid granite called the In-Ko-Pah mountains. The In-Ko-Pah’s have nary a tree; only coarse, manzanita chaparral that springs from chinks in the rock, like the hair of an armadillo. It’s a barren, broken land, forsaken to brooding hoodoos, rodents, snakes and decomposing granite.

Desert View Tower

Place names give it’s mood: “Valley of the Moon”, Devil’s Canyon, the optimistic “Boulder Park”, and “Coyote’s Flying Saucer Retrieval and Repair Service”. Most notable is the “Desert View Tower” in In-Ko-Pah canyon. The tower is made of the native granite, and stands Tolkenesque, commanding a view of the wizard’s cauldron around it.

As a child I remember the tower had a coffee shop. We never stopped, because “…we’re almost there”… there being still two hours away. I wistfully watched it’s golden glow, suffused with coffee and sweet-roll smells, pass from the backseat of a ’50’s Cadillac, a ’60’s Lincoln and two ’70’s Ford LTD’s. It presented a glowing warmth for the traveler, standing high above the road in this stark, alien landscape.

As it happens, I’m living here now. In a rural, mountain community called Potrero, which lies in this ‘cauldron of granite’ region, where I have taken the opportunity to look at the rocks.

What I conclude from observations is that these granite boulders are bubbles of boiled sand. Not hollow bubbles, but solid drops of granite, formed as boils at the surface of a hot fluid matrix. ‘Cauldron of Granite’ is an accurate description, as the energy came from below, and by electrolysis and thermal convection, boiled through layers of sand to the surface, liquifying the sand in the process, like one would melt metals in a cauldron.

As exemplified in these photos, many boulders look like the kind of candy made with drops of molten sugar. A viscous, thick material that quickly cools to form a skin that holds its drop shape, while the inside remains hot and liquid. The shapes are like frozen beads of molten glass.

Bubbles and drops take a cellular form due to surface tension that forms a skin around the fluid, and a pressure/density differential across this membrane. The bulging, rounded shapes suggest these formed in atmospheric pressure, rather than deep underground, as consensus science tells us. There had to be a lower pressure and density surrounding these drops as they formed to allow the free-form shapes, bound only by surface tension in the skin.

We will observe multiple other points of evidence that these boulders are electrolyzed boils, including evidence of how the mountains were formed and how they became electrified to boil boulder fields. In this, Part 1 of a 2-part series, we’ll discuss the Boulders. Part 2 will discuss the Cauldron and what caused these mountains to boil.

As we review the evidence and discuss the potential causes and processes, bear in mind the situational context of the Earth at the time. Earth was in upheaval due to some cosmic disturbance. The atmosphere and the ground, all through the crust, was charged. In some places, saturated zones eroded away, electronically machined by sputtering and arc discharge. Other areas had lower levels of saturation, where charge diffused through the ground and caused secondary and tertiary events at the surface that aren’t easily identified with something purely electrical. Thermodynamics, chemistry, fluid dynamics all conspire to increase the complexity of natures product. The granite cauldron is a display of such complexity.

The Boulders

Examination of the rocks, and the region as a whole, leads me to conclude the granite was boiled as a consequence of electrolysis in an underlying aquifer, where oxygen and hydrogen became segregated and channeled through layers of sand and water. The oxygen channels reacted with elements in the layers of sand, creating blossoms of hot boiling silicon compounds that solidified in contact with the atmosphere; suddenly cooling, re-combining and re-crystallizing as granite, but still in the shape of fluid drops.

Chocolate Kiss Rock

The evidence to back my theory is in the shape of the boulders, which precisely conform to the shape of fast cooling drops and clusters of drops. In fact, the boulders conform to shapes made of melted glass – silica dioxide – which is what these rocks are largely composed of. They do not conform to the expectations of conventional erosion. There is also evidence in the topography of the coastal mountains, which display the clear patterns of a large discharge of current from the Earth.

This differs from the consensus theory which has granite formed deep in the Earth as a volcanic flow that didn’t erupt to surface, but became trapped under extreme pressure and temperature for eons as it’s crystals grew. Then an accordion-like action of the Earth’s crust, triggered by subduction of the continents, caused these granites to be shoved 5000 feet above sea level where they have been lashed by wind, rain and freeze for millennia to produce the polished and rounded, but sometimes square granite boulders that we see.

At least the consensus and I agree there was extreme heat from within the Earth. My boiling drop-theory suggests things pretty much happened all at once due to a high voltage electrical impulse diffusing through a sandstone aquifer.

Boulder Foam

Evidence the boulder formations are boils is their shape, as depicted in the images previously shown, where singular drops formed and froze. While some retained an ovular shape, they dehydrated and contracted as they cooled, often leaving conical or flattened drops. This is exactly what one expects from a hot molten drop that cools, dries and solidifies quickly.

More often, however, one finds clusters of boulders that were once co-joined, like bubbles in a foam. In a foam, bubbles and drops conform to each other, matching shapes across cellular membranes. It’s very obvious the boulders shown in the next set of images are clusters of drops that have dried and fallen apart, leaving matching surfaces where they were co-joined.

Steam and other gasses exited the rock as it cooled. The expansion of gas and steam at the surface contact with atmosphere likely helped cool the surface faster, increasing the surface tension in the skin and causing shrinkage of the drop. As the drop shrank it separated into lobes, which further shrank and broke apart.

Comparing the boulder clusters shown, to the bubble clusters in the next group of images, one sees the same polygonal interfaces, the same segmenting and interstitial bubbles wedged between larger bubbles. The only difference shape-wise is that boulders are solidified drops, not bubbles, and they shrank as they dried causing segmented lobes to separate and fall apart.

When bubbles and drops cluster, those on the interior of the cluster tend to be polygonal shapes. Because the internal pressure between co-joined cells in a cluster is more, or less equalized, internal membrane walls experience no pressure differential and are flat. Outer cells in the cluster, however have a differential between interior pressure and the atmosphere, and therefore bulge. That is exactly how these boulder clusters are structured.

If one makes a symmetrical cluster of five equal bubbles, the one inside the other four will be a perfect cube. There are several examples of polygonal bubbles in the images shown. Singular boulders tend to be rounded, while boulders in clusters tend to be polygonal, especially the ones in the cluster centers.

The squared shapes and flat surfaces between boulders is proof they formed as drops in the atmosphere. This granite has no “grain” oriented in a certain direction, or any other internal structure that would cause them to break in a particular way as a result of earthquake or erosion. The only explanation presented by physics is if these rocks were clustered drops. A child can make a perfect square with soap bubbles. I challenge any PhD to do so with erosion.

Surface tension had to conform to the volume reduction, so one of two things happened. If the skin had cooled and recrystallized, it became rigid and further shrinkage of the hot interior caused the hard shell to break, leaving a sharp crack. If the skin was still plastic and viscous when the drop shrank, the skin conformed around the fluid interior leaving rounded edges. Most, if not all rock structures display one, or both consequences of shrinkage.

Separations that occurred from shrinkage after the skin ‘set’ into a hard shell, couldn’t conform and broke, leaving sharp edged cracks, as shown in these photos. These breaks tend to form an “S” shaped curve, not orthogonal segments.

Drops in clusters, with membranes still soft and pliable, show rounded edges and concavities where drops separated and shrank. These cellular segments tend to break parallel and orthogonal, at specific angles particular to each cluster.

The angles, or dip of the horizontal surfaces vary widely. It seems likely some force was pushing some clusters over, like the wind, or gravity was making them topple. The angles from one cluster to another are not consistent, which suggest variable winds, something perhaps expected over a boiling cauldron.

Another compelling evidence these boulders are boils is the columnar geometry of the largest structures. The segmenting is cellular, as already discussed, caused by cooling, shrinkage and surface tension related skin effects. The columnar shape, however, indicates convection. Vertically elongated, clustered polygonal columns are a known effect of heat convection, called – what else: convection columns. What is boiling? A process of heat convection.

Flat surfaces are left where bubble walls pressed in tall squarish columns, and then fell apart after cooling, shrinking, cracking and segregating. Everywhere boulders are co-joined, or conforming to each other in shape, interfaced with puzzle-piece concavities and bulges, because they were fluid and plastic during formation.

The granite boulders are visually patterned precisely as one would expect a viscous, frothing fluidized matrix to look if it were frozen mid-boil. Compare these formations to viscous drops, bubbles, foams and boils of various fluids and you can find analog formations with these shapes and features.

Look at the sequence of images below, and it’s apparent how the bubbles separate. It begins with a thin crack where a shrinking drop begins to segment into smaller drops – top left and bottom. Then drops begins to separate, and the edges round-off along the seam in fluid manner, like a bubble. And then they separate completely, like water balloons. These are examples of shrinkage when the skin is still plastic and molds around the cooling drop of molten material.

Another evidence for boils are top hats – one boulder directly atop another. Consider a viscous, molten drop where the surface rapidly cools and crystallizes to a semi-solid crust. And then more hot fluid pressures up inside, but the bubble’s crusty skin can’t expand, so fluid gushes out the thinnest skin of the bubble at the very top, thus creating a new bubble stacked atop the old. In the case of a cluster of bubbles, they can stack into columns.

A similar feature is the necklace, where interstitial drops seep-out around the base of larger drops, forming a beaded necklace.

One evidence I consider irrefutable is the “water-balloon effect”. The next group of images is of the same rock structure from different angles. I’ll just point out the obvious. The top, segmented rocks were once fluid sacks, like viscous water balloons that erupted out the top of an older boil and flowed down it’s back before shrinking, segmenting and solidifying.

Opposite the dripping side of the balloon is a concave side where drops in the cluster pressed against other drops that have since fallen away.

Wind, I suspect, flattened and pressed these bubbles together forcing the concavities instead of forming the more typical orthogonal cracks and separations seen in the majority of boulder clusters. The inner folds of the concavities have fluid ripples – the actual impression of turbulent waves and ripples in the separating skin between bubbles. I interpret this as an indication wind, seismic, or some other cause was vibrating the bubble.

In the following gallery are several more examples where drops in a cluster pressed together, leaving concavities beneath overhanging ‘water balloons’:

There are multiple other patterns in the rock that display fluid/drop/bubble behavior. Large waterfalls of rock can be found where a molten mass erupted from the flanks of a mountain and sheet-flowed down it’s side, like a volcanic lava flow.

Close examination of sheet-flow patterns show even more evidence, such as the appearance of standing waves.

The pattern of a viscous river shows where flows joined to form standing waves:

Looking at the foot of the granite flow, it resembles the foot of a glacier, or lava flow:

Perhaps the most compelling, singular example the rock formed as a boiling fluid, and suddenly froze when exposed to the atmosphere is shown in the next example. Here, liquid rock has poured out the side of a pillar and froze like a faucet of running water.

This next photo shows the same thing – a pouring outflow from a standing column:

Pouring outflow spilled down the right side and pooled below.

Like injection molds, the rocks have nubs and tubular pour spouts where fluid passed between cell structures:

There is something to be said about the regularity of how rocks section in proportion to their volume, as if there were a frequency causing a harmonic response in the body of the rock. It could be a seismic vibration from the fluidized, boiling cauldron itself, or it could be from sonic shock due to atmospheric winds. It’s also possible that the piezoelectric effect of current in the crystallizing skin of the boils caused vibration.

Many questions remain to be answered about how this rock formed. The atomic and chemical reactions are complex given the unknown amounts of current and potential involved, the profusion of elements involved and the unknown state of Earth’s atmosphere. Even Earth’s orbit and what it orbited around at the time these rocks formed is unknown.

One thing for sure, however, these rocks formed in atmospheric pressure. There is no possible way these shapes were produced while confined deep underground. Nor is it possible they were produced by any form of erosion. The forms were caused by a viscous, plastic fluid confined only by surface tension. Their shape is self evident. There is no argument that can be made to deny it. They look like drops and bubbles because they are.

There is a reason boulders boiled from the Earth east of San Diego. To understand how this happened, Part 2 of the Granite Cauldron will look at the mountains themselves and how they formed.

Shine On, You Crazy Diamond!

This week I received the news of Wal Thornhill’s passing. I wish to pay tribute with this article. Wal was a mentor to us all in the most important field of all – the true nature of our universe. Wal’s many theories and predictions succeeded because he sought the truth. Not for credentials, funding, accolades, or power; he sought the truth for the sake of knowing – as we all should. It’s the true intent of science. It’s a true source of joy.

I began this article, weeks ago, to discuss the truth. It was never intended to be about Wal. It was, and still is, about truth seekers in the Electric Universe. “Shine on, you crazy diamond” is an ode to garage experimenters, theorists, scientists and deep-thinkers everywhere who are grounded and harmonized with natural frequencies. But Wal is the epitome of such people. No B.S. got past Wal – believe me, I tested him. So, the title now takes added meaning – as things always do in a fractal universe.

How do you know the truth when you see it? It’s because you recognize a pattern. You trust yourself to know what you are seeing, hearing, or feeling. You know because it resonates within you. A pattern from memory, like a mother’s face, is a pattern that harmonizes heart and soul, and you know. There is no doubt, the instant you recognize Mom’s face, or whoever is your closest, “every bone in your body” knows it. It’s something everyone does. But it isn’t work of the conscious mind. It’s the work of an observant state of being. It involves every sense, conscious and unconscious, mind and body; the whole antenna resonates.

Like riding a bicycle, your mind doesn’t tell your body how to keep balance. It just does – as long as you stop thinking and just pay attention.

When I first stumbled into the Thunderbolts.project, I didn’t have a clue what I was going to write about. I just knew I found the right place. In the first weeks I binged on Thunderbolts videos, especially Michael Steinbacher. I watched all of his. As an engineer with a smattering of geology experience, it made sense to look for electrical evidence on the Earth. After-all, it’s accessible, more-so than telescopes, particle beams and buzzy, high voltage labs.

Michael’s videos led me to an addiction: Google Earth. I’ve always had a thing for maps. There are patterns – always patterns, whether looking at highways, cities, airline routes, or topography – there is a wealth of information in the patterns. Earth’s topography is patterned. I could not put a finger to how, or why, but I could see patterns that stretched for thousands of miles that had no ‘reasonable’ explanation. There were repeating patterns, geometric patterns. Some patterns were similar to other planets, yet others were unique. There had to be a reason. I had already dismissed conventional thinking at this point, of course, and reasoned these features must be electric. We see, plainly, electrical scarring on planets and moons, and the electric atmospheres of the gas giants. So it must be on Earth – but why does Earth look so complex.

I stumbled, again, always stumbling, into evidence of shockwaves on hillsides. It came about because I searched “craters” and found a blog by a guy who was a demolitions expert. He was writing about shockwave features on hillsides near his home and proposing they were crater rims. He recognized harmonic tetrahedral patterning caused by sonic shock because he’ d spent a career in the military analyzing the blast zones of heavy ordinance. He was a man who knew shockwaves when he saw them.

As a mechanical engineer, I have a good amount of experience with such things myself. Shockwaves – yes, but more importantly, I’d learned to listen to technicians like this guy. The operators, the mechanics, the people who are hands-on. If you want to know the process, don’t ask the people who manage it, ask the people who operate it. Beyond already knowing something about “shock diamonds”, I innately trusted this guy knew his patterns, even though he had no academic credentials.

I began searching for these patterns. Lo and behold, they are everywhere. Not only did I find harmonic tetrahedrons, created by compression zones called “separation bubbles”, formed where a super-sonic wave impinges on a surface. I found multiple features of fine detail distinct to shockwaves embedded in rocks, mountains and entire mountain chains. Scalable, harmonic, self-similarity plastered across the global landscape everywhere I looked could only be from one cause: sustained plasma storms.

I finally had evidence, from personal investigation – from a position of knowing – what caused patterns, at least many on Earth, and that we indeed live in an electric universe.

Only a charged environment could develop supersonic winds that could freeze rock in-situ in the precise form of the shockwave. Coulomb force and recombination is the only process that makes physical sense. A dusty plasma environment would accelerate winds to supersonic speeds, rippling the landscape wherever shockwaves reflected and segregating winds by step voltage and ionic density. To produce what I witness on Earth’s crust, Earth’s atmosphere had to be a rainbow-banded chemical soup, like Jupiter’s atmosphere. There had to be several global storms to produce the layers of geology and episodic fossil evidence of extinctions – a recurring nightmare.

And since I’ve written several articles showing the shock features in detail, showing self-similarity between Jupiter’s storms and landforms on Earth, and exploring many other geologic examples of electrical formations and scarring, I know what I’m showing you is the truth. The patterns speak for themselves. My explanations may suck. I may not describe the electric circuit properly, or organize my streams of consciousness well, but the geology is there, Jupiter is there, winds, storms, rocks – it’s all out there to go look at for yourself. The data I use is open source, available to anyone with an internet connection. One can research shockwave patterns, standing waves, separation bubbles, and anything else I write about with a few clicks of a mouse.

You can see the patterns for yourself. It’s the only thing that will invoke faith, because that is what knowing the truth comes down to: faith. This brings me to the point. Faith is how you know the truth. Faith in yourself. Do you believe your lying eyes?

I’m not speaking about faith in God, although that is the ultimate faith. I’m using a small “f” faith to mean conviction in any particular realm, such as the faith one has they can unerringly find their mother’s face in a crowd, or ride a bike. It’s a reliance on all of your senses, conscious and unconscious. You recognize the pattern, and your gut, heart and soul resonates. It feels right. It’s common sense. When you know, you know.

How else can one know they are objective unless they know and trust themselves? It’s an internal thing, to be confident in oneself, and the only way to satisfy that is to see, hear and feel for yourself. Relying on someone else’s word makes one a parrot.

Now this brings to question, how can I have faith I know what I’m seeing when pretty much the entire world of academia ‘knows’ I’m wrong, and that tectonic forces like subduction, expansion and uplift created mountains, plus billions of years, blah, blah, blah.

Because they don’t show you anything but drawings and models. They can’t explain, or even try, the fractal forms; the harmonic repetitions; the phase-angled vectors of frequency interference. Their explanations don’t explain; they describe processes that no one has ever seen. The one thing they never talk about is electricity in circuits, which is like explaining life without mentioning breathing. And if you dig down to their fundamental assumptions that underlie the whole house of cards, you’ll find it’s based on unfalsifiable, “billions and billions of years”, dark energy-type dreamed-up concepts force-fed by whatever humpty-dumps were in-charge.

In other words, to believe them is to trust them rather than yourself. And they’re idiots.

I also know, because I worked in the energy industry, that much of science is political, not truthful. It’s marketing – it’s meant to persuade you, not inform you. This corruption is pervasive throughout quakademia.

If you seek the truth, without fear, or bias, you’ll know when you find it because you’ll find confirmation. It will present itself – you just need to be aware. A week ago I camped on flat “alluvial” plain covered in gravel near the Colorado River. I knew the plain to be a windblown feature created in the arc-blast of a discharge event. It had nothing to do with an ancient river bed as consensus theory would have you believe. So, I began examining the gravel. It was predominately typical river rock, rounded by water erosion as consensus theory goes. But as I picked up rock, after rock, a specific pattern became evident. Many, if not most of the rocks I looked at had a flat side.

One side indeed was rounded and polished, as if washed by sand and water, but one side was flat. Which entirely confirmed my expectation, because I suspected such gravel to be the result of rock rain. These “river rocks” fell like rain after being blasted into the sky as molten glass and reconstituted as drops and hailstones. The ones that were still hot and molten inside, but had a cooled crust, landed like pudding drops, making the flat bottom; and the top exposed to winds, still screaming, made elongated and rounded streamlined tops to the drops. You know these rocks. They’re the best ones to skip.

The flat bottom is the tell. Water erosion doesn’t explain that. The rock rain was a pleasant surprise. I wasn’t looking for it – it was just there where I camped. This happens almost continuously from things as mundane as gravel, because the entire planet is evidence.

One will also find along the way people like the demolitions expert, who’s blog and identity is somewhere in the way-back machine (I’d like to thank and credit him). Obscure blogs and videos arrive in my streams weekly that either inspire new insight, or confirm a prior postulation. Seek and you will find, because that is part of the pattern.

I watch YouTube channels with less than 500 subscribers who know better than professors; people with no academic background but with curious minds who examine magnetism and electricity with products from e-bay. I listen to people with spiritual connections, who’s faith comes from experiences scoffed at by consensus science. I read random articles in the news… find rocks here and there. I live a continuous stream of synchronicities. Information specific to my questions arrives at my doorstep, as if asking the right question is all the invitation Nature needs. The universe wants to show itself to those who want the truth. Evidence is everywhere.

Personal observations led us to know that the Universe is electric. We all recognize the obvious: plasma nebula, swirling galaxies and everywhere the blaze of electro-magnetic balls of discharge called stars. We can see what a crater really is, and therefore lose no sleep wondering why so many are hexagonal. We know, thanks to Halton Arp, that redshift isn’t a measuring stick, and his evidence alone makes the whole Big Bang thing nonsense. We know weather and climate is the Earth’s circuitry in action, and therefore are not shamed by our carbon footprint.

What binds us all is truly electric. The ether flows through us, as the light and warmth that generates the hologram, so there must be a common carrier wave at it’s frequency we all receive. Wouldn’t any creature evolve the ability to ‘hear’ it, given it’s all encompassing pre-imminence? Notwithstanding the uniquely human inability to listen, it seems a natural thing for life to feel that energy. Think of the mysterious animal behaviors, like foreknowledge of severe weather and earthquakes. A pet knowing when a master is on the way home. Telepathic signals are real, IMHO, and they have a physics. One must acknowledge an ether, however, and look inward to find how to tune-in.

In this regard, we are all scientists, by my definition. We each took a look and said that’s electric, because it so obviously is. Recognizing the obvious is critical thinking. Manipulating math to invent invisible forces, energies and matter is, of course the ultimate woo. One can make math simulate anything if you make the rules.

Truth comes about due to intent. Truth is accessible to anyone with the unflinching intent to find it and speak it, because it’s out there waiting for you. As more people become tired of the BS, they will look for new answers. I expect many will find us.

I expressed this expectation to Wal late last year in a few brief email exchanges. He agreed the future will be amazing. He also said keep finding the patterns. Why I think this is a fitting testimony for Wal, is because he and Dave created this environment to explore truth. That is his legacy.

Cheers to anyone who follows it. Shine on, you crazy diamond!

Cosmic Resonance

Proponents of Electric Universe Theory face one, seemingly infinite wall of resistance: the false preconceptions cemented in people’s minds by consensus science. We do not see the cosmos the same way materialists do.

Fundamentally, the cosmos is energy. Energy is kinetic motion, or potential motion of matter over a distance. But matter itself is potential energy – so, it’s just all one thing – energy. An Electric Universe is one of energy transformed from kinetic to potential by standing waves of constructive interference. Matter “particles” consist of holographic, plasmodial interference patterns – standing waves in other words – that form the ether. Each standing wave is itself a circuit of energy, shaped by it’s frequency. The shape of matter conforms to the shape of energy flow, and the shape of matter forms circuitry that anchors the shape of energy. It’s a feedback loop.

Nature’s RLC circuit (approximately)

From our perspective plasmoids are electromagnetic bubbles of potential energy, and hence the perception of a “particle”. On the inside, they are whirlwinds of trapped energy patterned into an infinite, cyclic circuit. This circuit creates polarity, angular momentum, exchanges energy with it’s environment by induction, and maintains structural integrity with a membrane of capacitance. It’s internal potential maintains resonant balance, and therefore is in constant feedback, with it’s environment. It is an RLC circuit.

This circuit pattern repeats, in self-similar, scalar harmonies from the sub-atomic scale to the supra-galactic. Therefore, an Electric Universe is luminous bubbles within bubbles; circuits within circuits; harmonies within harmonies vibrating a constant energy from within, in resonance with everything without.

Electric Universe eyes see the cosmos is circuitry that patterns energy, frequency and vibration. Circuitry is life. The feedback loop is universal. Entropy is energy dropping an octave. Infinity means as big as it needs to be. Gravity is an emergent consequence worthy of study, not worship. And we don’t divide by zero.

Minds that imagine energy as chunks of stuff bouncing around are unlikely to consider repeating, scalable, fractal interference patterns as evidence for anything but the “mysteries of nature”. They have been groomed all their lives to think what matters is matter. They will remain befuddled by “duality” and haunted by “entanglement”. They will disavow longitudinal waves and the ether.

It’s why consensus science can’t explain ubiquitous patterns at every scale in the cosmos, like the Fibonacci sequence, or the Mandelbrot set. It’s just physics, but they try to sweep such evidence of circuitry in nature under the rug by calling it a mystery – as if it’s something beyond science. It is they who have gone beyond science – beyond falsifiability – with dark stuff, wormholes and multi-verses.

Breaking out of the “mold” that poisons quacademia, and hence the greater population, requires more than waiting on it’s internal decay. Although that is happening at an accelerating pace, there is still a need to reorient people’s minds to reality. They need new physical models they can visualize.

Fortunately, great minds have already blazed a path. Their message has just been suppressed. I’m talking about people like Faraday, Maxwell, Heaviside, and Steinmetz. These are names that need no introduction in the Electric Universe. But let’s add one more: Hans G. Schantz.

Hans G. Schantz is with Q-Track Corporation of Huntsville, Alabama, and has written a paper titled “On Energy Flow in Standing Waves”. In this paper, Hans rediscovers the enlightenment of our electric pioneers. This paper examines the underpinnings of electromagnetism appropriately in the context of wavelengths, frequencies, amplitudes, harmonies, and the patterns that emerge as originally studied by the luminaries mentioned.

In particular, this paper explores the Poynting-Heaviside interpretation of energy flow in electric circuits, which basically says the energy isn’t in the copper wires of a circuit, but flows through the electromagnetic “lines of force” around the wires. This is quite different from the conventional concept of electrons channeling through wires. This paper demonstrates, however, that the Poynting-Heaviside interpretation is correct.

This conclusion should be no surprise in the EU community, however it’s critically important to understanding the motions of a dusty plasma in free space. It’s critically important for people who’s concept of electricity is confined to the wires they plug into their appliances.

The convention in science and engineering is to model electric circuits from a “far field” perspective. That is, to measure voltage, current and resistance from point-to-point and ignore how the “electron” travels between. The scientists mentioned in particular, developed methods to approximate with simple math what otherwise was too complex to be useful. But fidelity was lost about the pattern of actual energy flow, and hence the very perception of it, even for engineers and scientists.

The paper illustrates the flow of energy and impedance, in concert with voltage and current, as a result of standing waves formed in the EM field in a simulated two-phase system. Although this is a very simple model, the patterns of energy flow are similar to patterns found in geology created by electromagnetic waves. It illustrates how energy flows like water, changing direction in zig-zag patterns and circulating in whirlpools. These intricate, turbulent motions are ignored by convention. We cannot afford to ignore them, however, if we want to model weather and geology, or anything else, for that matter, in nature.

As we’ve shown in previous articles, plasma storms patterned the face of the Earth by raising a global dust cloud and re-applying the constituents in patterns formed by electromagnetic forces. In other words, Earth is an electro-plated planet. We have shown and discussed significant evidence that supersonic winds molded mountains, leaving distinctive, in fact, unambiguous patterns of shockwaves. We’ve shown and discussed evidence of canyons formed by sputtering discharge. And we’ve shown and discussed river channels formed by ground-to-ground, arc-mode discharge and the evidence of resonant frequencies, Hall effect, stray capacitance, line-to-line phase vectors and other identifiable geometric effects in the discharge patterns. These are all “near-field” effects that are not captured in conventional far-field analysis.

Wind effects, in particular, are patterned by energy and power flow, and hence conventional far-field methods won’t work. A quick dimensional analysis says wind is mass forced to move over distance (energy), over time (power). To model the patterns of dusty plasma winds requires the methods of Messrs. Poynting, Heaviside and Schantz.

On Energy Flow in Standing Waves

Before you click to his paper and die a small death at the sight of many equations, scroll past to the illustrations. Anyone who can see the patterns sees the result of electromagnetic forces, regardless of whether the equations are understood. I have included samples of the figures below for discussion.

Sample illustration from ResearchGate: Sample illustration from ResearchGate: https://www.researchgate.net/publication/265849380_On_Energy_Flow_in_Standing_Wave

Energy flows a more tortuous path than conventional models imply. It makes right angle turns, and eddies around pools of impedance into “Z” pattern flows like water in a rocky stream. Just like shock waves reflect off of shock waves, EM waves reflect off of EM waves, creating interference standing waves in odd places, harmonics and travelling waves – transient standing waves. Geologic evidence of wind patterns left by supersonic shock waves, and many other features, confirms that plasma winds filamented into linear, “Z” patterned, right angle and circulating cyclones patterned by electromagnetic fields, as well.

Examine the interference patterns in figure 5 from the paper, and take special note of the Total Energy and Impedance diagrams.

Sample illustration from ResearchGate: https://www.researchgate.net/publication/265849380_On_Energy_Flow_in_Standing_Waves

The same type of energy flow molded the Laramie Mountains around the spectacular “X” discharge pattern at the heart of the range. Although the patterns are not identical to the examples in the paper, the angular relationships patterned in the landscape are the same because it was also created by an orthogonal, electromagnetic field interference pattern.

The patterns are more complex than the simple 2-phase simulation, but so was the electromagnetic field of the plasma storm that created these mountains. The storm generated an electric field between the sky and ground at this particular location on the continental divide because of tension between circuit domains forming the Mississippi, Colorado and Snake River watersheds. It was this ‘hot spot’ in the ground that drew a response in the atmosphere by building a thunderstorm – one of Zeus’ finest.

Wind patterns, indicated in blue, show the path of energy-flow along “lines of force” which we now know are interference patterns in a multi-phase EM field. The wind energy travelled in straight-line filaments at angles roughly 30 – 45 degrees offset to the orthogonal “cross”, just like the “impedance” is offset from “total energy” in figure 5, and for the same reason. The ground discharge pattern that made the orthogonal cross presents the ‘ground phase’, and the tropical layer of the storm cell above it presented the opposite end of the electric field, or the other ‘plate’ of charge density in the capacitor, and the ‘other phase’ in the EM field for this circuit.

The cross itself is a discharge between the three ground domains and is anchoring the location and establishing the frequency of the circuit. As the discharge cycled from peak-to-trough it presented a standing wave of maximum impedance/minimum voltage to the plasma winds. Plasma winds were biased positive and the ground negative. Winds were drawn by reactive energy flows of electric field inductance (capacitance) and magnetic field inductance, both leading and lagging the pulsing arc-mode discharges on the ground. Magnetic field inductance drew filamentary jet-streams towards the center of the cross, and then up, into the storm’s center. These jet streams followed magnetic waves, vectored in the direction of the waves motion, perpendicular to “lines of force”. Electric induction drew winds in curving paths, field-aligned with magnetic “lines of force”, as shown in the figure below, and these winds deposited dust where ground charge attracted it in the act of electro-plating.

The patterns formed by a dusty plasma are also influenced by the dust itself. The difference in ionic mix, and the influence of magnetic, or diamagnetic particles might make the difference between a clockwise, or counter-clockwise turn, or a fast or slow wind, or whether it sticks to the ground-charge densities at a shock-wave, or blows right through.

So to summarize, the orthogonal relationship of alternating electric and magnetic fields yields an “X” shaped constructive interference pattern of maximum reactive energy flow, and a vertical “cross” shaped minimum energy pattern of maximum impedance. This pattern is repeatable, scalable and expressions of it are identifiable throughout nature.

The take-away of this paper and what it illustrates about Earth, is the phased interplay of reactive power in the EM field between sky and ground. The sky is reactive, lagging in phase to charge concentrations first established in the ground. Lightning, tornadoes and storm cells are phase-to-phase discharges in a multi-phase circuit, not DC dielectric breakdowns, nor anything to do with CO2. That is why consensus science can’t understand weather.

The Earth, like everything else in the cosmos is a pattern of energy storage and flow. Follow the energy to any answer. That’s how it’s done with, or without math. One can feel energy.

When you add the complexities of spherical geometry and how waves propagate and interfere on a spherical capacitor that inducts energy from the poles, definable patterns appear. Take for instance these images of Iapetus:

Iapetus has no atmosphere, or internal geo-electric dynamic. What happened here was a direct current event, however it serves to illustrate ground currents. What is obvious is a meridian of raised rock, called a dike, running from one pole to the other. A quarter turn (90 degrees) around the moon is a similar pole-to-pole meridian of aligned craters, highlighted by the limb. Another, smaller meridian of craters runs roughly between the larger craters and dike (about 30 degrees above the dike). Each is an expression of charge densities formed by filaments of current.

Immediately, one should notice the quadrangle formed by interference. Here, from a polar aspect, the dike and major crater meridians parallel a quarter rotation apart from pole-to-pole, with a minor meridian of craters between. It is a similar, 3 dimensional quadrangle of power flow as the paper depicts in two dimensions, where the quadrangle is formed by constructive interference and then divided into eight sections by destructive interference (impedance). Each section forms it’s own pattern of charge densities, because each section acquires a different ratio and vector of electric and magnetic field inductance due to phase and frequency differences.

The craters formed on radial currents emanating from the moon’s interior and aligned along these meridians as they passed through the crust. They formed destructive interference – cathode spots – on the spherical field of the crust where energy deconstructed matter. The dike, on the other hand is a meridian filament of constructive interference on the crustal surface that ran like a wire from pole-to-pole. Constructive interference means energy aggregates matter, where positive and negative ions came together and recombined. The energy was entering one pole and leaving the other, but reflecting it’s internal flow into multiphase interference which patterned standing waves of voltage, current and impedance from within to created these distinct, geometrically aligned filaments as a rise in internal energy exceeded the capacity of the body.

Atmospheric planets especially show consistent patterns of energy flow in their weather due to multi-phase reactive energy. The “V” patterned winds on Venus, the magnetic shadow on the Sun, and the continental formation of North America shown below, are all the consequence of energy flows from a body that is inducting energy, storing it in layers of spherical capacity and expelling excess through it’s own dynamic electromagnetic fields, forming these predictable interference patterns.

Ground charge densities caused shield volcanoes to lay the continent’s foundations on Earth, and weather layered sediments on top, shaped by the same reactive energy flows and interference patterns because the plasmodial circuitry in Earth, Venus and the Sun are very similar. These patterns come and go. Other patterns emerge. Nothing is constant. But the patterns recur. They are interference patterns from internal circuitry that has it’s own cyclically operating switching mechanism.

It’s obvious, if you think about it, assuming you accept electrical formation in the first place, that Earth’s land masses must be patterned by forces from within. If they were not, how would diffuse energy from space create the complex geography we see? By applying the same physics described in this paper, one can determine fine detail about geology on Earth.

The cycles of catastrophe in Earth’s past left patterns of plasma winds, sputtering and arc mode discharges, shock waves and fringe effect currents around the continental plates, all patterned by Earth’s own energy flow. Each episode laid a new layer on the old. Each layer, if properly interpreted, will yield a clear picture of what happened. Were there comets and asteroids colliding with Earth in cyclic patterns of recurrence? Or did Earth switch it’s circuit patterns periodically, perhaps due to Solar influence? These are answerable questions. In the same way one can interpret prevailing wind patterns from the shape of a sand dune, one can interpret virtually any hill, or dale on the planet. A record is retained in Earth’s geology like a holograph, because it was formed by standing waves.

Now, thanks to the work of engineers and scientists, like Hans G. Schantz, who are brave enough to challenge the consensus, we have the beginning of models to re-interpret our world. We can go to work re-writing science.

Cheers,